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Showing posts with label RWA Valerie Parv Award. Show all posts
Showing posts with label RWA Valerie Parv Award. Show all posts

Thursday, August 15, 2013

RWAustralia conference!

The Romance Writers of Australia are converging on Fremantle, Western Australia, for its annual conference ("Riding the Waves" theme this year!) - and I don't know if the city and its people will realise just what hit it come Monday morning!

At the RWA Awards dinner
It's my first trip over to Western Australia to attend the conference and I'm so looking forward to seeing some more of Australia.

Some of the highlights coming up:
  • the RWA Awards dinner - every year this is the time we celebrate the achievements of our published and unpublished authors.
  • The VPA Minion Breakfast - on the Sunday morning previous VPA winners meet to welcome the newest Minion into Valerie's Horde.
  • ARRA Book-Signing event - it's always lovely to meet readers face-to-face and chat about our love for books
  • meeting up with fellow writers we usually only see once a year at conference
  • attending a myriad of workshops and upskilling!
The ARRA Book-Signing event
 I'm so looking forward to this year's conference - I can't wait!

The Valerie Parv Award Minion Breakfast

Tuesday, October 2, 2012

TOPIC: Why enter writing contests?

Again and because contest season is just around the corner, another re-post, this time one about why enter writing contests - previously entitled, "Do you have the contest bug?"


This is a timeless topic often discussed among writers - the value of entering contests.

RWA Valerie Parv Award
Some are for entering them and are vocal advocates of the benefits of doing so, others advise against entering as many seem to "encourage writers to write to the contest" or they see the writer receiving little value out of them.

I fall into the former category of advocates. The name "contest diva", "contest queen", or the more affectionately yet derogatory "contest sl**" was often mentioned in the same sentence as my name (*grin*). In the course of my unpublished career as a writer, I entered almost 100 contests over the nine years since tackling my first.

When considering whether or not you should enter a contest ask yourself this - why are you entering?

RWNZ Clendon Award
Is to get feedback on your work? Is the contest aimed at judging 3 chapters, a short story or a full manuscript? Is it to final? Is it because your want to get in front of a particular agent or editor? Is it to get a contest resume under your belt?

Let's consider each question.
  • Feedback - entering can be a cheap way to get feedback on your work, particularly if you find a full manuscript contest that gives comments (eg. RWA Emerald Award or the RWNZ Clendon Award).
WHRWA Emily Award
If you belong to a writing organisation, ask yourself this - can I get feedback any other way besides through contests?

Some writing organisations have mentoring schemes, critique groups or critique partner schemes running, so this might be another avenue for you to pursue in your quest to get feedback.
  • Contest criteria - entering a specific type of contest can help your craft. I avoided entering any sort of synopses contest, purely because I hated writing them. But because it was a weakness I'd identified in my craft skills, I forced myself to enter several of these to get feedback before I sent my work out on submission.
  • To final - this is a feather in any writer's cap. I used this as a benchmark to see whether I was improving in my craft but then, in the context of where I was as a writer (geography and isolation, not the level of skill) and the services I had access to this (era of time) proved to be the only option available to me to measure this. (So context is important.)
  • RWA Emerald Award
  • Getting your work in front of an editor/agent - if you have the budget, you can enter as many contests as you like, and some have done this. Most writers don't have unlimited funds, so choosing which particular contest - based on reputation or final judges or specific feedback - and this may determine your decision on whether you enter or not.
Toward the end of my unpublished contest career my goal for entering was driven by who the final judge was. I wanted to get my work in front of an editor or agent who acquired my genre.
    RWA Golden Heart
  • Contest resumes - racking up finalist kudos, placings or wins is certainly a way to impress potential editors and agents but it doesn't always help. Some take no notice of your achievements. I admit, one of my main goals for entering contests, in the latter part of my unpublished career, was to build a resume for each manuscript but it wasn't the only avenue I relied upon to get my work in front of editors/agents.
I think the secret of entering any contest is to identify why you're entering it, what you're hoping to get out of it as a result and to understand that it's one of many strategies, not the only one, to help you in your journey to publication.

