Chris Taylor
You won a copy of Mel Teshco's, MOON THRALL - or one of her Ellora's Cave back-list.
If you could contact her - melteshco(at)yahoo(dot)com(dot)au - and she'll discuss details with you about getting it to you.
Happy Reading!
Wednesday, March 23, 2011
Monday, March 21, 2011
GUEST AUTHOR: Paula Roe
Aussie Desire author, Paula Roe joins me this week to share some interesting tid-bits about herself and her latest release.
Can you tell us a little about yourself?
How much space do we have? ;-) In a nutshell, I’m a former office manager/software tutor/theme park games hostess/aerobics instructor. These days I’m a writer/workshop tutor/website designer/mum. Of course I’m a Gemini, which I think explains the multiple jobs.
When did you start to write and how long did it take you to be published?
I first remember being encouraged to write in year 5 when my teacher read my short story aloud in class (it was about horses and he gave me top marks for using the word ‘cascading’ which apparently, was quite advanced for an 11 year old).
Then I moved on from horsey stories to sheikhs and pirates, which reflects what I was reading at the time. I wrote a few wall bangers on the work commute when I was 18-20.
Joining RWA in 1994 was really the turning point for me, which opened my eyes to all the technical stuff like voice, point of view, scene and structure, plot and characterization. I entered a few contests, then submitted to Harlequin Temptation in 95, which was promptly rejected.
Fast forward to 2006, where I’d entered close to 90 contests and submitted (and been rejected) full manuscripts. I got the call from Silhouette Desire in September, so it only took me twelve years of serious yes-I-want-to-be-published writing to get there.
Are you a panster or plotter? Is it your characters or your plot that influence you most? What's your writing process from start to finish when writing a book?
I’m more of a scener – I see full scenes in my head, write them down then attempt to string them all together in some cohesive, logical format. Sometimes this works, sometimes not ;-) Which is where Document Map becomes invaluable – I can see my scene summary at a glance and if it needs to be moved, changed or deleted.
My characters definitely influence the story most – if they’ve had a certain upbringing, had experiences and been through life-changing events, then that will definitely shape the story. However, sometimes I want a story to go one way, which gets me thinking about what type of character I need to ensure that direction. So sometimes each influences the other!
As to my writing process - I do characters sketches: physical characteristics, life influences, family dynamic, etc. The more I know about my character’s back story, the easier the story comes to me.
Then I draft up a synopsis, around 6 pages or so, then the first three chapters. I fiddle and tinker with that until it feels right, then, after I submit that to my editor, I write the rest of the book. Sometimes I’ll write my ‘itching-to-be-written’ scenes first, sometimes not.
My first draft is generally my only draft, because I edit as I go. And by this time, my editor may come back with some concerns or ideas which I look at.
It’s also important for me to get the whole story down without going back and editing every single time I sit down to write. So when I come to a roadblock (could be a missing fact, could be a clunky sentence, could be something that just doesn’t read right) I add a comment flag in Word, type in the issue, then keep on going. When I address all those little flags, I’m happy with my story :-)
I also have a list of my frequently used words (rather, overused!) and I flag those within the story. Then when I’m in the last stages of writing, I’ll revisit those words to see if I can use a better one.
Tell us about your new release.
It’s called PROMOTED TO WIFE? and it’s out in the USA mid-March, Australia/NZ mid-April. I had heaps of fun writing this one, especially all the dialogue and the secondary characters, where we revisit the Prescotts (the hero’s brother Cal had his own story in The Magnate’s Baby Promise).
My hero, Zac, is a step down from the ultra-alpha – he’s so sweet, I love him to bits! And Emily is definitely shades of everywoman, with all the doubts and insecurities we sometimes stress about. I also loved writing Emily’s sister AJ who nearly hijacked every scene she appeared in. Of course, I have to give her a story of her own!
Here’s my back cover blurb:
Business, Pleasure...Possibilities?
Running a multi-billion dollar company meant long hours for Zac Prescott. Thankfully, his super-efficient assistant made the workload almost bearable. Theirs was a strictly professional relationship… until the night Emily Reynolds finally let her hair down. And the tycoon took full advantage by stealing a kiss.
Suddenly, all Zac could concentrate on was his once plain-Jane secretary. Too bad that after the kiss, she'd quit! Could he lure her back with better prospects… and add some pleasure to the job description? Or was Emily looking for the ultimate promotion...to wife?
Despite the ‘wife’ mention, the story isn’t about the hero thinking the heroine is after marriage :-)
What’s the most unusual place you have visited?
