After much thinking and decision making, it's with an element of sadness I announce that I'll no longer be posting regular articles on my blog.
I've been organising, preparing and posting series, guest author interviews and other articles for 5 years - a huge commitment of time and effort, one I have thoroughly enjoyed as I've met so many new friends through doing this - but it's time to call it quits.
Why?
Quite simply - my writing. Between teaching, writing, blogging and social media, something has to give. There are so many stories in my head busting to be written, I need more time!
I'll post blog pieces but they'll be when I have time or feel so moved. Will guests still be welcome? Absolutely (feel free to email me if you'd like to visit) but it will be more like guest posts rather than interviews.
What about announcements on new releases, good news and giveaways? I'll definitely post about them - never fear!
I'd like to thank all the guests who have appeared here, or those who have guest blogged or talked about various topics over the years. It's been a pleasure having you.
But most of all, I'd like to thank the readers of this blog - you have commented and corresponded with enthusiasm. I hope you've enjoyed the content posted or learned something new.
While I may not be as frequent a visitor to my own blog, I'll be haunting the pages over on Facebook, or tweeting on Twitter. And my newsletter will also still go out regularly (sign up here, if you'd like to receive it).
See you all in 2014 ... sometime!
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Saturday, December 28, 2013
Tuesday, December 24, 2013
The Year That Was...2013...
It's the end of December and in a week it will be 2014!
Phew, where did 2013 go?
It's certainly been a manic year with a whole swag of events happening on my blog. Let's look back at some of the highlights...
*GUEST AUTHORS
There have been many and you can find them all listed under this link but my favourites this year have included...
*The consecutive three-month long, three-box Aussie Author Giveaway that ran in conjunction with Rosemary's Books, Galaxy Bookstore and Rendezvous. It was a huge success!
*The whole month of March was dedicated to the buzz for ALLEGIANCE SWORN, which came out on April 2nd. You can find a host of extra's and insights into the characters of the Light Blade series during those weeks.
*Making the trek to Taree to speak on the Queen of Hearts author panel with Cathryn Hein & Karly Lane.
*Talking about world-building with:
*Posting up of A New Beginning (Part 1, Part 2 & Part 3), a free read science fiction romance short story.
*FUN STUFF
The Cat's Tale - the shennanigans of Furball, one of my cats, and a certain paper bag.
Was there anything that caught your eye this year on my blog?
I'd love to know what interested you!
Phew, where did 2013 go?
It's certainly been a manic year with a whole swag of events happening on my blog. Let's look back at some of the highlights...
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| Chris Hemsworth was my inspiration for Arek! |
*GUEST AUTHORS
There have been many and you can find them all listed under this link but my favourites this year have included...
*The consecutive three-month long, three-box Aussie Author Giveaway that ran in conjunction with Rosemary's Books, Galaxy Bookstore and Rendezvous. It was a huge success!
*The whole month of March was dedicated to the buzz for ALLEGIANCE SWORN, which came out on April 2nd. You can find a host of extra's and insights into the characters of the Light Blade series during those weeks.*Making the trek to Taree to speak on the Queen of Hearts author panel with Cathryn Hein & Karly Lane.
*Talking about world-building with:
*Posting up of A New Beginning (Part 1, Part 2 & Part 3), a free read science fiction romance short story.
*FUN STUFF
The Cat's Tale - the shennanigans of Furball, one of my cats, and a certain paper bag.
Was there anything that caught your eye this year on my blog?
I'd love to know what interested you!
Tuesday, December 17, 2013
WRITING: A New Beginning (Part 3)
This is Part 3 of a science fiction romance short story I wrote for the RWAustralia© Little Gems competition several years ago.
If you missed the previous installments, you can find Part 1 here and Part 2 here.
“No.” I stopped in the row next to him and stared around at the parts of a dismantled pipeline strewn all over the ground. Precious water dampened the dirt at the base of one palm. “Is everything all right?”
One, broad shoulder shrugged. “Blocked pipe. Mud from the river builds up near the gate valves. Got to unblock it by hand. Should’ve updated the pipes … this is boring you, isn’t it?”
“Not at all.” I handed him the hydro-pouch with a nervous smile. “There’s a lot to learn about helping you run this place. You might need to take things slow, explain a lot, but I’ll get it. I’m fit, strong, used to long, hard hours.”
The hydro-pouch halted halfway to his lips. “I’m not after a slave, Ms.Una.”
“And I’m not offering to be one but I’d like to think you’d let a partner share that dream of yours.”
His frown deepened. “A partner?”
I took a deep breath and looked around the paddock, feeling the heat, knowing I was sweating as much as he was, both of us tasting the ever present dust and grit.
“You’ve a grand vision for the future, Mr.Tann. I like a man that knows what he wants and goes after it. You’re a bit like me in that respect.” I shoved the broad brimmed hat back so I could look up at him. “I’d hoped for a future, one slightly better than what I left behind but when I got here I wondered what I’d Bonded into. I worried that you’d take advantage of my situation but you’re not the man I expected.“
He remained silent, watching me through hooded eyes, his gaze intense. I gave him a small, anxious smile and smoothed a hand over my cover-all, well aware of how lean and skinny I was.
“You’ve a beautiful home. I can see the love and care you put into it. You have a good eye for crafting and you obviously work hard.” I scuffed the dirt with the toe of my boot. “There’s a beauty in the starkness of this land. I won’t say I really like it yet but I can feel the peacefulness here.”
