I know I'm in my own little world, but it's OK.
They know me here...

Translate

Showing posts with label manuscript/s. Show all posts
Showing posts with label manuscript/s. Show all posts

Tuesday, January 10, 2012

TOPIC: New Year’s Resolution: from unpublished to published!

Today, I'd like to welcome first time visitor LOUISE CUSACK to my blog.

Louise is an Australian award winning fantasy author whose Shadow Through Time trilogy is about to be released by Pan Macmillan’s eBook arm, Momentum Books.  She is also a highly successful manuscript developer, writing mentor and tutor.

Take it away, Louise!

Thanks, Kylie. :-)

Most writers will happily acknowledge that there’s never been a better time to be an author.  Opportunities to become published are rife, with new ePublishers opening almost daily. We’re spoilt for choice, and if we’re still not satisfied with what publishers are offering, we can self-publish, which is a viable option for niche-market books or even mainstream fiction if you’ve got the time and know-how to self promote.

But for those of us who prefer the distribution might of a big publishing house behind us (not to mention the editorial and art departments) plus the lure of an advance on sales, traditional publishing is still a good choice, and despite the finger-pointing from successful self-published authors, the big publishing houses are catching up with the fact that we want decent eBook royalties and eBook pricing, along with our editing and great covers.

There are still a few anomalies: I recently heard of a big Australian publishing house that was charging $20 for an eBook by a new author and that’s just not sustainable, not in the current market.

So as an author you have to be savvy and do your research before you choose a publisher to submit to, checking the quality of their editing and covers, and the pricing of their books (both in print and digital formats), as well as scouting around to get feedback on what their advances and royalties might be.

Brenda Hiatt’s Show Me The Money website is a good place to start. But realistically, you also have to have a good quality book to submit, because big publishers are highly discerning.


So how can you achieve that? Well, belonging to a professional writers organisation like Romance Writers of Australia is a great start. If your books have even a sniff of a love story in them you’ll be welcomed into the fold and RWA’s competitions and conferences have helped many Aussie authors across the line to contracts with Avon, Berkley, Harlequin, Random House, Pan Macmillan, Simon & Schuster, Penguin and more.

Having a critique partner (or CP) is also a great start, but as I found early in my writing career, the critique group you’re in is only as helpful as the skill levels of its participants. When I started working with a published author who was also a writing teacher, I went from having short stories published to having novels published.

Now as a writing teacher, mentor and manuscript assessor myself, I offer that service to other writers, so if you think your work could benefit from a professional assessment, do have a look at my Manuscript Development webpage for an overview of how manuscript assessment works.

I’ve helped three clients become published, and many more to wins and shortlists in competitions.  Other tutors as well as myself also conduct teaching retreats with writing groups which can incorporate manuscript assessment and individual mentoring or writing workshops as required.

A quick look in the Australian Writers Marketplace (book and online versions) will offer you a variety of other qualified tutors/manuscript developers as well. So don’t wait for the magic to drop into your lap, go out and find it.

If you’ve been writing for years and not getting published, this might be time to consider that old saying “If you do what you’ve always done, you’ll get what you always got.”

Resolve to make the changes necessary to ensure 2012 is the year your writing dreams turn into your writing career!

More information about Louise can be found on her website or Goodreads link, or you can like or follow her blog, Twitter account or Facebook page.

Louise's Shadow Through Time trilogy:



Saturday, August 20, 2011

TOPIC: Writing Terms (part 2)

This is part 2 in my series on writing terms.

category romance – typically the Harlequin M&B romance lines ie. medical, Sexy, Blaze, Desire, Intrigue etc.
protagonist – the most important character in a book
antagonist – the major character in a book whose values or behaviour are in conflict with those of the protagonist or hero
hero – main male character in the story
heroine – main female character in the story
secondary characters – minor characters in a story
premise – the problem that’s the basic idea of the story
turning point – an incident that marks the growth or a new stage in a character’s life
Black Moment – a defining moment or realisation of a character in the book
partial (request) – usually 3 chapters and a synopsis requested by the editor or agent
full request – the entire manuscript is requested by the editor or agent
query letter – a short letter pitching a book to an editor or agent to see if they’re interested in reading a manuscript; usually contains an introduction, a short summary of the book, and the author’s credits
solicited manuscript – a manuscript an agent or editor has asked to see
unsolicited manuscript – a manuscript an agent or editor hasn’t asked to see
simultaneous submission – to send out the same manuscript to more than one publishing house or literary agency
multiple submission – to send out different manuscripts to the same publishing house or literary agency
slush pile – a term used for unsolicited manuscripts received by a publishing house
voice – a term used to describe the tone or style of the author in a their work
imprint – a division within a publishing house that deals with a specific category of books

Sunday, February 27, 2011

RWA Valerie Parv Award 2011

I hope all you unpublished writers have brushed up your category or single title manuscripts and are ready to enter them into the Valerie Parv Award - the only competition on the Romance Writers of Australia contest circuit that allows members and non-members to enter!

If not, why not? How can you pass up the chance of winning a 12 month mentorship with the incredibly generous and knowledgeable Valerie Parv?

Here are some of the details:

The Valerie Parv Award 2011

Opens:  25 February 2011
Closes: 8 April 2011, midnight Sydney time
Entries arriving before or after these times will not be accepted.

Enter: first 12500 words (max) + 1000 word (max) synopsis of your unpublished romance/romantic elements manuscript by email only.

Maximum three entries per person
Open to RWAustralia members and non-members 

Final judges: Valerie Parv will rank the 6 finalists and the top prize winner will also be read and critiqued by Mary Theresa Hussey, Executive Editor of Silhouette Books

Prizes:
1st - 1 year mentorship with Valerie Parv, plus $300
2nd - $200
3rd - $100

For the entry form and more information, click here.

Valerie Parv & Kylie Griffin
Check out some of the past winners:
2010 - Anna Cowan
2009 - Kylie Griffin (yep, that's me! - published with Berkley)
2008 - Erica Hayes (published with St.Martin's Press)
2007 - Barbara Jeffcott-Geris
2006 - Rachel Bailey (published with Harlequin Desire)

The VPA is your last chance to enter a contest for this RWA season - so don't miss out!

Will you be the VPA 2011 winner?

Sunday, June 13, 2010

RWAVF Sheila Results

I received the results for the RWA Valley Forge Sheila contest this morning - final judge was Alicia Condon from Kensington.

3rd place - Bloodborn
4th place - Shadows Eclipse (aka Dark Shadows)
5th place - Circle of Shadows

I'm thrilled as apparently the scores were very close. Cool anecdote - Ms Condon asked the coordinator if the 3-5th place were written by the same author - so she recognised my voice. What a great compliment!

I'm still grinning.

Thursday, January 28, 2010

Temptation Quote

"A good many young writers make the mistake of enclosing a stamped, self-addressed envelope, big enough for the manuscript to come back in.
This is too much of a temptation to the editor."
(Ring Lardner)