A few – the night in a Valencia youth hostel that was an old converted stable. The torture instrument museum in the basement of an Innsbruck castle. The long, dark walk to a restaurant in the middle of nowhere in Austria that reminded me of A Werewolf in London when the guy got bitten. Think open rolling hills, no street lights, mist and snow and a tiny country road that went for ages. Creepy!
Are there any particular settings or sorts of characters you'd like to use in a future book?
I’d love to do a dark story with a damaged, tortured warrior hero who’s running (both physically and mentally) from terrible secrets from his past. Of course, that’s not Desire material :-) Which is why I’ve got this space opera/fantasy/erotic story fermenting in my head, a story that tackles the huge issues of love, betrayal, revenge and getting your heart’s desire. And growing up with the original Star Wars, Star Trek, Dr Who, et al, I adore those kinds of fantastical elements.
This book is such a labour of love, though, and I’m working on it in between my Desire commitments (and of course, now I’ve committed to it out loud, I’m sure my writer friends will keep me on track and ensure I finish it).
Thanks, Paula, for allowing me to interrog--umm, I mean, interview you!
For more information on Paula, head on over to her website, or to follow her blog.
Paula's other books:
Can you tell us a little about yourself?
How much space do we have? ;-) In a nutshell, I’m a former office manager/software tutor/theme park games hostess/aerobics instructor. These days I’m a writer/workshop tutor/website designer/mum. Of course I’m a Gemini, which I think explains the multiple jobs.When did you start to write and how long did it take you to be published?
I first remember being encouraged to write in year 5 when my teacher read my short story aloud in class (it was about horses and he gave me top marks for using the word ‘cascading’ which apparently, was quite advanced for an 11 year old
Then I moved on from horsey stories to sheikhs and pirates, which reflects what I was reading at the time. I wrote a few wall bangers on the work commute when I was 18-20.
Joining RWA in 1994 was really the turning point for me, which opened my eyes to all the technical stuff like voice, point of view, scene and structure, plot and characterization. I entered a few contests, then submitted to Harlequin Temptation in 95, which was promptly rejected.
Fast forward to 2006, where I’d entered close to 90 contests and submitted (and been rejected) full manuscripts. I got the call from Silhouette Desire in September, so it only took me twelve years of serious yes-I-want-to-be-published writing to get there.
Are you a panster or plotter? Is it your characters or your plot that influence you most? What's your writing process from start to finish when writing a book?
I’m more of a scener – I see full scenes in my head, write them down then attempt to string them all together in some cohesive, logical format. Sometimes this works, sometimes not ;-) Which is where Document Map becomes invaluable – I can see my scene summary at a glance and if it needs to be moved, changed or deleted.
My characters definitely influence the story most – if they’ve had a certain upbringing, had experiences and been through life-changing events, then that will definitely shape the story. However, sometimes I want a story to go one way, which gets me thinking about what type of character I need to ensure that direction. So sometimes each influences the other!
As to my writing process - I do characters sketches: physical characteristics, life influences, family dynamic, etc. The more I know about my character’s back story, the easier the story comes to me.
Then I draft up a synopsis, around 6 pages or so, then the first three chapters. I fiddle and tinker with that until it feels right, then, after I submit that to my editor, I write the rest of the book. Sometimes I’ll write my ‘itching-to-be-written’ scenes first, sometimes not.
My first draft is generally my only draft, because I edit as I go. And by this time, my editor may come back with some concerns or ideas which I look at.
It’s also important for me to get the whole story down without going back and editing every single time I sit down to write. So when I come to a roadblock (could be a missing fact, could be a clunky sentence, could be something that just doesn’t read right) I add a comment flag in Word, type in the issue, then keep on going. When I address all those little flags, I’m happy with my story :-)
I also have a list of my frequently used words (rather, overused!) and I flag those within the story. Then when I’m in the last stages of writing, I’ll revisit those words to see if I can use a better one.
Tell us about your new release.
It’s called PROMOTED TO WIFE? and it’s out in the USA mid-March, Australia/NZ mid-April. I had heaps of fun writing this one, especially all the dialogue and the secondary characters, where we revisit the Prescotts (the hero’s brother Cal had his own story in The Magnate’s Baby Promise).
My hero, Zac, is a step down from the ultra-alpha – he’s so sweet, I love him to bits! And Emily is definitely shades of everywoman, with all the doubts and insecurities we sometimes stress about. I also loved writing Emily’s sister AJ who nearly hijacked every scene she appeared in. Of course, I have to give her a story of her own!
Here’s my back cover blurb:
Business, Pleasure...Possibilities?
Running a multi-billion dollar company meant long hours for Zac Prescott. Thankfully, his super-efficient assistant made the workload almost bearable. Theirs was a strictly professional relationship… until the night Emily Reynolds finally let her hair down. And the tycoon took full advantage by stealing a kiss.