“It grows on you.”
I nodded. “In time I’m sure it will.” I wet my lips. “I’m a plain looking woman, Mr.Tann, and I doubt I’m very experienced with what pleases men compared to others you’ve known …”
“Stop.” The quiet word halted my rambling.
I stared down at the ground, flushing, thinking I’d offended him with my plain speaking. I’d never been good at saying things eloquently, but it wasn’t in me to dodge an issue no matter how awkward it was.
Two large, mud-coated boots entered my field of vision. A grease-stained finger tilted my chin up so that I looked at him. His broad face held an oddly contented look.
“I never expected you to appreciate or recognise the beauty in any of this, so that you do fills me with a greater satisfaction than you could know.” He laid his large hand over my heart, his touch gentle. “What you have here is all I need, not looks, not experience or fine education.”
My heart squeezed tightly with his soft words and the intense expression on his face. I bit my lip, hope curling deep inside me.
“Besides, I know I’m not one to boast about good looks.” The ghost of smile softened his rugged features. His thumb smoothed over my lip. “If all you want is a partner, I’ll settle for that. But if, by some miracle, you feel we could become lovers then I’m willing to wait. I’m a patient man and one who knows how to make the best of any given situation.”
A slow grin curved my lips. “When we get back to your cabin, Mr.Tann, I think I’d like to formalise our Bond-contract into a permanent arrangement.”
Astonishment lit his features. “There’s no rush to decide. You might change your mind. Life out here’s hard.”
I shook my head. “My future is here now, with you.”
He swallowed hard and a muscle ticked in his jaw. “I’m honoured to be your partner, Ms.Una. Never thought to find someone like you.”
“Do you think we could call each other by our given names?” I asked, wistfully. Formality seemed rather irrelevant now.
“I’d like that, Kaylee.” He hung the hydro-pouch on one of the palm-fronds and crouched. “Here, see your first lesson.”
I moved down beside him and discovered how to unblock a pipe. It took another three hours to check the remaining lines and the sun was setting as we made our way home through the dust.
“Rylan?” He turned to look down at me. “I meant to ask you earlier. Why did you call this property Pearl Station?”
“Don’t you think it suits?” It was an odd name and my puzzled frown brought a crooked smile to his face. “Think about it. This land is as pitted and ugly as an oyster’s shell yet if you delve beneath that layer, inside her you’ll find a treasure worth discovering.”
Touched by the poetry of his words I reached for Rylan’s hand and laced my fingers with his. He seemed surprised but then tightened his grip, his touch warm and comforting. The decision to come to P-171 was no longer as frightening as it seemed several hours ago.
I’d found my own pearl and he was worth more than I’d ever hoped for.
I hope you enjoyed reading this short sci-fi romance story as much as I did writing it!
If you missed the previous installments, you can find Part 1 here and Part 2 here.
A NEW BEGINNING
© Kylie Griffin 2013
“No.” I stopped in the row next to him and stared around at the parts of a dismantled pipeline strewn all over the ground. Precious water dampened the dirt at the base of one palm. “Is everything all right?”
One, broad shoulder shrugged. “Blocked pipe. Mud from the river builds up near the gate valves. Got to unblock it by hand. Should’ve updated the pipes … this is boring you, isn’t it?”
“Not at all.” I handed him the hydro-pouch with a nervous smile. “There’s a lot to learn about helping you run this place. You might need to take things slow, explain a lot, but I’ll get it. I’m fit, strong, used to long, hard hours.”
The hydro-pouch halted halfway to his lips. “I’m not after a slave, Ms.Una.”
“And I’m not offering to be one but I’d like to think you’d let a partner share that dream of yours.”
His frown deepened. “A partner?”
I took a deep breath and looked around the paddock, feeling the heat, knowing I was sweating as much as he was, both of us tasting the ever present dust and grit.
“You’ve a grand vision for the future, Mr.Tann. I like a man that knows what he wants and goes after it. You’re a bit like me in that respect.” I shoved the broad brimmed hat back so I could look up at him. “I’d hoped for a future, one slightly better than what I left behind but when I got here I wondered what I’d Bonded into. I worried that you’d take advantage of my situation but you’re not the man I expected.“
He remained silent, watching me through hooded eyes, his gaze intense. I gave him a small, anxious smile and smoothed a hand over my cover-all, well aware of how lean and skinny I was.
“You’ve a beautiful home. I can see the love and care you put into it. You have a good eye for crafting and you obviously work hard.” I scuffed the dirt with the toe of my boot. “There’s a beauty in the starkness of this land. I won’t say I really like it yet but I can feel the peacefulness here.”
“It grows on you.”
I nodded. “In time I’m sure it will.” I wet my lips. “I’m a plain looking woman, Mr.Tann, and I doubt I’m very experienced with what pleases men compared to others you’ve known …”
“Stop.” The quiet word halted my rambling.
I stared down at the ground, flushing, thinking I’d offended him with my plain speaking. I’d never been good at saying things eloquently, but it wasn’t in me to dodge an issue no matter how awkward it was.
Two large, mud-coated boots entered my field of vision. A grease-stained finger tilted my chin up so that I looked at him. His broad face held an oddly contented look.
