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Showing posts with label Clendon Award. Show all posts
Showing posts with label Clendon Award. Show all posts

Thursday, May 23, 2013

GUEST AUTHOR: Rowena May O'Sullivan

I first met Rowena May O'Sullivan several years ago at a Romance Writers of New Zealand conference. We were finalists together in the Clendon Award, a full length manuscript contest for unpublished writers.

To my utter delight I discovered we shared a love for paranormal romance, and I was so thrilled when I heard that Crimson Romance was going to publish one of Rowena's PR manuscripts...but I'll let her tell you more about it and the love she has for this genre.

Please welcome Rowena to my blog!

Rowena May O’Sullivan is a writer of paranormal romance and romantic comedy. My first memory of wanting to become a writer was as a child after reading my very first full-length book, Heidi. From there came the Famous Five series. After that it was a wonderful journey as I made my way through all the books on the library shelves, all the while thinking, I’d love to be able write books. At night I would lie in bed with the lights off making up stories and telling them to my sister before drifting off to sleep. Eventually I discovered romance. I love romantic comedy and paranormal romance. I love a great relationship story. I love magic and humor. I love anything quirky. So it only seemed natural to pen these types of books.

One night I dreamed the first book in my paranormal Greenwood Witches series, which eventually became The Silver Rose. From there, The Jade Dragon, Alanna and Gregori’s story was born. I hope you enjoy reading their story as much as I enjoyed writing it.

I’m currently working on Book 3 in my Greenwood Witches trilogy, Beth and Goran’s story.

About your book:
Title: The Jade Dragon
Release Date: 20 May 2013
Publisher: Crimson Romance
Hero: Gregori Rousseau
Heroine:  Alanna Greenwood
Setting: Raven's Creek and Cabasson (South of France)

Ensorcelled in a jade dragon, Warlock Gregori has a secret that could destroy his future with the one woman who could save him from turning rogue.
Charged with guarding the jade dragon, Alanna is shocked when Gregori shatters not only the stone imprisoning him, but also the invisible barriers she has placed around herself to hide a secret far greater than his.
A secret that could destroy not only her close relationship with her sisters, but also her life as a witch and most of all, any hope of a future with Gregori.
Sensuality Level: Sensual 

Rowena, what is it about the paranormal romance genre that intrigues you the most?
I believe that if the imagination can create something then surely, it exists.  My father read a lot about extra-terrestial visitations and practiced hypnotism in my younger years and this definitely had an influence, but it wasn’t until I took a book out of the library in my early 20’s that I became hooked on reading paranormal books (I don’t think it was called that).  It’s also freeing to write about worlds where the only boundaries are those you create yourself.

What challenges did you face publishing in this genre?
The biggest challenge, apart from actually writing those books, which is not easy – it can be like drawing blood from a stone – is getting a publisher, editor or agent to actually read your work.  They receive thousands of manuscripts from writers the world over and you need to be able to stand out or present the best manuscript you can in order to be read.

A good way, and this worked for me, is to enter competitions.  If you final, you’ll end up on an editor or agent’s desk.  Finalling also gives you confidence. You begin to think, “someone actually liked it enough to mark it high enough to final.”  That in itself provides validation for all those lonely hours sitting at the desk lost in your own world as you piece your story together.

Which authors have inspired you in your own writing? Or which ones do you enjoy reading?
I was inspired very early on. The first book I ever received as a gift was Heidi.  It was the very first full book I ever read.  Then came The Famous Five and that’s when I started trying to write my own adventures when I was approximately eight, nine, ten.

 I began to pester my parents for a typewriter and I actually saved for one and bought a very decrepit one when I was twelve.  I loved that typewriter and kept writing little stories, mostly children’s stories (I don’t know where they are now) until that typewriter died.

The kernel was born there, but it wasn’t until my son was about seven that I really put pen to paper and wrote a couple of short romances that finalled in Women’s Day competitions and I discovered Romance Writers of New Zealand around the same time.  I attended a meeting and “hey presto” I found a niche where I felt I belonged.

There are so many authors that inspire me that it’s difficult to name anyone as every book I’ve ever read has influenced me in some way.

When you get a chance to relax, what do you like to do?
 I often go to see my son, daughter-in-law and wee grandson, who has just turned one, as he learns to swim. Family is the most important thing in my world. Family, friends and reading a really good book!  Heaven! 

Five Minutes with Rowena 
I do a lot of staring out the window. I love to read, to disappear into other worlds. I wander off mid-thought often! I think life should be more like a musical. Quiet, introspective and yet strangely noisy and annoying. I’m prone to break out into song, even at work. My workmates are ecstatic I only know the first lines of songs. 

Fav.must-read author/s: There are too many to mention! Suffice to say I’ll read just about anything.
On my bookshelves at home I have: Jill Barnett, Janet Evanovich, Rachel Gibson, Susan Elizabeth Phillips, Kristan Higgins, Nalini Singh, Kim Harrison, Charlaine Harris, Kylie Griffin and Liann Hearn, plus so many more! 