Suddenly, all Zac could concentrate on was his once plain-Jane secretary. Too bad that after the kiss, she'd quit! Could he lure her back with better prospects… and add some pleasure to the job description? Or was Emily looking for the ultimate promotion...to wife?
Despite the ‘wife’ mention, the story isn’t about the hero thinking the heroine is after marriage :-)
What’s the most unusual place you have visited?
A few – the night in a Valencia youth hostel that was an old converted stable. The torture instrument museum in the basement of an Innsbruck castle. The long, dark walk to a restaurant in the middle of nowhere in Austria that reminded me of A Werewolf in London when the guy got bitten. Think open rolling hills, no street lights, mist and snow and a tiny country road that went for ages. Creepy!
Are there any particular settings or sorts of characters you'd like to use in a future book?
I’d love to do a dark story with a damaged, tortured warrior hero who’s running (both physically and mentally) from terrible secrets from his past. Of course, that’s not Desire material :-) Which is why I’ve got this space opera/fantasy/erotic story fermenting in my head, a story that tackles the huge issues of love, betrayal, revenge and getting your heart’s desire. And growing up with the original Star Wars, Star Trek, Dr Who, et al, I adore those kinds of fantastical elements.
This book is such a labour of love, though, and I’m working on it in between my Desire commitments (and of course, now I’ve committed to it out loud, I’m sure my writer friends will keep me on track and ensure I finish it
Thanks, Paula, for allowing me to interrog--umm, I mean, interview you!
For more information on Paula, head on over to her website, or to follow her blog.
Paula's other books:
Saturday, March 19, 2011
SHATTERED SKY & WINGS OF FEAR winners!
There were a lot of fun, unusual places mentioned in the comments section of Helene Young's interview. I felt like Mr.X travelling the globe! "The Horn", Deadman's Bay, Antartica, a cemetery beneath the Vatican...
Thank you again to Helene for generously donating two books - SHATTERED SKY and WINGS OF FEAR.
Names were randomly drawn.
The winner of SHATTERED SKY is...
Thank you again to Helene for generously donating two books - SHATTERED SKY and WINGS OF FEAR.
Names were randomly drawn.
The winner of SHATTERED SKY is...
Tina C.
The winner of WINGS OF FEAR is...
Carol Challis
Congratulations!
If both these people could contact Helene - heleneyoung01(at)gmail(dot)com - she can arrange to get your book to you! Happy Reading!
GUEST AUTHOR: Mel Teshco
Yes, I know it' not Monday but I couldn't pass up having a special guest and my friend Mel Teshco visit today!
Bonus! You're getting a couple of guest authors this week!!! And a give-away!
So, who is Mel Teshco?
I’m a mum of three wonderful girls and a grandmother of a gorgeous little boy. My family has a thing for cats (four) and horses (three). And of course, we love books—well, my husband and two youngest girls do, my eldest daughter prefers to watch books at the movies (g).
I live in sunny Queensland, on a small acreage with gorgeous big gum trees and rolling green hills. And presently, a big empty pool (liners are expensive!! LOL).
Sounds like a nice patch of paradise, Mel! Must be great for the creative side in you when you're writing. Speaking of :-) - can you tell us about your new release, MOON THRALL?
MOON THRALL is about a woman desperate to escape the abuse of her ex fiancée. I can totally relate to this theme and thought this heroine truly deserved her HEA.
The hero has been waiting for his weren (werewolf mate) and is shocked to discover her ex fiancée is his werewolf enemy.
Elyse Wellston escapes from her brutal, violent ex-fiancé to a remote cabin in Australia. Fearing for her life, it makes no sense for her to react the way she does on meeting the enigmatic Dane Maddox.
Only when she discovers he is a werewolf and she is his weren—his mate and a werewolf herself—does she begin to understand the hot, sexual yearning within. No longer does she need to act out a desire she doesn’t feel, Dane is everything she wants. But will her ex-fiancé end her happiness, her sexual fulfillment, almost before it begins?
What is it about your characters that made you want to tell their stories?
I think it’s things I can either relate to or that fascinate me in some way. The characters in MOON THRALL actually came to me after I imagined the opening scene. Movies can stay in my mind and influence my characters many years down the track. In this story, think of the heroine as Julia Robert’s in Sleeping with the Enemy. (damn good movie, too!) And the hero, he’s the rich, alpha male with a little bit of SNAG thrown in...gotta love that!! (g)
Movies are a powerful visual, aren't they? I'm a bit of a movie buff too, mostly action/adventure, lots of SF/F and I'm always a sucker if there's a romantic element thrown in.