“I never expected you to appreciate or recognise the beauty in any of this, so that you do fills me with a greater satisfaction than you could know.” He laid his large hand over my heart, his touch gentle. “What you have here is all I need, not looks, not experience or fine education.”
My heart squeezed tightly with his soft words and the intense expression on his face. I bit my lip, hope curling deep inside me.
“Besides, I know I’m not one to boast about good looks.” The ghost of smile softened his rugged features. His thumb smoothed over my lip. “If all you want is a partner, I’ll settle for that. But if, by some miracle, you feel we could become lovers then I’m willing to wait. I’m a patient man and one who knows how to make the best of any given situation.”
A slow grin curved my lips. “When we get back to your cabin, Mr.Tann, I think I’d like to formalise our Bond-contract into a permanent arrangement.”
Astonishment lit his features. “There’s no rush to decide. You might change your mind. Life out here’s hard.”
I shook my head. “My future is here now, with you.”
He swallowed hard and a muscle ticked in his jaw. “I’m honoured to be your partner, Ms.Una. Never thought to find someone like you.”
“Do you think we could call each other by our given names?” I asked, wistfully. Formality seemed rather irrelevant now.
“I’d like that, Kaylee.” He hung the hydro-pouch on one of the palm-fronds and crouched. “Here, see your first lesson.”
I moved down beside him and discovered how to unblock a pipe. It took another three hours to check the remaining lines and the sun was setting as we made our way home through the dust.
“Rylan?” He turned to look down at me. “I meant to ask you earlier. Why did you call this property Pearl Station?”
“Don’t you think it suits?” It was an odd name and my puzzled frown brought a crooked smile to his face. “Think about it. This land is as pitted and ugly as an oyster’s shell yet if you delve beneath that layer, inside her you’ll find a treasure worth discovering.”
Touched by the poetry of his words I reached for Rylan’s hand and laced my fingers with his. He seemed surprised but then tightened his grip, his touch warm and comforting. The decision to come to P-171 was no longer as frightening as it seemed several hours ago.
I’d found my own pearl and he was worth more than I’d ever hoped for.
© Kylie Griffin 2013
All rights reserved. No commercial reproduction, adaptation,
distribution or transmission of any part or parts of this website or any
information contained therein by any means whatsoever is permitted
without the prior written permission of Kylie Griffin.
I hope you enjoyed reading this short sci-fi romance story as much as I did writing it!
Tuesday, December 10, 2013
WRITING: A New Beginning (Part 2)
This is Part 2 of a science fiction romance short story I wrote for the RWAustralia© Little Gems competition several years ago.
If you missed it, you can find Part 1 here.
Sighing quietly in relief, I stared out at the scenery. A thin, green line broke the tan hues of the landscape and as we drew closer I realised it was vegetation edging a creamy coloured river. The multitude of plant life provided visual cool relief in the heat of the day and brought a smile to my face.
“That river is the start of Pearl Station, all forty thousand acres of my settlement.” Hesitant pride coloured Rylan’s voice. “Don’t look much now, I know, but see the silver coloured paddocks near the river? Yasar-palms. Experimental hybrid but suited to the dry environ. Four years growth, watered eight times a day initially but now their tap-roots go deep enough to access the artesian basin. One day the far hills and the plains will be covered in them, then I’ll bring in stock.”
Enthusiasm lit his face and he spoke with such quiet confidence that I could see the vision he evoked. Such deep emotion and passion for a hard fought dream.
I tilted my head to one side. “You love this place.”
He slanted a glance my way, his expression becoming more guarded, and shrugged. “It’s home.”
In another ten minutes the skimmer slowed to cross the wide river and on the southern bank I saw a single storey cabin nestled in among the lush vegetation. A small slice of heaven in an arid wasteland.
“You go on inside, make yourself at home, Ms.Una,” Rylan said, as he parked the skimmer close to the door. He alighted and came around to help me out. He carried my heavy duffle bag to the door then turned back towards the skimmer.
A head shorter than him I had to look up to address him. “Where are you going?”
He ran a hand through his wavy black hair. “Got chores to do before I come in. Need to catch up before dark.”
I nodded and watched him head over to a small pump station and disappear inside. A moment later I heard a power generator start up. Water rushed through a pipe coming from the shed. Rylan reappeared, a wide brimmed hat on his head, toolbox in hand. He followed a pipeline that lead out into the dusty paddocks.
I watched him stop every so often to check them. I frowned. The paddocks were large and the pipelines extended into the distance. A demanding, lonely job when one had to be self-reliant to fix or tend things and make a living from it. He disappeared into the heat-haze so I decided to explore my new home.
The cabin had an insulated steel covered frame, solar panels on the roof and water storage tanks dug in under the ground. The few windows were coated with a reflective gold film, letting the light in but keeping the heat out.
I sighed at the climate-controlled interior, and took a moment to appreciate the cool air ducted through vents set high in the wall. A luxury, and one Rylan Tann had left on for our arrival. A considerate gesture.
The open plan style inside had an airy feel to it. I dumped my duffle near the door and surveyed the room. Living and sleeping quarters only, the amenities walled off by a portable screen in one corner. His kitchen had all the basics, well stocked and outfitted. The comm. and disk-player sat on a shelf near one of the windows. The furniture was simple but I liked the clean, spartan style. After living in a room half this size with nine others, this was decadence.