For relaxation you like to: Zone out with a good book or watch television. I love stories! Sleeping on the couch seems to be a favourite as well! 

Fav.colour: That amazing colour blue the sky goes at sunset.

Dream holiday destination: Greek Islands – I went there when I was 21 and fell in love.  I’m still waiting to return. Sigh. 


Hunkiest Actor: Joe Manganiello who plays Alcide in True Blood!


 

 





(Rowena says - This is taken from Chapter Four.  Gregori has just broken free of the Jade Dragon and Alanna doesn’t know what to do with him.)

She spread out a sheet on the cobblestones and rolled him, with a lot of shoving and pulling and pushing, onto it. Then she gathered the ends of the material at one end between her fists and dragged him across the courtyard, kicking shards of jade out of the way with her slippers. Even with the sheet protecting his body, he was sure to have grazes over his behind and legs.
“It’s just as well I lug stone around for a living,” Alanna huffed as she lugged Gregori towards the Gallery. Even more so now that she couldn’t use her powers to levitate an object at will. “You’re a dead weight!” she grunted, finally making it to the French doors. “I don’t know what you did,” she sputtered as she pulled with all her might, taking small backward steps through the Gallery, avoiding precious work by both her sisters and other artists, towards the office. “But I’m not taking any chances. Witches’ Oath be damned! Once you’re out of the cold and I’ve got your privates covered—and they’re the best bits I’ve ever seen—I’m going to get hold of Rosa, Beth, Goran, whoever, and spill the beans big time.”
She could do with some magic right now. She’d conjure up a replica dragon, perch it outside and fix those damned courtyard walls. Those without magic wouldn’t have a clue. Only Rosa, Beth, Aden, and Goran would notice the difference. At least she needed a way to make Gregori invisible while she came up with a plan.
She tugged steadily towards the small office tucked away out of sight where the sisters could rest, make a drink and take care of administrative matters. The daybed had come in handy on many an occasion. Lugging him upstairs was not an option. She had visions of losing hold and of him tumbling down the stairs, head over ass, to lie in a broken heap at the bottom.
“No. Not a good picture,” she mumbled as she heaved a final time into the office. She studied the daybed and then Gregori. “Not going to happen either,” she mumbled and let the sheet drop and Gregori’s head connected with a loud thud on the floor.
Alanna cringed and gnashed her teeth. “Witches’ Warts with knobs on!”
 
*
Gregori heard muttering. Disgruntled muttering.
“Damn stupid warlock! What the hell did you have to go and do that for?”
“Damn” and “stupid” in the same sentence didn’t sit well in his foggy head. He ought to protest he was neither. He attempted to open his eyes, but they refused to obey. He willed his arm to move. It resisted. He tried to speak. Nothing. Unfortunately, his ears were working. The grunting and swearing continued. If he could talk, he would have been far more explicit in his choice of words, especially the moment his head connected with something hard and unresisting.
“How the hell am I going to explain you to my sisters?”
He likely had a concussion as well as the odd paralysis that prevented him from moving or responding.
“Sorry,” Alanna said. He knew her voice. Her scent.
He would have laughed if he could have. Her apology was belated and only half-hearted. Don’t ever apologize. Never reveal your weaknesses.
A mere bump on the head was the least of his concerns. His physical body wasn’t working, and—he checked momentarily—neither was his magic. Clearly, his mind was intact. He could hear and feel everything that was happening. Not unlike his imprisonment in the dragon. The cynic in him was both amused and irritated. It was fitting, he supposed, that his final prison should take the form of a small, lethal dragon of Marylebone. 

You can find out more about Rowena on her website & by subscribing to her newsletter, or follow her on Facebook, Twitter or Goodreads. 

 

Tuesday, October 2, 2012

TOPIC: Why enter writing contests?

Again and because contest season is just around the corner, another re-post, this time one about why enter writing contests - previously entitled, "Do you have the contest bug?"


This is a timeless topic often discussed among writers - the value of entering contests.

RWA Valerie Parv Award
Some are for entering them and are vocal advocates of the benefits of doing so, others advise against entering as many seem to "encourage writers to write to the contest" or they see the writer receiving little value out of them.

I fall into the former category of advocates. The name "contest diva", "contest queen", or the more affectionately yet derogatory "contest sl**" was often mentioned in the same sentence as my name (*grin*). In the course of my unpublished career as a writer, I entered almost 100 contests over the nine years since tackling my first.

When considering whether or not you should enter a contest ask yourself this - why are you entering?

RWNZ Clendon Award
Is to get feedback on your work? Is the contest aimed at judging 3 chapters, a short story or a full manuscript? Is it to final? Is it because your want to get in front of a particular agent or editor? Is it to get a contest resume under your belt?

Let's consider each question.
  • Feedback - entering can be a cheap way to get feedback on your work, particularly if you find a full manuscript contest that gives comments (eg. RWA Emerald Award or the RWNZ Clendon Award).
WHRWA Emily Award
If you belong to a writing organisation, ask yourself this - can I get feedback any other way besides through contests?