Now, for a question about your writing process. Do you have a pet that keeps you company when you write? Has your pet taught you anything about writing? If so, what?
My tabby cat Yammy (named after the Yamaha motorcycle, as a kitten her purr was LOUD).
If she’s not on my keyboard or in front of my screen, she’s on my lap or looking up at me with her puss-in-boots eyes, waiting for the go ahead to snuggle.
She’s my *special* girl. She used to stand up on her hind legs and give my little girl a hug when she was crying (this cat worries over crying). Yammy also used to have very bad epilepsy, but she seems cured now (touch wood!!)
Yammy actually was one of the influences for a bit of an odd fantasy novel I started, where the heroine attracted cats like bees to a honeypot. Yet another ms I will have to dust off and finish!
So, what's next for you? What are you working on?
I’m having a little break from finishing off BELIEVE, my co-authored, never ending book (g) and revising a very old paranormal novel ‘Shadow Hunter’ which will need a name change.
I’m also about halfway through BROTHERS OF THE OTHERWORLD, an alien fantasy short novel for Ellora’s Cave.
Then I plan the third novella for the gargoyle WINGED & DANGEROUS series, which I hope to submit about halfway through the year.
Wow, you're certainly busy! And I'm looking forward to seeing your next W&D book, especially the cover. They've been a great series! Mel, thanks for being my special "special" guest today! :-)
And, as I mentioned at the start of this post, there's a give-away of MOON THRALL (or, if you prefer, you get a choice of one her Ellora's Cave back-list). Leave a comment by 6pm, Tuesday 22nd March 2011, and you'll go into the draw. Good luck!
If you'd like to know more about Mel check out her website, blog or follow her on Twitter or Facebook.
Mel's other books:
Bonus! You're getting a couple of guest authors this week!!! And a give-away!
So, who is Mel Teshco?I’m a mum of three wonderful girls and a grandmother of a gorgeous little boy. My family has a thing for cats (four) and horses (three). And of course, we love books—well, my husband and two youngest girls do, my eldest daughter prefers to watch books at the movies (g).
I live in sunny Queensland, on a small acreage with gorgeous big gum trees and rolling green hills. And presently, a big empty pool (liners are expensive!! LOL).
Sounds like a nice patch of paradise, Mel! Must be great for the creative side in you when you're writing. Speaking of :-) - can you tell us about your new release, MOON THRALL?
MOON THRALL is about a woman desperate to escape the abuse of her ex fiancée. I can totally relate to this theme and thought this heroine truly deserved her HEA.
The hero has been waiting for his weren (werewolf mate) and is shocked to discover her ex fiancée is his werewolf enemy.
Elyse Wellston escapes from her brutal, violent ex-fiancé to a remote cabin in Australia. Fearing for her life, it makes no sense for her to react the way she does on meeting the enigmatic Dane Maddox.Only when she discovers he is a werewolf and she is his weren—his mate and a werewolf herself—does she begin to understand the hot, sexual yearning within. No longer does she need to act out a desire she doesn’t feel, Dane is everything she wants. But will her ex-fiancé end her happiness, her sexual fulfillment, almost before it begins?
What is it about your characters that made you want to tell their stories?
I think it’s things I can either relate to or that fascinate me in some way. The characters in MOON THRALL actually came to me after I imagined the opening scene. Movies can stay in my mind and influence my characters many years down the track. In this story, think of the heroine as Julia Robert’s in Sleeping with the Enemy. (damn good movie, too!) And the hero, he’s the rich, alpha male with a little bit of SNAG thrown in...gotta love that!! (g)
Movies are a powerful visual, aren't they? I'm a bit of a movie buff too, mostly action/adventure, lots of SF/F and I'm always a sucker if there's a romantic element thrown in.
Now, for a question about your writing process. Do you have a pet that keeps you company when you write? Has your pet taught you anything about writing? If so, what?
My tabby cat Yammy (named after the Yamaha motorcycle, as a kitten her purr was LOUD).
If she’s not on my keyboard or in front of my screen, she’s on my lap or looking up at me with her puss-in-boots eyes, waiting for the go ahead to snuggle.
She’s my *special* girl. She used to stand up on her hind legs and give my little girl a hug when she was crying (this cat worries over crying). Yammy also used to have very bad epilepsy, but she seems cured now (touch wood!!)
Yammy actually was one of the influences for a bit of an odd fantasy novel I started, where the heroine attracted cats like bees to a honeypot. Yet another ms I will have to dust off and finish!
So, what's next for you? What are you working on?
I’m having a little break from finishing off BELIEVE, my co-authored, never ending book (g) and revising a very old paranormal novel ‘Shadow Hunter’ which will need a name change.