I ran my hand along the small table near the cooking facilities, curious about the smooth texture. The bowls stacked on the shelves and some of the containers had the same feel. Moving towards the bed I traced the intricate swirling pattern carved into the headboard and the functional, patched-sewn blanket. The items all looked handmade. Had Rylan made them? If so, he was a skilled craftsman.
I could almost imagine the tall man sitting in the shade of one of the trees outside, lathe and chisel in hand, patiently carving and sanding wood imported from off-planet until he was satisfied with what he’d done. The time taken to craft the items spoke of patience and care.
One holo-pic rested on the low bedside table. I sat down on the edge of the bed and peered at it. A younger Rylan stood among a group of men in uniform, his unit. He was smiling, his arms slung around the young men next to him. The sense of camaraderie between them was strong.
Slowly, I peered around the cabin, taking in everything that defined the man I knew as Rylan Tann. I’d seen enough to decide.
I wandered over to the small refrigerator unit and looked inside, smiling when I found a large hydro-pouch on the top shelf. Slinging it over my shoulder, I found a spare broad brimmed hat hanging near the door. The heat hit me as soon as I left the cabin. I stopped in the shade of the lush trees, inhaled a lungful of dry heat, and grimaced at the sweat I could already feel gathering in the hollows of my body.
Shading my eyes, I stared out across the paddock. Life would be hard out here with Rylan, but only a different sort of hard than the one I was used to. P-171 certainly wasn’t for the faint-hearted and I’d never considered myself weak. I could adapt and if I read the man right, Rylan would help.
Lifting my chin, I started walking, following the same pipeline I’d seen Rylan track. He had a grand dream, one that required dedication and hard work but he seemed more than capable of seeing it to fruition. The hip-high Yasar-palms were healthy looking, strong despite their immaturity. I ran my hands over the leaves, and the thin fronds tickled my skin. Even being city-bred I knew that once they grew the ecology would change. Rylan’s desolate wilderness could transform into a green paradise.
“Ms.Una, over here.” Rylan’s hail came from my left.
Ducking through the rows I found Rylan greasing a valve on one of the pipes. He was bare-chested, his tanned body covered in sweat, his shirt cast on the ground near his toolbox. He rose frowning, wiped his hands on his long pants.
“Something wrong, Ms.Una?”
Part 3 will be posted this time next week...
If you missed it, you can find Part 1 here.
A NEW BEGINNING
© Kylie Griffin 2013
Sighing quietly in relief, I stared out at the scenery. A thin, green line broke the tan hues of the landscape and as we drew closer I realised it was vegetation edging a creamy coloured river. The multitude of plant life provided visual cool relief in the heat of the day and brought a smile to my face.
“That river is the start of Pearl Station, all forty thousand acres of my settlement.” Hesitant pride coloured Rylan’s voice. “Don’t look much now, I know, but see the silver coloured paddocks near the river? Yasar-palms. Experimental hybrid but suited to the dry environ. Four years growth, watered eight times a day initially but now their tap-roots go deep enough to access the artesian basin. One day the far hills and the plains will be covered in them, then I’ll bring in stock.”
Enthusiasm lit his face and he spoke with such quiet confidence that I could see the vision he evoked. Such deep emotion and passion for a hard fought dream.
I tilted my head to one side. “You love this place.”
He slanted a glance my way, his expression becoming more guarded, and shrugged. “It’s home.”
In another ten minutes the skimmer slowed to cross the wide river and on the southern bank I saw a single storey cabin nestled in among the lush vegetation. A small slice of heaven in an arid wasteland.
“You go on inside, make yourself at home, Ms.Una,” Rylan said, as he parked the skimmer close to the door. He alighted and came around to help me out. He carried my heavy duffle bag to the door then turned back towards the skimmer.
A head shorter than him I had to look up to address him. “Where are you going?”
He ran a hand through his wavy black hair. “Got chores to do before I come in. Need to catch up before dark.”
I nodded and watched him head over to a small pump station and disappear inside. A moment later I heard a power generator start up. Water rushed through a pipe coming from the shed. Rylan reappeared, a wide brimmed hat on his head, toolbox in hand. He followed a pipeline that lead out into the dusty paddocks.
I watched him stop every so often to check them. I frowned. The paddocks were large and the pipelines extended into the distance. A demanding, lonely job when one had to be self-reliant to fix or tend things and make a living from it. He disappeared into the heat-haze so I decided to explore my new home.
The cabin had an insulated steel covered frame, solar panels on the roof and water storage tanks dug in under the ground. The few windows were coated with a reflective gold film, letting the light in but keeping the heat out.
I sighed at the climate-controlled interior, and took a moment to appreciate the cool air ducted through vents set high in the wall. A luxury, and one Rylan Tann had left on for our arrival. A considerate gesture.
The open plan style inside had an airy feel to it. I dumped my duffle near the door and surveyed the room. Living and sleeping quarters only, the amenities walled off by a portable screen in one corner. His kitchen had all the basics, well stocked and outfitted. The comm. and disk-player sat on a shelf near one of the windows. The furniture was simple but I liked the clean, spartan style. After living in a room half this size with nine others, this was decadence.
I ran my hand along the small table near the cooking facilities, curious about the smooth texture. The bowls stacked on the shelves and some of the containers had the same feel. Moving towards the bed I traced the intricate swirling pattern carved into the headboard and the functional, patched-sewn blanket. The items all looked handmade. Had Rylan made them? If so, he was a skilled craftsman.