Some writing organisations have mentoring schemes, critique groups or critique partner schemes running, so this might be another avenue for you to pursue in your quest to get feedback.
  • Contest criteria - entering a specific type of contest can help your craft. I avoided entering any sort of synopses contest, purely because I hated writing them. But because it was a weakness I'd identified in my craft skills, I forced myself to enter several of these to get feedback before I sent my work out on submission.
  • To final - this is a feather in any writer's cap. I used this as a benchmark to see whether I was improving in my craft but then, in the context of where I was as a writer (geography and isolation, not the level of skill) and the services I had access to this (era of time) proved to be the only option available to me to measure this. (So context is important.)
  • RWA Emerald Award
  • Getting your work in front of an editor/agent - if you have the budget, you can enter as many contests as you like, and some have done this. Most writers don't have unlimited funds, so choosing which particular contest - based on reputation or final judges or specific feedback - and this may determine your decision on whether you enter or not.
Toward the end of my unpublished contest career my goal for entering was driven by who the final judge was. I wanted to get my work in front of an editor or agent who acquired my genre.
    RWA Golden Heart
  • Contest resumes - racking up finalist kudos, placings or wins is certainly a way to impress potential editors and agents but it doesn't always help. Some take no notice of your achievements. I admit, one of my main goals for entering contests, in the latter part of my unpublished career, was to build a resume for each manuscript but it wasn't the only avenue I relied upon to get my work in front of editors/agents.
I think the secret of entering any contest is to identify why you're entering it, what you're hoping to get out of it as a result and to understand that it's one of many strategies, not the only one, to help you in your journey to publication.

So, with the RWAustralia and RWNZ contest season about to start fresh, I know there will be some of you keen to try the contest circuit (and good on you, go for it!). There are a wide range of ones for you to enter here and overseas.

Keeping that in mind, here are a few links you might like to explore to find the sort of contests you'd like to enter:

Romance Writers of Australia contest page
Romance Writers of New Zealand contest page
Romance Writers of America contest page
Stephanie Smith's contest page for author

RWNZ Clendon Readers' Choice Award
But, just remember, I've seen many friends who've taken the contest circuit route in the attempt to get published and I know of others who haven't entered any contests yet been picked up through submitting their work.

There are valid reasons to try both paths, one isn't better than the other.

It's whatever works for you.

Tuesday, February 28, 2012

TOPIC: An Author's Life...with Yvonne Lindsay

Being a published author is an ... involved ... process, and I take my hat off to those who've been in the business more than a few years now.

As a pre-pubbed author I was always curious about what happened once you received THE CALL and stepped into the world of publishing.

What did it involve? How did they handled the day to day pressures? Did they developed routines, set goals etc.? What did they like/dislike about the process?

So I asked my special guests these questions and many of them have offered some intriguing insights into their lives. Maybe they'll even give you a heads up on what to expect if you're thinking of entering the world of "getting published".

Please welcome my next guest...

USA Today Bestselling author, YVONNE LINDSAY, took 13 years and multiple rejections before she sold her first story to Harlequin Desire in April of 2005.

Her first book rose to #1 on the Borders/Waldenbooks Series Bestseller list and in 2007 was also nominated for the prestigious Romance Writers of Australia Romantic Book of the Year Award. Her books are distributed in more than 27 countries and in almost as many languages.

With 23 contracted titles through Harlequin, Yvonne is thrilled to be living the life she always dreamed of bringing her stories to her readers.

Author Facts
Pseudonym or Given Name on the cover? Why a pseudonym?
Given name. My family and I discussed this at length when I sold my first book and, while I’d always thought I’d take a pseudonym, they convinced me to write as who I am.
Location: Auckland, New Zealand.

Auckland, NZ
Published Genre/s: Contemporary Series romance with Harlequin Desire.
Website: http://www.yvonnelindsay.com
First published in: October 2006. 
Number of books published: By end of 2012, 20 books and 1 novella plus 2 online titles with eHarlequin.

The Nitty Gritty
List up to 5 significant events in your journey to publication.
  • Hearing Susan Napier speak at a local community centre guided me toward joining RWNZ in it’s first year or so. After that,
  • Robyn Donald influenced me to finish a book when she spoke at an RWNZ conference back when I was a three chapters and synopsis queen.
  • Fiona Brand then influenced me to enter competitions with that finished book, which won the RWAustralia 1999 Emma Darcy Award and led to the opportunity to submit directly to an editor for four years.
  • During that time I benefitted hugely from the mentorship of Bronwyn Jameson, and the friendship of Trish Morey who I’d finalled in the Emma Darcy with, and both of them kept me sane when I didn’t make it with that editor and through more rejections after winning the 2004 RWNZ Clendon Award.
  • The combination of the years of advice and support all helped to make me and my writing stronger, which eventually led to my first sale in 2005.
What resources/techniques/events did you find useful to develop your writing skills/craft? Competitions were a huge help when I was also working and busy raising a, then, young family. They gave me a chance to write sections of a book, rather than a whole book when I just couldn’t find the time to devote to a complete manuscript.