I’m also about halfway through BROTHERS OF THE OTHERWORLD, an alien fantasy short novel for Ellora’s Cave.
Then I plan the third novella for the gargoyle WINGED & DANGEROUS series, which I hope to submit about halfway through the year.
Wow, you're certainly busy! And I'm looking forward to seeing your next W&D book, especially the cover. They've been a great series! Mel, thanks for being my special "special" guest today! :-)
And, as I mentioned at the start of this post, there's a give-away of MOON THRALL (or, if you prefer, you get a choice of one her Ellora's Cave back-list). Leave a comment by 6pm, Tuesday 22nd March 2011, and you'll go into the draw. Good luck!
If you'd like to know more about Mel check out her website, blog or follow her on Twitter or Facebook.
Mel's other books:
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| Free read! |
Thursday, March 17, 2011
Who's that girl? Interview - Bec Skrabl
Moving around the countryside, we're headed south of the border into Victoria, Australia!
Name? Bec Skrabl.
Where are you? I live in country Victoria, about two hours from Melbourne and any decent bookstores. Thank Goodness for Rendezvous Romance Bookstore!
How many years have you been a member of RWOz? Two years. And it's been the best thing I've ever done.
What genre/s do you write? I switch between genres, but primarily paranormal and historical. Or a combination. (:
Who are your favourite authors? My absolute favourite author is Dorothy Dunnett of the Lymond chronicles (a perfect example of an author who's way smarter than me). I find it hard for a book to absorb me these days, because I'm constantly analysing it to work out what the author's done right, but Ilona Andrews, Meljean Brook, Lilith Saintcrow, Linnea Sinclair and Nalini Singh are just a few of those who suck me in until I reach the end of the book and haven't earmarked a single page or made even one note!
What inspired you to write romance? As a kid I loved fairy tales (the old, darker style of Grimm’s or Hans Christian, which might explain a few things), and used to write endless stories about unicorns, sword-wielding princes and dragons. I started out reading epic fantasy when I was eight and Mum gave me the Hobbit and Lord of the Rings series, but something was always missing. My favourite fantasy’s involved a strong romantic central storyline and one day I wandered into a different section of the bookstore…and found what I was looking for.
Who's your dream agent and/or dream publisher? ACE, Avon or Berkley.
What's the best thing about going to conference? This year was my first one and I loved every second of it. How do I sum up the best bits? Meeting friends I knew only via email, making new friends, meeting Nalini Singh (and sending a text to my boyfriend when she sat two seats up from me, "OMG, you will never guess who is sitting at my table!", to which he replied, “Don’t embarrass yourself.”).
Or maybe it was sitting down with people and having serious discussions about writing for hours on end, and having them understand what I was talking about. I don’t know, it’s too hard picking a favourite thing. Least favourite – having it all end for another year ):
And lastly, finish these statements...
My greatest strength as a writer is...definitely not plotting. Maybe world-building?
A sexy hero needs...a little bit of arrogance, a lot of respect for the heroine and a hint of vulnerability. A wicked smile doesn’t hurt either.
My latest WIP (work in progress) is about...a steam-fuelled Victorian London, with a heroine in hiding from the monster hunting her and a hero hiding from the monster within. (:
When I write I like to...drink copious amounts of tea and torture my stubborn alphas with strong-minded heroines who bring them to their knees!
My best writing milestone to date is...signing with Natalie Fischer at the Sandra Dijkstra Literary Agency in April. I nearly choked on my toast when I got the email saying she loved my work!
Bec, thanks for sharing and it's been great having you!
Monday, March 14, 2011
GUEST AUTHOR: Helene Young
SHATTERED SKY is Helene Young's latest release.
The book is aptly titled considering Helene recently survived TC Yasi, a category 5 tropical cyclone that made landfall not far from her home town in Queensland, Australia.
Welcome back, Helene!
Kylie, thanks so much for having me on your blog. I love reading your posts – I’m guaranteed to learn something every time!
What's been happening in your world since the RWAustralia Coogee Beach conference?
Kylie, the RWA Coogee conference seems like a million years ago. I can’t believe New York is only a touch over three months away and Melbourne a mere five months. I keep thinking I must have slipped into a time warp somewhere!
2010 was an incredibly busy year with my day job where I fly aircraft for a regional airline. I changed roles within the company, which meant I was back on the receiving end of training instead of being the trainer. That made my brain rev into gear at full speed…
The release of SHATTERED SKY was moved forward a month to February, leading to some pretty hectic editing and a few very late nights.