I could almost imagine the tall man sitting in the shade of one of the trees outside, lathe and chisel in hand, patiently carving and sanding wood imported from off-planet until he was satisfied with what he’d done. The time taken to craft the items spoke of patience and care.
One holo-pic rested on the low bedside table. I sat down on the edge of the bed and peered at it. A younger Rylan stood among a group of men in uniform, his unit. He was smiling, his arms slung around the young men next to him. The sense of camaraderie between them was strong.
Slowly, I peered around the cabin, taking in everything that defined the man I knew as Rylan Tann. I’d seen enough to decide.
I wandered over to the small refrigerator unit and looked inside, smiling when I found a large hydro-pouch on the top shelf. Slinging it over my shoulder, I found a spare broad brimmed hat hanging near the door. The heat hit me as soon as I left the cabin. I stopped in the shade of the lush trees, inhaled a lungful of dry heat, and grimaced at the sweat I could already feel gathering in the hollows of my body.
Shading my eyes, I stared out across the paddock. Life would be hard out here with Rylan, but only a different sort of hard than the one I was used to. P-171 certainly wasn’t for the faint-hearted and I’d never considered myself weak. I could adapt and if I read the man right, Rylan would help.
Lifting my chin, I started walking, following the same pipeline I’d seen Rylan track. He had a grand dream, one that required dedication and hard work but he seemed more than capable of seeing it to fruition. The hip-high Yasar-palms were healthy looking, strong despite their immaturity. I ran my hands over the leaves, and the thin fronds tickled my skin. Even being city-bred I knew that once they grew the ecology would change. Rylan’s desolate wilderness could transform into a green paradise.
“Ms.Una, over here.” Rylan’s hail came from my left.
Ducking through the rows I found Rylan greasing a valve on one of the pipes. He was bare-chested, his tanned body covered in sweat, his shirt cast on the ground near his toolbox. He rose frowning, wiped his hands on his long pants.
“Something wrong, Ms.Una?”
© Kylie Griffin 2013
All rights reserved. No commercial reproduction, adaptation,
distribution or transmission of any part or parts of this website or any
information contained therein by any means whatsoever is permitted
without the prior written permission of Kylie Griffin.
Part 3 will be posted this time next week...
Tuesday, December 3, 2013
WRITING: A New Beginning (Part 1)
I wrote this sci-fi romance short story for the RWAustralia© Little Gems competition several years ago.
I was intrigued with the "mail-order bride" idea and decide to place it in a sci-fi setting. It was fun developing the idea and the characters.
I mean, what sort of person would willingly contract or bond themselves to a person they've never met? What would motivate them to leave everything familiar and head off into the unknown? To chose an uncertain future?
And what about the person who advertised for a partner? Were they so desperate for company they'd take the drastic step of marrying a stranger? Or just lonely?
These were the 'what if' questions that prompted me to throw Rylan and Kaylee together. This story will be posted in three installments over the month of December. I hope you enjoy it.
A NEW BEGINNING
© Kylie Griffin 2013
What had I signed up for? Certainly not the situation I found myself in, that’s for sure, but anxiety prodded the nerves dancing in my stomach anyway. I fiddled with a long strand of blonde hair then tucked it behind my ear. Oh, I’d anticipated some of the variables I’d need to adjust to P-171, frontier colonial planet; issues like uncertainty about the future, deep-space cryo-sleep for a year, a Bonding contract with terms yet to be negotiated, and a life vastly different than the crowded, overpopulated existence I’d had back on Earth, but nothing had prepared me for this.
Heat rippled off the dry, dusty hills and ravines of a land so desolate it made the dirty, rowdy, ram-shackled spaceport-town four hours behind me look like a High-class metropolis rather than a haven for the desperate.
I wiped at the sweat on my face and squinted against the bright sunlight out over a cream and tan landscape rippling in the afternoon heat. The hum of the skimmer as it made its way over yet another undulating, rock strewn hill was the only sound of civilisation present in a terrain so unforgiving I wondered how any of the Terra-farmers could ever make a living from dirt and stone. Water was scarce, as I quickly learnt, more precious than credit, and everything was bartered or sold by the litre.
“We’re nearly there, Ms.Una.”
My travelling companion, Rylan Tann, broke the silence, his voice rich and deep; only the second time I’d heard him speak other than the initial awkward meeting at the Bond-Office when he’d picked me up and we’d thumb-printed the contract. I was his Bondwoman for six months, either as a Terra-labourer or companion or both. Final terms were still negotiable.
“Please, call me Kaylee, Mr.Tann.” He grunted and I glanced over at him, wondering what he was thinking. He didn’t seem to be in a hurry to talk about our situation. His lean, angular, clean-shaven face gave nothing away yet there was a quiet strength beneath the stoic facade.
I’d expected Rylan to be well into his fifties. The brief info-sheet on him said he’d been in the Federation military, a retired veteran turned Terra-farmer, but he seemed to be in his mid-thirties, a few years older than me.
His large, broad shoulder frame barely fit in the skimmer seat. He handled the skimmer with skill that came from years of experience. Underneath the worn but clean coverall he had a hard, thick-muscled body, one of the first things I’d noticed when he’d helped me into the skimmer; a man well used to physical labour. Something I could definitely appreciate.