As to events, conferences in New Zealand and eventually in Australia as well. The richness of the experience of an intense weekend with likeminded people and learning from other writers and specialists in their fields is priceless for any writer.

Can you share the special moment when you received THE CALL/THE EMAIL?
In early February 2005 I’d had an email, followed by a phone call, from the editor I’d been working with and submitting to for four years after I won the 1999 Emma Darcy award.

During the phone call the editor said she felt that no matter which way we tried to push my work, I just didn’t quite fit in with either of the category romance lines they published at the time and she suggested looking elsewhere. Totally devastated, I felt as if all the work I’d done up until then had been a waste of time.

To me, my dream was dead. I gave up writing altogether...for two whole weeks. But, as many people know, you can’t just give up something that has been a driving goal for a good part of your life.

Bronwyn Jameson had been prodding me for some time to query Silhouette (now Harlequin) Desire—so I did. To my shock, I very quickly received a letter back in response to my query letter and synopsis, requesting my full manuscript. I was lucky enough to attend a weekend at Kara School of Writing with Robyn Donald and Daphne Claire where they gave me guidance on how to improve the work.

I posted that manuscript on the 31st of March 2005 and on 21 April 2005, while I was halfway through putting my makeup on before heading out the door to my day job, the phone rang and on the end of the line was my new editor offering to buy my book.

It was magical—the moment I had waited for, for what felt like forever. I had always thought myself prepared for such an eventuality and even had a checklist of what I should ask and information I should know next to every phone in our house should “The Call” ever eventuate. I always thought I could be cool, calm, collected and professional but I was soooo wrong.

I cried, I gushed, I cried some more, I told my editor that it was the happiest day of my life. I felt like I’d finally, finally, reached an incredible milestone—something I’d actively strived for, for thirteen years. It was amazing.

How important is it to set career goals? Can you give an example of one you have for yourself?
For me it’s important to set career goals on a regular basis, otherwise I feel like I’m a bit of a gerbil running on a wheel. My current goal is to complete a single title manuscript that’s been ticking away in the back of my mind for several years now. Personally, I want to write this book to prove to myself that I can. Professionally, I’d like to widen my horizons and my readership while still writing for Desire.

Is there anything you think pre-published writers need to know about the business/industry before they're published?
I think people need to remember this is a business and you need to behave professionally with everyone you deal with—all along the road to publication. Respect is hard-earned and easily lost, so once you’ve earned that respect, hold onto it and treasure it and nurture it for all you’re worth. 

A Bit of Fun
Favorite color: Blue, no, purple, no, blue, no, purple. Purply blue? :-)
Hunkiest hero ever: Black Niall in Linda Howard’s book, SON OF THE MORNING.
Most daring thing you've done in your life: White water rafting. I’ve done it, now I don’t ever have to do it again.
Greatest love: My family.
Timeout/relaxation for me includes: Reading and not having to cook or do dishes.
Special quote/saying you like: "Things which matter most must never be at the mercy of things which matter least." – Goethe

Tuesday, February 21, 2012

TOPIC: An Author's Life...with Karina Bliss

Being a published author is an ... involved ... process, and I take my hat off to those who've been in the business more than a few years now.

As a pre-pubbed author I was always curious about what happened once you received THE CALL and stepped into the world of publishing.

What did it involve? How did they handled the day to day pressures? Did they developed routines, set goals etc.? What did they like/dislike about the process?

So I asked my special guests these questions and many of them have offered some intriguing insights into their lives. Maybe they'll even give you a heads up on what to expect if you're thinking of entering the world of "getting published".

Please welcome my next guest...

On average, romance authors take 5 years and  4.5 manuscripts before they get their first book contract. Despite her willingness to be the exception, journalist KARINA BLISS ended up fitting that statistic almost exactly. En route, she became the first Australasian to win a Golden Heart® from the Romance Writers of America.

Her debut, MR IMPERFECT, was published by Harlequin Superromance in Sept '06 and won a Romantic Book of the Year Award in Australia. Since then she’s written ten books for Harlequin SuperRomance.

Author Facts
Pseudonym or Given Name on the cover? Why a pseudonym?

With a name like Karina Bliss who needs a pseudonym, no one believes it's real anyway.
Location: New Zealand.
Published Genre: Harlequin SuperRomance.
Website: www.karinabliss.com (Karina also has a GoodReads blog)
First published in: 2006.
Number of books published: 10

The Nitty Gritty
List up to 5 significant events in your journey to publication?

  1. Peter and Barbara Clendon - The Clendon Award aka Finish The Damn Book for unpublished writers. As Kylie knows, a great success rate with picking writers who go on to publication. 
  2. The Kara School of Writing, a romance workshop run by Daphne Clair and Robyn Donald in Northland, NZ.
  3. The Writegals, my critique group, made up of Abby Gaines, Tessa Radley and the late Sandra Hyatt.
  4. My partner, Trevor, who is still patiently waiting to be a kept man. And in the meantime keeps me.
  5. Winning the Golden Heart®. The manuscript never got published but it didn't matter. Enough to be queen for a night.
What resources/techniques/events did you find useful to develop your writing skills/craft?
I'm a recovering craft book junkie.