So, with the RWAustralia and RWNZ contest season about to start fresh, I know there will be some of you keen to try the contest circuit (and good on you, go for it!). There are a wide range of ones for you to enter here and overseas.

Keeping that in mind, here are a few links you might like to explore to find the sort of contests you'd like to enter:

Romance Writers of Australia contest page
Romance Writers of New Zealand contest page
Romance Writers of America contest page
Stephanie Smith's contest page for author

RWNZ Clendon Readers' Choice Award
But, just remember, I've seen many friends who've taken the contest circuit route in the attempt to get published and I know of others who haven't entered any contests yet been picked up through submitting their work.

There are valid reasons to try both paths, one isn't better than the other.

It's whatever works for you.

Tuesday, July 10, 2012

CONGRATULATIONS!!!

Sound the trumpets, call out a multitude of male dancers, throw the streamers and stamp your feet!!!


It's official - my good friend, Michelle de Rooy, has crossed over to the OTHER SIDE! She has received THE CALL, A CONTRACT, and accepted!!!!



I'm bloody proud (and doing a mad dance around the office in excitement) to announce that she has been snaffled up by Samhain who have bought her contemporary romance (the manuscript that won the RWA Valerie Parv Award last year).

She will be writing under the name of Dakota Harrison.


CONGRATULATIONS, Michelle!!!!!!!

Tuesday, February 14, 2012

TOPIC: An Author's Life...with Valerie Parv

Being a published author is an ... involved ... process, and I take my hat off to those who've been in the business more than a few years now.

As a pre-pubbed author I was always curious about what happened once you received THE CALL and stepped into the world of publishing.

What did it involve? How did they handled the day to day pressures? Did they developed routines, set goals etc.? What did they like/dislike about the process?

So I asked my special guests these questions and many of them have offered some intriguing insights into their lives. Maybe they'll even give you a heads up on what to expect if you're thinking of entering the world of "getting published".

It's rather appropriate that I introduce today's guest on Valentine's Day - a special day for any romance author.

Considered one of Australia's pioneering authors in the romance genre, please welcome VALERIE PARV.

With 25 million copies of her books sold internationally, including many Waldenbooks bestsellers, it’s no wonder Valerie is known as Australia’s queen of romance and is recognised as the media spokesperson for all things romantic.

Already a successful writer of non-fiction, Valerie has made love and romance a career, with over 60 novels to her name. 
(See Valerie's booklist for a complete list of her books) Valerie’s short fiction is also regularly featured in national magazines.

A qualified trainer and counsellor, Valerie conducts seminars and workshops on creativity and all aspects of the writing craft based on her best-selling guides for writers: Heart and Craft, (Allen & Unwin, 2009) How do I Love Thee (Valerie Parv editor, Allen & Unwin, December 2009), The Art of Romance Writing (Allen & Unwin 1993, 2004) and The Idea Factory (Allen & Unwin 1995).

Valerie held Australia’s first romance writing workshop in 1988, which led to the founding of Romance Writers of Australia, and she has been a member ever since.

In 1994 the State Library of New South Wales, Australia, began to acquire Valerie’s papers for their collection and continues to acquire material from her.
"These papers detail the author’s career as one of Australia’s most successful writers in the romance genre and include manuscripts of her works and correspondence." [The State Library Collection, Annual Report]
This year Valerie moved to country NSW from Canberra where she was a volunteer guide at the National Zoo and Aquarium for 11 years. She draws on this and other aspects of her life for many of her novels, having spent almost 38 years happily married to her romantic hero, Paul, a former crocodile hunter in Australia’s tropical north, later a cartoonist and illustrator of many of Valerie's nonfiction books.

Valerie continues to write her page-turning novels because they affirm her belief in love and happy endings. As she says ...

"Love gives you wings, romance helps you fly". 
Author Facts 
Location: Country NSW.
Published Genre/s: romance and romantic suspense, non fiction, short stories and articles. 
Website: www.valerieparv.com 
First published in: 1979.
Number of books published: over 70, 50 are romance novels. Sales last estimated 29 million.