“Your settlement block is a long way from port, Mr.Tann,” I said, softly. “Do you have any neighbours?”
His dark brown eyes, the colour of chocolate I’d once seen in a store window but never tasted, met mine a moment before returning to the horizon. “The Neelan family’s only an hour away on the eastern border. Open plains, unclaimed, on the others.”
An hour and nothing but isolation? I swallowed dryly and smoothed a hand over the practical coveralls issued to me when I’d disembarked the sleeper-ship. It would take getting used to but the remoteness had a certain peacefulness I could learn to like, especially after living in a multi-celled, dorm-styled apartment with four other families.
“The pre-fab cabin has a comm. Bought a disk-player last wet-season. I like music. No vid-feed though. Couldn’t afford the uplink to the satellite. Dust also distorts the reception.”
I smiled. “Can’t miss what you never had, Mr.Tann. My family couldn’t afford one either. We had ten mouths to feed.”
His rugged, tanned face lit up with surprise. “Is that why you Bonded to a Colony world?”
“Partly.” I cleared my throat and swallowed dryly. The dust and residual effects of cryo-sleep made my voice hoarse.
Rylan glanced at me, then leant across the console, flipped open a small compartment and offered me a hydro-pouch.
I took it, impressed that he’d noticed my thirst. “Thank you.” I broke the seal and sipped the cool liquid, aware that he was waiting for an answer. Fiddling with the corner of the package, I took a fortifying breath. “My family’s financial situation limited my formal education, Mr.Tann. Not a lot of employment for those with basic-education but I got by hiring on as a general labourer. I learnt enough on the street to know hand to mouth subsistence held no future and my family needed the space, so I signed up.”
He grunted. “Difficult choice for a woman coming out here.”
“I’m not afraid of hard work. Bonding gave me more options than I had on Earth.”
An embellishment of the truth, but I was unwilling to admit it’d been my only option. I’d barely been able to pay the application fee so this was a one-way trip for me. I had no credit to break our contract if he turned out to be a less than desirable employer. It was doubtful the short-staffed Peacekeepers would be able to enforce bonding regulations this far away from the port, they’d had enough trouble enforcing the law within town limits from what I’d seen. P-171 was my future and the man beside me would decide a large part of it.
His blunt question was quiet but terse. “Are you looking for a husband?”
“Depends.” I bit my lip. “Are you looking for a wife?”
“Can’t say I thought any woman would want to live out here. I did wonder what type would accept an application such as mine.” He paused, and his large hands tightened on the skimmer controls. “I’d consider marriage. I’ve been here five years, Ms.Una. Company of any sort, but especially a woman’s, would ease the hours of loneliness.”
An honest answer, one that deserved a response.
“Mr.Tann, I can’t commit to someone I barely know.”
He nodded, the tension around his eyes and mouth easing. “That I can understand. Not expecting an answer today.”
© Kylie Griffin 2013
All rights reserved. No commercial reproduction, adaptation,
distribution or transmission of any part or parts of this website or any
information contained therein by any means whatsoever is permitted
without the prior written permission of Kylie Griffin.
Part 2 will be posted this time next week...
Saturday, November 2, 2013
Signs & Symptoms You Could Be an Author...
OK, a bit of light-hearted teasing, let's-poke-fun-at-authorly-types post today!
If you're a reader, it might give you some insight into your favourite authors and their behaviour.
If you're an author, I wonder how many of these apply to you?
So, if you're an author, can you add any signs or symptoms to this list? :-)
If you're a reader, it might give you some insight into your favourite authors and their behaviour.
If you're an author, I wonder how many of these apply to you?
You're constantly editing! Any time you see a grammar or spelling error - on a street sign, an email, someone's social media post, while judging a competition entry, a written message left you by someone in your family - you just can't stop the automatic impulse to find a red pen and correct the mistake!
- Curiosity is your middle name. You're always watching what's happening around you, particularly in a public place. You notice things the average Joe doesn't - the mismatched socks on someone's feet, the odd tattoo on someone's arm, an out of place object...all provide fodder for your "ideas" file on your computer.
- You're ALWAYS daydreaming (which is part of the creative process, right?!?!). How many times have friends and family caught you staring off into space and called your name wondering what on earth you're doing? Scenes and characters having conversations with you are constantly running through your head like movies. There's no such thing as being bored, not when you can zone out and daydream.
You're a walking thesaurus - never short of
ways or words to describe people, places or things. And you're always
thinking about how to describe things!
- You listen in on conversations. How many times have you sat at a cafe, or been walking around a mall or at a family gathering and you overhear snatches of conversation or secretly listened in to the people talking the next table over intrigued by their choice of topic. The result - your imagination runs riot as you work out how to incorporate some of it into your next book!
- People approach you to help them with applications or projects because "you're the writer or the creative one".
- You find grammar jokes hilarious.
- You think about your WIP whenever you have a spare moment, travelling to work, when you're shopping, during boring meetings, as you go to sleep at night, when you wake up...
- Guilt plagues you when you haven't written anything for a day. Or you get an idea and start frantically searching for a pen and something to write it down on...in the supermarket, while on a date, mid-conversation...