The books I keep going back to are: STORY by Robert McKee, WRITING THE BREAKOUT NOVEL by Donald Maass; TECHNIQUES OF THE SELLING WRITER by Dwight Swain, and SAVE THE CAT by Blake Snyder. 


Can you share the special moment when you received THE CALL/THE EMAIL?
All I can remember six years on is wishing Victoria Curran would quit with the small talk and get straight to the "We want to buy your book" part!

Funnily enough when she did say those magic words, it still took a couple of days before I really truly beleived it and started celebrating. 

Looking back over your writing career, how have you grown as an author?
I think I get better with every book - and worse - which isn't the contradiction it sounds. Craft improves hugely under the guidance of an editor, but it's also a case of the more you know the harder it is to let go through the first draft. Voice is there from the beginning but I also think it evolves and deepens with every book.

How important is it to set career goals? Can you give an example of one you have for yourself?
I have mixed feelings about setting career goals. One, I think they're important, two I think you should always be open to revising them.

The only personal goal that has never changed is to write keepers. Whether I acheive that or not is decided by the reader, the particular story resonating with me as I write it, and lots and lots of fairy dust. But I'd rather fail big than win small.

Can you describe your writing process/timeframe from when you start a new book to handing it in at deadline?
Let's take the last book I turned in as it's fresh - BRING HIM HOME, out June 2012.

I have an initial idea - A guy falls in love with his army buddy's widow. And I push that idea to the nth degree. What if he had to make a Sophy's Choice (lesser of two evils)  in the ambush that killed his buddy? What if his buddy was complicit in that choice? What if he's so scarred emotionally he turns his back on his friends, the only family he has?

What if his best friend's widow forces him to come home because his signature in a family trust is required in order for her sell the home and invest in a business? What if she hasn't forgiven her late husband for something and the hero has to act as go between?

What if his own redemption is increasingly tied to reconciling the widow to her late husband at the same time he falls in love with her?

I also look at genre conventions and try and twist them. Let's have a widow who adored her husband. Let's have the late husband a major character in the book. Let's have the love triangle about the hero's loyalty to his best friend as much as his love for his best friend's widow. Let's have a woman who's moving on and a hero who can't. Let's explore the idea of a soulmate against the backdrop of a happy marriage to someone else.

How will I make a reader believes that this man and no other is the 'one' while still developing an affection for the heroine's late husband?

That's a story evolution that takes a few months to write myself into. And all the time I'm studying facts looking to ground the story in reality which is necessary for SuperRomance. For this book, the SAS, sportsfishing, family trusts and working as a bodyguard were all areas that needed researching. Not to mention how people process grief.

The first draft is torturous. A crawl of four to six pages a day. If I write ten I can guarantee I'll delete five. I'm not a born writer but I'm an excellent reviser :) and I'm totally committed to doing my best work.

One of the things I found challenging about being a published author is the constant juggling of tasks ie. writing a book, editing another, planning promotion, writing the prosposal for another (and usually this all happens while holding down another job or dealing with family/life etc.).

What do you enjoy the most in the publishing process?
I love the beginning - coming up with ideas and the end - line edits and AA's when all the hard work is done and you're tweaking.

What do you least in the publishing process?
Everything after page three until three pages to the end.

What's the most memorable fan-mail you've received?
Every reader email is special. I still find it wondrous that strangers  read my books.

Is there anything you think pre-publishers writers need to know about the business/industry before they're published?
The quality of the book is the only thing you really have control over. Know what you want out of being published - fame, fortune, critical acclaim and keep that as your touchstone when you're making decisions that affect your career.

A Bit of Fun
Favorite color:
Money.
Hunkiest hero ever: Brad Pitt in Legends of the Fall. (And then he cut his hair and I went off him...so shallow).
Most daring thing you've done in your life: I was a broke Kiwi travelling through the States and ran out of money. I slept on a friend's floor for a month, working in a card shop, until I could fly home. That friend lived in a frat house at Stanford University where he was studying! I was little sister to thirty guys. An amazing experience, Animal House meets The Sound of Music.
Greatest love: My husband and son.
Timeout/relaxation for me includes: Reading on an exercycle. I'm magically getting fitter while I'm lost in a book.
Special quote/saying you like: "I can't stand Willy Wet Leg, can't stand him at any price. He's resigned and when you hit him, he lets  you hit him twice." - D. H. Lawrence. It just makes me laugh.

Tuesday, January 24, 2012

TOPIC: An Author's Life...with Maree Anderson

Being a published author is an ... involved ... process, and I take my hat off to those who've been in the business more than a few years now.

As a pre-pubbed author I was always curious about what happened once you received THE CALL and stepped into the world of publishing.

What did it involve? How did they handled the day to day pressures? Did they developed routines, set goals etc.? What did they like/dislike about the process?

So I asked my special guests these questions and many of them have offered some intriguing insights into their lives. Maybe they'll even give you a heads up on what to expect if you're thinking of entering the world of "getting published".