I was also fortunate to be part of the Brisbane Writers Festival and from that I’ve been signed up to run one day workshops for QWC in Cairns and Townsville later this month. I’m looking forward to that as I firmly believe teaching people always brings new insights. Of course, there’s a fair bit of preparation that goes into a full day’s training so I’m madly polishing that as well as pushing on with book three.
Are you a panster or plotter? Is it your characters or your plot that influence you most? What's your writing process from start to finish when writing a book?
I’ve always thought I was a panster, but a friend introduced me to the term scener and I think that fits pretty well. When I start writing a story I have a theme I want to explore and a series of scenes. I can see my characters in situations, but from there I’m happy for them to take me on their journey without a clue where we are headed. While that leads me up blind alleys occasionally, I do think I know the characters better for the winding path. Sure I then have to cut more words than if I’d rigidly written to a plot line, but because I have to be so pedantic in my day job I enjoy not knowing the exact ending. (It would be a bit of a worry if the passengers didn’t know where the flight was landing, lol.)
Can you tell us about your new release?
SHATTERED SKY was a long time in my head. Lauren, a secondary character in WINGS OF FEAR (previous title was Border Watch) was always trying to muscle in on that story. I knew she had to have her own book and I knew just the man she needed to cross swords with.
The theme in SHATTERED SKY is people feeling trapped by forces outside of their control. The story explores organized crime, and particularly the Outlawed Motorcycle Gangs, as I think they reflect the changing cultural make-up of Australia. Their move into global crime is part of that change.
Lauren uncovers a people trafficking operation that’s bringing in women for the sex-slave trade. Her search for answers takes her deep into the wilderness of northern Australia and she’ll need the reluctant help of Naval Patrol Boat Captain, Callam Granger. Will their history force them together or apart or will it risk more lives?
It was so much fun seeing these two find their way forward!
Can you share a few fun facts about the geographic locations where your novels takes place?
Hmm, these maybe more interesting than fun!
Trinity Beach was used during World War II as a training camp for the Australian Army. Vasey Esplanade takes its name from Major General George Vasey who died in a plane crash in the waters of Trinity Beach in 1948. He’d been a hero in the New Guinea campaign and was much loved by his troops.
The largest recorded crocodile was shot in 1957 by Mrs Kris Powloski on the banks of the MacArthur River near Normanton in North Queensland.
It was a whopping 28 feet, 4 inches long. If you, your partner, and your two children lay head to toe in a straight line this monster would still be longer than you all! You wouldn’t want to meet his big brother on a dark and storm night.
Cape York is home to the Golden Shouldered Parrot, which is one of Australia’s most endangered bird species. It only lives in very small areas and is really sighted.
What’s the most unusual place you have visited?
Antarctica! Without a doubt, the coldest, driest place on earth is amazing!! We did a twenty-six day voyage starting from Bluff in New Zealand, tracking right down into McMurdo Sound before returning to Hobart in Australia.
The history of the early explorers, the wildlife and the ice itself were overwhelming! To be standing in the hut where Scott and his men camped out before they began their ill-fated journey to the south pole was inspiring. Their clothes, their food, their skis were all there, frozen in time.
Are there any particular settings or sorts of characters you'd like to use in a future book?
I want to set a novel on Macquarie Island. We visited there on the way back from Antarctica and it’s had more than its fair share of dramas and adventures. The early whalers have always fascinated me. They were so mentally and physically tough. I’m dying to write that story, but it will have to wait its turn…
Do you have any advice/handy tips/craft skills you'd like to share with unpublished authors?
Persevere! Writing is about being stubborn. Keep knocking on doors. It’s one tenth talent and nine-tenths determination.
Join Romance Writers of Australia. Rejections hurt so a more gentle way of toughening up is to use the RWA contest circuit. Writers such as Kylie, Anna Campbell, Tracey O’Hara and Erica Hayes all used those contests to hone their skills and learn their craft. I can’t speak highly enough of the organization and the opportunities it offers. And it’s not just for category romance writers!
Kylie thanks so much for having me here today.
Helene, it's always a pleasure!
As a special extra, Helene has generously donated a copy of her books SHATTERED SKY and WINGS OF FEAR.
Please leave a comment by midday (Aussie Eastern Daylight Savings Time), Saturday 19th March 2011. The 2 winners will be posted by that evening.
If you'd like to know more about Helene go to her website, follow her blog, Facebook page or on Twitter.
The book is aptly titled considering Helene recently survived TC Yasi, a category 5 tropical cyclone that made landfall not far from her home town in Queensland, Australia.Welcome back, Helene!
Kylie, thanks so much for having me on your blog. I love reading your posts – I’m guaranteed to learn something every time!
What's been happening in your world since the RWAustralia Coogee Beach conference?