- Writing is an obsession, not a hobby. You just have to write despite knowing published authors aren't "overnight successes", the chances of being the next Nora Roberts/E.L.James/J.K.Rowlings/Stephanie Meyer are inconceivable, earning a million dollar contract is as rare. You'll continue to write no matter what.
So, if you're an author, can you add any signs or symptoms to this list? :-)
Tuesday, November 20, 2012
TOPIC: Marketing & Promotion - What works?
Unfortunately, the general consensus is a
lot of marketing/promo done by an author is unmeasurable.
But, as authors, I think we can make educated guesses on what works, and what doesn't, if we do some research and gather data using the process of trial and error.
Before being published I followed, watched and researched 4-5 of my favorite authors and looked at their websites, blogs, Facebok pages, Twitter posts and so on, and took note of what they were doing, how they did it and what appealed to me in what they did.
I also read a lot of results of reader surveys run by a variety of organisations (like RWAmerica, ARRA and other independent studies).
I came up with a list of things that have helped me shape my promotion & marketing plans (of course, I tweak them as I go as I learn more after each book and time passes).
Here is a small list of points I thought worked well for me (and keep in mind this will vary from author to author):
When readers email me I offer to send out signed bookplates for their friend if they'd like one. I used this as a chance to send out a doodad/bookmark/postcard as well (see "doodad" comment below). This may seem small bikkies but I believe every sale counts.
Something else I've noticed that may help:
I made a point of looking at click-throughs from my newsletter - where subscribers went looking - and tracking things like sales rankings on The Book Depository, Amazon/Author Central, Barnes & Noble etc. I did this on a daily basis for a period of time AFTER I announced these discounts.
What I noticed was this...sales rankings rose. So, I guess one could assume that there may have been some sort of link to advertising discounts and these results.
(As an aside, one thing to be wary of is doing this too often. Bombarding readers with these announcements can be regarded as spammy. It's a very quick way of annoying them and they'll unlike/unfriend/unsubscribe/unfollow you.)
Personally, I quite like calico tote bags you can take them shopping or to work with you (with a book cover & website on the sides). I use them mostly as grocery shopping bags and the number of times I've had people comment and ask about them is amazing. They're (subtle) walking advertisments, small billboards on legs.
Of course, some of the promotional items require a budget (like the "doodads" & postage) but if you set yourself a strict limit it's doable.
This is my 2c worth on promotion and marketing outside of writing a damn good book! :-)
Does anyone else have an hints or advice they'd like to share on this topic?
But, as authors, I think we can make educated guesses on what works, and what doesn't, if we do some research and gather data using the process of trial and error.Before being published I followed, watched and researched 4-5 of my favorite authors and looked at their websites, blogs, Facebok pages, Twitter posts and so on, and took note of what they were doing, how they did it and what appealed to me in what they did.
I also read a lot of results of reader surveys run by a variety of organisations (like RWAmerica, ARRA and other independent studies).
I came up with a list of things that have helped me shape my promotion & marketing plans (of course, I tweak them as I go as I learn more after each book and time passes).
Here is a small list of points I thought worked well for me (and keep in mind this will vary from author to author):
- writing the next book is the best form of marketing and promotion ever!
- other than the above, word of mouth is one of the most powerful selling tool
- giveaway books ie. a selected number during your blog tours, giveaways at conferences, newsletter prizes to subscribers, Goodreads etc.
When readers email me I offer to send out signed bookplates for their friend if they'd like one. I used this as a chance to send out a doodad/bookmark/postcard as well (see "doodad" comment below). This may seem small bikkies but I believe every sale counts.
Something else I've noticed that may help:
- mentioning when your books are significantly discounted or on special at certain places like Amazon, The Book Depository, B&N. I did this on my social media network - FB, Twitter, my newsletter and so on.
I made a point of looking at click-throughs from my newsletter - where subscribers went looking - and tracking things like sales rankings on The Book Depository, Amazon/Author Central, Barnes & Noble etc. I did this on a daily basis for a period of time AFTER I announced these discounts.
What I noticed was this...sales rankings rose. So, I guess one could assume that there may have been some sort of link to advertising discounts and these results.
(As an aside, one thing to be wary of is doing this too often. Bombarding readers with these announcements can be regarded as spammy. It's a very quick way of annoying them and they'll unlike/unfriend/unsubscribe/unfollow you.)
- Doodads - as a reader I like receiving "stuff", particularly if it's from a favorite author, whether it's postcards, bookmarks, pens, giveaways etc. These "doodads" puts your work/name in front of the reader and anyone else who sees it, every time they use the refrigerator, write or carry something.
Personally, I quite like calico tote bags you can take them shopping or to work with you (with a book cover & website on the sides). I use them mostly as grocery shopping bags and the number of times I've had people comment and ask about them is amazing. They're (subtle) walking advertisments, small billboards on legs.
- As a reader I also like free stories for subscribers of newsletters, and snippets of new releases during blog tours (the varied the better as I will follow an author around on their tour getting information about that book), "special extra's" about the book (a bit like the extra's on a DVD, character outlines, bloopers, deleted scenes and so on).
Of course, some of the promotional items require a budget (like the "doodads" & postage) but if you set yourself a strict limit it's doable.
This is my 2c worth on promotion and marketing outside of writing a damn good book! :-)
Does anyone else have an hints or advice they'd like to share on this topic?
Tuesday, November 13, 2012
TOPIC: Marketing and Promotion - Websites
Marketing and promotion can be a controversial topic, especially when writers get together and discuss the topic.