Please welcome my next guest... 

MAREE ANDERSON always knew she had a re-e-e-eally warped imagination. The trouble was finding a socially acceptable outlet...which is why she became an author.



The other great thing about being an author is having a valid reason to read loads of books -- all in the name of research, of course. When she's not 'researching', Maree's writing romance of the paranormal persuasion.

She's a Kiwi, a New Zealander, and she's addicted to chocolate -- the darker the better. Not to mention coffee and  excellent NZ wine. She's not quite so addicted to her local gym but she's working on it ;-) 

Author Facts 
Pseudonym or Given Name? Given name—plain old Maree Anderson. I didn’t really think about the pseudonym thing until after I was published... in erotic romance. Ooops. *face palm*
Location: Auckland, New Zealand.
Published Genre/s: Erotic Romance of the science fiction/fantasy/paranormal persuasion, paranormal romance, Young Adult paranormal. (If you’re sensing a theme here, you’d be right *g*) 
Website: http://wwwmareeanderson.com 
First published in: 2009. 
Number of books published: 8 (3 novella-lengths, 5 novel-lengths). 

The Nitty Gritty
List up to 5 significant events in your journey to publication?

  1. As Barbara Clendon would say: “Finishing the damn book!” Or in my case, that very first manuscript.
  2. Someone asking me shortly after I’d finished that very first manuscript, “What scares you about taking the next step toward publication?”
  3. Finalling in the RWNZ Clendon Award in 2004 with that very first manuscript, and having Barbara Clendon say something to the effect of, “It needs a lot of work but for some reason, I just wanted to keep on reading the darned thing.”
  4. Writing an erotic romance novella specifically for a contest, just to challenge myself, and being offered a publishing contract. (I’d never written a novella or an erotic romance before, so that was The Best feedback *g*)
  5. My second Red Sage editor, Judith Harkins. We worked on four stories together before she left the company, and she was an incredible mentor, who really “got” me. She pulled scenes from me that I didn’t know I had it in me to write. We still keep in touch regularly via email.
What resources/techniques/events did you find useful to develop your writing skills/craft?
I read widely, across a variety of genres. I can’t emphasize enough how important it is for writers to read heaps. And heaps. And heaps.

For me, inspiration for a story strikes at the strangest times—in the middle of listening to a song, reading an article in an ancient magazine in the takeaway shop while waiting for my fish ‘n chips order, watching TV, glimpsing a photo as I flick through a magazine, waking from a dream.... I can’t tell you the number of times I’ve sprinted round frantically looking for a pen and paper to scribble down the idea before it vanishes.

So the best resource a writer can have? Pen and paper always at hand! (And preferably a pen that works, too.)

Entering contests can be a great way to get feedback about the strengths and weaknesses of your story—and your writing in general. I have a special fondness for the RWNZ Clendon Award, because it’s a full manuscript contest, with romance readers (not writers!) reading your whole manuscript and giving you feedback.

And having a group of writer-friends that you can meet with regularly is a must. “Normal” friends—and even family—don’t truly don’t understand what it’s like to have characters talking inside your head, and the muse cracking her fluffy whip and compelling you to write. Other like-minded writers “get” it and they’ll “get” you. And that’s a huge gift, because writing can be a lonely, very isolating, business.

Plus, I’ve always found other writers to be incredibly supportive and generous with sharing their knowledge. Our RWNZ Auckland chapter meetings have sometimes been the only thing that’s kept me writing through the tough times. 

Can you share the special moment when you received THE CALL/THE EMAIL?
I wrote an erotic romance novella—just to see if I could 1) write a novella, and 2) erotic romance. I entered the finished novella in a publisher-run contest, and to my delight, I finalled.

The editor who read my entry sent me an email saying Red Sage were “so impressed by the quality of your manuscript, we’d love to publish it.” I cried all over the place. It was a dream come true.

I printed out that email and still have it pinned to my notice board.

Looking back over your writing career, how have you grown as an author?
When I first started out, I thought I was a fantasy writer. Period. Then I discovered I like to challenge myself as a writer, so I started to experiment, and learned I could write in a variety of genres, and lengths, and POVs (third or first.)

I also believed that I was a dedicated pantser, who would “never” be a plotter. But I’ve taught myself to outline if needs be.

For me, I’ve kind of lived by “if it isn’t working, try something different” when it comes to my writing. So now I’m pretty flexible. And if I get stuck, or parts of a manuscript aren’t working, I have lots of tools in my arsenal to help me fix the story.

How important is it to set career goals? Can you give an example of one you have for yourself?
Here are the career goals I had when I first accepted a publishing contract with Red Sage:
  1. to have a novella published
  2. to have a novel-length story published
  3. to have a novella accepted for a Secrets anthology, so I’d have a story in print.
Those are the goals that I worked towards, and I achieved the last one with the July 2011 release of Kat On A Hot Tin Roof in the SECRETS Volume 30 “Desires Unleashed” anthology. 