The Nitty Gritty
List up to 5 significant events in your journey to publication?
Writing a book about doing your own plumbing made me resolve to write something closer to my heart. Fortunately, my voice turned out to suit romance writing. I don't think a writer should try to change their voice to fit a market, but for me, this was a very natural fit.

Another major milestone was the passing of my husband and soulmate, Paul, in 2008, which knocked the stuffing out of me for some time. My writing has changed, as well. My Harlequin Superromance, WITH A LITTLE HELP, took my romance writing in a new direction, and I'm experimenting with others including flash fiction and possibly screenplays.

What resources/techniques/events did you find useful to develop your writing skills/craft?
There were almost no resources and groups when I started out, so I reinvented a few wheels without knowing it. The upside was not knowing how many romance manuscripts publishers were receiving, so I had no idea of the odds against acceptance.

Like the bumblebee which is not designed for flying, and flies anyway, I flew, thank goodness. My wings sag now and again, but basically I'm still flapping away. The idea is to keep learning, experimenting and growing.

Can you share the special moment when you received THE CALL?

Again, editors didn't respond by email when I was accepted. I got a snail mail letter which I picked up from reception where I had my office. I was the only person in the entire building. I remember my knees going week and the print blurring, then I called Paul from the switchboard. I had a deadline for The Changing Face of Australia, so I went to my office and wrote. The champagne came later.

How important is it to set career goals? Can you give an example of one you have for yourself?
As I say, I try to keep learning and growing all the time. No writer can ever know everything about the craft.

These days my goals are to use my blog, Facebook page and Twitter as effectively as I can. The great benefit is the amount of social interaction compared with the solitary life of a writer pre-social networking days.

My next goal is to publish a spec fic novel and write a successful romantic screenplay.

Can you describe your writing process/timeframe from when you start a new book to handing it in at deadline?
I gather you don't want the procrastination, the frustration, the conviction that every book beforehand was a fluke? They're regular parts of every writer's life.

The rest is what Bryce Courtenay calls "bum glue" - apply seat of pants to chair and get on with it. Talking about writing isn't writing. Research isn't writing. Putting one word after another, even when you think it's total drek, is what finally gets me there.

One of the things I found challenging about being a published author is the constant juggling of tasks ie. writing a book, editing another, planning promotion, writing the prosposal for another (and usually this all happens while holding down another job or dealing with family/life etc.).

What do you enjoy the most in the publishing process?
Without doubt the best part of the process is holding your new baby in your hands. You forget all the struggles, frustrations and fears, and just admire this wondrous thing you've created.

Any author who tells you they don't sneak peeks at the book to make sure it's real, and even read a few pages and marvel that they actually wrote those words is a dirty rotten liar. :-)

What do you least enjoy about the publishing process?
Least enjoyable is having to the work read over and over and over through the various editing and proofing stages until every bit of joy has evaporated.

These days that feeling tells me the book is ready to be released into the reading world.

What's the most memorable fan-mail you've received?
It was more a fan comment made at a Romance Writers of America book signing.

As I signed my latest for her, the buyer said she was stockpiling my books because she was having surgery soon, and they were her treat during recovery. Knowing you've helped someone through a tough time is amazing and humbling.

I also had many emails asking when Cade, the "fourth brother" in my Code of the Outback series, would have his story told. He finally had his day in a novella in "How do I Love Thee" an anthology published by Allen and Unwin.

Is there anything you think pre-publishers writers need to know about the business/industry before they're published?
Having a book published isn't the end of a road, but the start of a whole new journey.