Kylie, the RWA Coogee conference seems like a million years ago. I can’t believe New York is only a touch over three months away and Melbourne a mere five months. I keep thinking I must have slipped into a time warp somewhere!
2010 was an incredibly busy year with my day job where I fly aircraft for a regional airline. I changed roles within the company, which meant I was back on the receiving end of training instead of being the trainer. That made my brain rev into gear at full speed…
The release of SHATTERED SKY was moved forward a month to February, leading to some pretty hectic editing and a few very late nights.
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| Cairns, Queensland |
Are you a panster or plotter? Is it your characters or your plot that influence you most? What's your writing process from start to finish when writing a book?
I’ve always thought I was a panster, but a friend introduced me to the term scener and I think that fits pretty well. When I start writing a story I have a theme I want to explore and a series of scenes. I can see my characters in situations, but from there I’m happy for them to take me on their journey without a clue where we are headed. While that leads me up blind alleys occasionally, I do think I know the characters better for the winding path. Sure I then have to cut more words than if I’d rigidly written to a plot line, but because I have to be so pedantic in my day job I enjoy not knowing the exact ending. (It would be a bit of a worry if the passengers didn’t know where the flight was landing, lol.)
Can you tell us about your new release?
SHATTERED SKY was a long time in my head. Lauren, a secondary character in WINGS OF FEAR (previous title was Border Watch) was always trying to muscle in on that story. I knew she had to have her own book and I knew just the man she needed to cross swords with. The theme in SHATTERED SKY is people feeling trapped by forces outside of their control. The story explores organized crime, and particularly the Outlawed Motorcycle Gangs, as I think they reflect the changing cultural make-up of Australia. Their move into global crime is part of that change.
Lauren uncovers a people trafficking operation that’s bringing in women for the sex-slave trade. Her search for answers takes her deep into the wilderness of northern Australia and she’ll need the reluctant help of Naval Patrol Boat Captain, Callam Granger. Will their history force them together or apart or will it risk more lives?
It was so much fun seeing these two find their way forward!
Can you share a few fun facts about the geographic locations where your novels takes place?
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| Trinity Beach |
Trinity Beach was used during World War II as a training camp for the Australian Army. Vasey Esplanade takes its name from Major General George Vasey who died in a plane crash in the waters of Trinity Beach in 1948. He’d been a hero in the New Guinea campaign and was much loved by his troops.
The largest recorded crocodile was shot in 1957 by Mrs Kris Powloski on the banks of the MacArthur River near Normanton in North Queensland.
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| Golden Shouldered Parrot |
Cape York is home to the Golden Shouldered Parrot, which is one of Australia’s most endangered bird species. It only lives in very small areas and is really sighted.
What’s the most unusual place you have visited?
Antarctica! Without a doubt, the coldest, driest place on earth is amazing!! We did a twenty-six day voyage starting from Bluff in New Zealand, tracking right down into McMurdo Sound before returning to Hobart in Australia.
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| Scott's Hut, Antarctica |
Are there any particular settings or sorts of characters you'd like to use in a future book?
I want to set a novel on Macquarie Island. We visited there on the way back from Antarctica and it’s had more than its fair share of dramas and adventures. The early whalers have always fascinated me. They were so mentally and physically tough. I’m dying to write that story, but it will have to wait its turn…
Do you have any advice/handy tips/craft skills you'd like to share with unpublished authors?
Persevere! Writing is about being stubborn. Keep knocking on doors. It’s one tenth talent and nine-tenths determination.
Join Romance Writers of Australia. Rejections hurt so a more gentle way of toughening up is to use the RWA contest circuit. Writers such as Kylie, Anna Campbell, Tracey O’Hara and Erica Hayes all used those contests to hone their skills and learn their craft. I can’t speak highly enough of the organization and the opportunities it offers. And it’s not just for category romance writers!
Kylie thanks so much for having me here today.
Helene, it's always a pleasure!
As a special extra, Helene has generously donated a copy of her books SHATTERED SKY and WINGS OF FEAR.
If you'd like to be in the running to win one of them, please leave a comment about the most unusual or favorite geographical location you've visited.
Please leave a comment by midday (Aussie Eastern Daylight Savings Time), Saturday 19th March 2011. The 2 winners will be posted by that evening.
If you'd like to know more about Helene go to her website, follow her blog, Facebook page or on Twitter.
Helene's books:
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| Formerly BORDER WATCH |
Saturday, March 12, 2011
TOPIC: Search for the Holy Grail...umm, Agent! (part 2)
Last post I asked the questions – Should you get an agent? Where do you start? How do you know if they’re reputable? Who do you aim for? What should you include in a query letter? Do you go snail mail or email?