Can you describe your writing process/timeframe from when you start a new book to handing it in at deadline?
Because Red Sage is primarily an e-publisher, and they generally contract already completed manuscripts (i.e. they don’t usually contract on proposal), deadlines weren’t such an issue for me. I’d complete a manuscript, send it to my editor, we’d work on it, and when we were happy with it, I’d be sent a contract.

That said, my editor liked the idea of SCENT OF A MAN (a fantasy I’d written a few years back) so much that she contracted it without reading the entire manuscript.

So for me, that was my first taste of a tight deadline. I had to drastically cut the word count and rewrite a fantasy as an erotic romance. It was a mission, and then some—especially since I had a large cast of characters, multiple points of view, and my hero and heroine spent far too much time apart!

But every time I panicked that I might not be able to do this, my editor would tell me how much she believed in me. So I had to believe in me, too.

I recall things getting really tough when we decided quite late on during the rewrite process that the last quarter of the story wasn’t working. In the end, I decided to cut a chunk of the story out, outline what needed to happen, decide which of the scenes I’d cut (if any) still fit the new outline, paste them back in, and then write to fill the gaps.

I made the contract deadline with about three weeks to spare, I think. But it was an incredibly stressful process.

What I took away from that process was that I can completely pull apart a story and put it back together again while working under pressure to meet a deadline. So nothing much scares me anymore ;-) 

One of the things I found challenging about being a published author is the constant juggling of tasks ie. writing a book, editing another, planning promotion, writing the proposal for another (and usually this all happens while holding down another job or dealing with family/life etc.).

What do you enjoy the most in the publishing process?
The writing! Because for now I’m not contracted to a specific publisher, I get to pretty much write what I want and try different things. For example, although I’m published in erotic romance, I also write non-erotics and YA.

I’m currently pulling out old manuscripts and rewriting them, which is a fun process—and a humbling one, when you see just how far you’ve come as a writer!

So far I’ve published three of my manuscripts—my 2006 RWNZ Clendon Award-winning manuscript, THE CRYSTAL WARRIOR, and a paranormal YA, FREAKS OF GREENFIELD HIGH (winner of the Maryland Romance Writers ‘Reveal Your Inner Vixen’ contest) are now available at Smashwords, Amazon, Barnes & Noble, Diesel eBooks, iTunes & Sony.

And the second Crystal Warrior book, RUBY'S DREAM, (a Clendon Award finalist) is available at Smashwords, Amazon, Barnes & Noble, and iTunes.

The third Crystal Warrior book, JADE'S CHOICE (also a Clendon Award finalist) will be released in the next few months. It’s an exciting time to be an author *g*.

Unfortunately, my muse is a slave-driver, and she doesn’t count “re-writing” as real writing! So I’m currently querying a recently completed YA that placed second in the From The Heart Romance Writers Golden Gateway Proposal contest for published authors.

I had a full manuscript request from one of the judging editors, so at the time of writing this interview, I’m waiting to hear what she thinks of the full manuscript. And once I’ve finished rewriting the third Crystal Warriors book, it’ll be back into writing something shiny and new to keep Ms Muse happy.

What do you like least in the publishing process?
Writing the dreaded synopsis! Followed closely by the dreaded blurb. And the dreaded tag-line...

What's the most memorable fan-mail you've received?
I received an email from a lady who’d bought the kindle version of THE CRYSTAL WARRIOR on Amazon, telling me how much she loved it, and what a fantastic story it was. I cried all over the place—it was just so wonderful to hear that.

Is there anything you think pre-published writers need to know about the business/industry before they're published?
Do the research. You (hopefully!) wouldn’t jump into a car for the first time, stick the key in the ignition, and just automatically expect to be able to drive it. Writing is the same.

If you don’t know how to say, format a paragraph or conversations in your manuscript, pick up a few books and see how it’s done. Same with a synopsis, and a query letter—there’s a wealth of information and excellent advice out there. All you have to do is be prepared to look for it and learn from it.

Besides, once you’re published, writing becomes even more of a business, so why not be professional right from the start?

Other than that, the most important thing to do is write, get into the habit of writing, and get into the habit of finishing what you start. Good things take time, and so does learning the “craft” of writing.

A Bit of Fun
Favorite color:
Purple.
Hunkiest hero ever: Pierce Brosnan in The Thomas Crown Affair.
Most daring thing you've done in your life: Bungy jumped off the Kawerau Bridge in Queenstown.
Greatest love: My husband, my kids. And really good quality dark chocolate.
Timeout/relaxation for me includes: Reading a book. In bed. While juggling cereal and a mug of coffee.
Special quote/saying you like: “Begin at the beginning,” the King said, gravely, “and go till you come to the end, then stop.” (Lewis Carroll, from Alice in Wonderland.) Pretty much my mantra when it comes to writing a book!