A Bit of Fun
Favorite color:
hot pink.
Hunkiest hero ever: Hugh Jackman in Paperback Hero (sigh).
David Tennant comes a close second, the perfect Doctor Who IMO.
Most daring thing you've done in your life: Playing with the cheetahs at the National Zoo & Aquarium, Canberra, where I was a volunteer guide for 11 years.
Greatest love: Without question, Paul, my love and muse for 38 years.
Timeout/relaxation for me includes: Watching real estate porn, reading just about anything, collecting dolls house pop-up books and vintage paper dolls, and indoor/carpet bowling.
Special quote/saying you like: "I shall pass this way but once. If there is any good that I can do, or any kindness I can show, let me do it now and not defer it, for I may never pass this way again." I read this on a poster when I was a teenager, and have tried to live by it ever since.

Saturday, September 17, 2011

TOPIC: Do You Have the Contest Bug?

This is a timeless topic often discussed among writers - the value of entering contests.

RWA Valerie Parv Award
Some are for entering them and are vocal advocates of the benefits of doing so, others advise against entering as many seem to "encourage writers to write to the contest" or they see the writer receiving little value out of them.

I fall into the former category of advocates. The name "contest diva", "contest queen", or the more affectionately yet derogatory "contest sl**" was often mentioned in the same sentence as my name (*grin*). In the course of my unpublished career as a writer, I entered almost 100 contests over the nine years since tackling my first.

When considering whether or not you should enter a contest ask yourself this - why are you entering?

RWNZ Clendon Award
Is to get feedback on your work? Is the contest aimed at judging 3 chapters, a short story or a full manuscript? Is it to final? Is it because your want to get in front of a particular agent or editor? Is it to get a contest resume under your belt?

Let's consider each question.
    • Feedback - entering can be a cheap way to get feedback on your work, particularly if you find a full manuscript contest that gives comments (eg. RWA Emerald Award or the RWNZ Clendon Award).
    WHRWA Emily Award
    If you belong to a writing organisation, ask yourself this - can I get feedback any other way besides through contests?

    Some writing organisations have mentoring schemes, critique groups or critique partner schemes running, so this might be another avenue for you to pursue in your quest to get feedback.
    • Contest criteria - entering a specific type of contest can help your craft. I avoided entering any sort of synopses contest, purely because I hated writing them. But because it was a weakness I'd identified in my craft skills, I forced myself to enter several of these to get feedback before I sent my work out on submission.
    • To final - this is a feather in any writer's cap. I used this as a benchmark to see whether I was improving in my craft but then, in the context of where I was as a writer (geography and isolation, not the level of skill) and the services I had access to this (era of time) proved to be the only option available to me to measure this. (So context is important.)
    • RWA Emerald Award
    • Getting your work in front of an editor/agent - if you have the budget, you can enter as many contests as you like, and some have done this. Most writers don't have unlimited funds, so choosing which particular contest - based on reputation or final judges or specific feedback - and this may determine your decision on whether you enter or not.
    Toward the end of my unpublished contest career my goal for entering was driven by who the final judge was. I wanted to get my work in front of an editor or agent who acquired my genre.
      RWA Golden Heart
    • Contest resumes - racking up finalist kudos, placings or wins is certainly a way to impress potential editors and agents but it doesn't always help. Some take no notice of your achievements. I admit, one of my main goals for entering contests, in the latter part of my unpublished career, was to build a resume for each manuscript but it wasn't the only avenue I relied upon to get my work in front of editors/agents.
    I think the secret of entering any contest is to identify why you're entering it, what you're hoping to get out of it as a result and to understand that it's one of many strategies, not the only one, to help you in your journey to publication.

    So, with the RWAustralia and RWNZ contest season about to start fresh, I know there will be some of you keen to try the contest circuit (and good on you, go for it!). There are a wide range of ones for you to enter here and overseas.

    Keeping that in mind, here are a few links you might like to explore to find the sort of contests you'd like to enter:

    Romance Writers of Australia contest page
    Romance Writers of New Zealand contest page
    Romance Writers of America contest page
    Stephanie Smith's contest page for author

    RWNZ Clendon Readers' Choice Award
    But, just remember, I've seen many friends who've taken the contest circuit route in the attempt to get published and I know of others who haven't entered any contests yet been picked up through submitting their work.

    There are valid reasons to try both paths, one isn't better than the other.

    It's whatever works for you.