Steps 1 & 2 were all about researching agents and making a prioritised list of your preferred agents. Let's move on.
Step 3 – Write a query letter and/or collate appropriate sample pages/partials as per the guidelines for each agent. Some will want only the query letter, some a QL and 5/10 pages of your work, some a QL & synopsis.
When you start this process only work on 5 submissions at a time. Too many and you run the risk of confusing specifics and there’s nothing more unprofessional than sending the wrong thing to your “dream” agent and it’s a sure way to be culled.
Check the guidelines. Double check. Then check again. How easy is it for an agent to disregard your query when you haven’t adhered to them?
*Some advice for query letters, no fluffy stuff. Agents don’t have time to read waffle, not with 50 to 100 queries a day (and that’s a conservative estimate, I’m sure). They want to know what your book is about, the conflict, the idea - think back cover blurb, and any relevant info about you. Keep it brief, no more than an A4 page. The details about characters and your more complete bio can come later once you’ve hooked them with your story.
Agent blogs sometimes address what makes a good query letter. Two blogs with good examples include BookEnds Literary Agency and Pub Rants by agent Kristen Nelson.
Step 4 – Keep track of your submissions. Whether you create a database on the computer or on paper you stick to your office wall, know who you sent a query to, when you sent it, what manuscript you pitched, the timeframe they suggest contacting them if you’ve haven’t heard from them, what response you got etc., any information that tracks your progress in your search for an agent.
Send out 5 queries at a time. As one comes back, send out another to the next agent on your list. And so on.
I highlighted any agent who sent back something more than a standard rejection eg. personal comments about the manuscript. It meant they were interested enough to take the time to do that, and they’re the ones to target with a new pitch and new manuscript next time. Just refresh their memory about your prior contact with them in any subsequent QL.
Step 5 – Celebrate your successes. When you get a request for a partial or full, pat yourself on the back, even if they’re eventually rejected. Share the good times with your friends. It keeps the batteries recharged and makes the slog worthwhile.
Also note down on your database the agents who requested partials or fulls – again they liked your voice enough to possibly request and read other work by you.
Just remember:
Steps 1 & 2 were all about researching agents and making a prioritised list of your preferred agents. Let's move on.
Step 3 – Write a query letter and/or collate appropriate sample pages/partials as per the guidelines for each agent. Some will want only the query letter, some a QL and 5/10 pages of your work, some a QL & synopsis.
When you start this process only work on 5 submissions at a time. Too many and you run the risk of confusing specifics and there’s nothing more unprofessional than sending the wrong thing to your “dream” agent and it’s a sure way to be culled.
Check the guidelines. Double check. Then check again. How easy is it for an agent to disregard your query when you haven’t adhered to them?
*Some advice for query letters, no fluffy stuff. Agents don’t have time to read waffle, not with 50 to 100 queries a day (and that’s a conservative estimate, I’m sure). They want to know what your book is about, the conflict, the idea - think back cover blurb, and any relevant info about you. Keep it brief, no more than an A4 page. The details about characters and your more complete bio can come later once you’ve hooked them with your story.
Agent blogs sometimes address what makes a good query letter. Two blogs with good examples include BookEnds Literary Agency and Pub Rants by agent Kristen Nelson.
Step 4 – Keep track of your submissions. Whether you create a database on the computer or on paper you stick to your office wall, know who you sent a query to, when you sent it, what manuscript you pitched, the timeframe they suggest contacting them if you’ve haven’t heard from them, what response you got etc., any information that tracks your progress in your search for an agent.
Send out 5 queries at a time. As one comes back, send out another to the next agent on your list. And so on.
I highlighted any agent who sent back something more than a standard rejection eg. personal comments about the manuscript. It meant they were interested enough to take the time to do that, and they’re the ones to target with a new pitch and new manuscript next time. Just refresh their memory about your prior contact with them in any subsequent QL.
Step 5 – Celebrate your successes. When you get a request for a partial or full, pat yourself on the back, even if they’re eventually rejected. Share the good times with your friends. It keeps the batteries recharged and makes the slog worthwhile.
Also note down on your database the agents who requested partials or fulls – again they liked your voice enough to possibly request and read other work by you.
Just remember:
- Aim high – agents can only say no, but they might also say “I'd like to officially offer you representation.”
- Research your agents carefully – if they offer you representation you want to know you’re signing with someone you can work with.
- Maintain a professional & polite attitude – rudeness will come back to bite you. If you end up with several agents requesting fulls have the courtesy to tell the others there are “X” number of agents also reading your work (no need to name them specifically). It lets them know others are interested.
- Persevere – anyone with an agent will tell you they didn’t give up looking for one after getting a rejection or two.
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