Thanks heaps for inviting me to participate in this questionnaire, Kylie—I had heaps of fun putting the answers together!
You're welcome, Maree! :-)

And to finish off, you can find Maree lurking in all kinds of places:
Website/blog     Facebook author page     Twitter     Google +     Writers Gone Wild Blog

Saturday, September 24, 2011

RWNZ 2011 "Love & Other Crimes" conference (part 2)

Here are some of the events and speakers who made the RWNZ "Love & Other Crimes" such a memorable conference!

The conference goers...
Tess Gerritsen & Frances Housden
Thanks for the birthday t-shirt, Michelle!
Maria V.Snyder

You'll notice a huge part of it was celebrating our members' achievements at the RWNZ Awards night dinner.

Frances Loo from the Chapters Bookshop received an Honorary Life Membership

Clendonite - Kris Pearson
First Impressions - Faye Robertson

Clendon Readers' Choice (again) - Michelle de Rooy
Clendonite - Thiloshini Govender
The Golden Chunk of Wood - the Clendon Award!
See you all next year!

Thursday, September 22, 2011

RWNZ 2011 "Love & Other Crimes" conference (part 1)

With the RWA and RWNZ conferences run on weekends back-to-back it was a full on two weeks of workshops, meeting guest speakers, agents, editors and authors, networking and renewing friendships.

This is the first post of two showing the highlights of the conference - the "Royal Wedding" themed cocktail party features in this post.
The King & Queen of Hearts!

A Blaze Bride!
Princess Mary & Prince

Royal harem-girl

Royalty everywhere...
Yet again I thoroughly enjoyed the smaller, more intimate conference and caught up with many friends I hadn't seen since last year.

I look forward to attending the next conference!

Saturday, September 17, 2011

TOPIC: Do You Have the Contest Bug?

This is a timeless topic often discussed among writers - the value of entering contests.

RWA Valerie Parv Award
Some are for entering them and are vocal advocates of the benefits of doing so, others advise against entering as many seem to "encourage writers to write to the contest" or they see the writer receiving little value out of them.

I fall into the former category of advocates. The name "contest diva", "contest queen", or the more affectionately yet derogatory "contest sl**" was often mentioned in the same sentence as my name (*grin*). In the course of my unpublished career as a writer, I entered almost 100 contests over the nine years since tackling my first.

When considering whether or not you should enter a contest ask yourself this - why are you entering?

RWNZ Clendon Award
Is to get feedback on your work? Is the contest aimed at judging 3 chapters, a short story or a full manuscript? Is it to final? Is it because your want to get in front of a particular agent or editor? Is it to get a contest resume under your belt?

Let's consider each question.
    • Feedback - entering can be a cheap way to get feedback on your work, particularly if you find a full manuscript contest that gives comments (eg. RWA Emerald Award or the RWNZ Clendon Award).
    WHRWA Emily Award
    If you belong to a writing organisation, ask yourself this - can I get feedback any other way besides through contests?

    Some writing organisations have mentoring schemes, critique groups or critique partner schemes running, so this might be another avenue for you to pursue in your quest to get feedback.
    • Contest criteria - entering a specific type of contest can help your craft. I avoided entering any sort of synopses contest, purely because I hated writing them. But because it was a weakness I'd identified in my craft skills, I forced myself to enter several of these to get feedback before I sent my work out on submission.
    • To final - this is a feather in any writer's cap. I used this as a benchmark to see whether I was improving in my craft but then, in the context of where I was as a writer (geography and isolation, not the level of skill) and the services I had access to this (era of time) proved to be the only option available to me to measure this. (So context is important.)
    • RWA Emerald Award
    • Getting your work in front of an editor/agent - if you have the budget, you can enter as many contests as you like, and some have done this. Most writers don't have unlimited funds, so choosing which particular contest - based on reputation or final judges or specific feedback - and this may determine your decision on whether you enter or not.
    Toward the end of my unpublished contest career my goal for entering was driven by who the final judge was. I wanted to get my work in front of an editor or agent who acquired my genre.
      RWA Golden Heart
    • Contest resumes - racking up finalist kudos, placings or wins is certainly a way to impress potential editors and agents but it doesn't always help. Some take no notice of your achievements. I admit, one of my main goals for entering contests, in the latter part of my unpublished career, was to build a resume for each manuscript but it wasn't the only avenue I relied upon to get my work in front of editors/agents.
    I think the secret of entering any contest is to identify why you're entering it, what you're hoping to get out of it as a result and to understand that it's one of many strategies, not the only one, to help you in your journey to publication.

    So, with the RWAustralia and RWNZ contest season about to start fresh, I know there will be some of you keen to try the contest circuit (and good on you, go for it!). There are a wide range of ones for you to enter here and overseas.

    Keeping that in mind, here are a few links you might like to explore to find the sort of contests you'd like to enter:

    Romance Writers of Australia contest page
    Romance Writers of New Zealand contest page
    Romance Writers of America contest page
    Stephanie Smith's contest page for author

    RWNZ Clendon Readers' Choice Award
    But, just remember, I've seen many friends who've taken the contest circuit route in the attempt to get published and I know of others who haven't entered any contests yet been picked up through submitting their work.

    There are valid reasons to try both paths, one isn't better than the other.

    It's whatever works for you.