Opinions vary widely, some say it makes no difference, some say that's what your publishing company should be doing for you, some say every little bit helps.
Regardless of where you stand on this topic, in today's market I think it's safe to assume authors have a responsibility for doing something in this arena. Yet another skill we need to attempt and gain some proficiency in.
What sort of promotion or marketing should I do? Well, that varies from author to author.
But the one basic essential marketing and promotion tool any author should have is a website, and this applies to unpublished authors as well.
Unpublished authors should be thinking about creating and establishing a web presence well before signing with a publishing house, purely because once you jump on that merry-go-round you're going to have enough of a learning curve to undertake without the added pressure of getting a website up an running.
If you leave it too late, there's nothing more frustrating for a reader than learning about a new and upcoming author, searching out more information about them and discovering they don't have a website up and running.
Please don't put up a website without content or one that has a collection of messages saying "under development". It's great way to turn readers off and make sure they never come back (same goes for a website that isn't updated regularly - but more on that in a minute).
Another good reason for unpublished authors to have a website - agents and editors could go looking for you once you begin submitting work or querying them. If you're placing in contests, same applies. Judges (aka potential readers) might also go looking for you.
Back to your website. Think of it as your base of operations - and because I'm a huge sci-fi fan - equate it to a space station.
No matter what galaxy you hail from, your space station will be the first port of call for all travellers. They'll search for it and is the one place they'll be able to refuel and find supplies - aka find out about you and/or your books.
Having a website is an essential, even if it's the only marketing/promotional tool you use as an author.
What should I have on my website? The bare necessities include a home page, biography page, books page (if you're pubbed) and contacts page.
Label your page tabs clearly, don't use some obscure term. You want readers able to find content on your website, not pulling their hair out in frustration when they can't. You want them coming back time and again, not avoiding it.
Keep your website simple, easy to navigate. Make sure it reflects your brand (and if you want to know what that is, then check out Nikki Logan's post on this here).
If this is your first foray into planning and designing a website, go look at your favourite author's websites. This is the easiest and best way to work out what appeals to you.
What grabs your attention from their sites? Look at the content they've placed on their pages. Is this something you'd like to have on yours? This is how I developed mine.
You'll find over time you'll redesign or overhaul it. A website shouldn't be a static thing. It should always be evolving, and this brings me to one of the most important things about creating and maintaining a website.
Keep it up to date!
Let me repeat that.
Keep. It. Up. To. Date.
Once a month maintenance - up date your home page, make sure you have your latest releases, cover blurbs, and buy links posted, make sure you have a series book list in chronological order.
Do this and your readership will be happy. And you'll keep them coming back.
If you build it, they will come!
Any other tips or hints on websites, folks?
Opinions vary widely, some say it makes no difference, some say that's what your publishing company should be doing for you, some say every little bit helps.
Regardless of where you stand on this topic, in today's market I think it's safe to assume authors have a responsibility for doing something in this arena. Yet another skill we need to attempt and gain some proficiency in.What sort of promotion or marketing should I do? Well, that varies from author to author.
But the one basic essential marketing and promotion tool any author should have is a website, and this applies to unpublished authors as well.
Unpublished authors should be thinking about creating and establishing a web presence well before signing with a publishing house, purely because once you jump on that merry-go-round you're going to have enough of a learning curve to undertake without the added pressure of getting a website up an running.If you leave it too late, there's nothing more frustrating for a reader than learning about a new and upcoming author, searching out more information about them and discovering they don't have a website up and running.
Please don't put up a website without content or one that has a collection of messages saying "under development". It's great way to turn readers off and make sure they never come back (same goes for a website that isn't updated regularly - but more on that in a minute).
Another good reason for unpublished authors to have a website - agents and editors could go looking for you once you begin submitting work or querying them. If you're placing in contests, same applies. Judges (aka potential readers) might also go looking for you.
Back to your website. Think of it as your base of operations - and because I'm a huge sci-fi fan - equate it to a space station.
No matter what galaxy you hail from, your space station will be the first port of call for all travellers. They'll search for it and is the one place they'll be able to refuel and find supplies - aka find out about you and/or your books.
Having a website is an essential, even if it's the only marketing/promotional tool you use as an author.
What should I have on my website? The bare necessities include a home page, biography page, books page (if you're pubbed) and contacts page.
Label your page tabs clearly, don't use some obscure term. You want readers able to find content on your website, not pulling their hair out in frustration when they can't. You want them coming back time and again, not avoiding it.Keep your website simple, easy to navigate. Make sure it reflects your brand (and if you want to know what that is, then check out Nikki Logan's post on this here).
If this is your first foray into planning and designing a website, go look at your favourite author's websites. This is the easiest and best way to work out what appeals to you.
What grabs your attention from their sites? Look at the content they've placed on their pages. Is this something you'd like to have on yours? This is how I developed mine.
You'll find over time you'll redesign or overhaul it. A website shouldn't be a static thing. It should always be evolving, and this brings me to one of the most important things about creating and maintaining a website.
Keep it up to date!
Let me repeat that.
Keep. It. Up. To. Date.
Once a month maintenance - up date your home page, make sure you have your latest releases, cover blurbs, and buy links posted, make sure you have a series book list in chronological order.
Do this and your readership will be happy. And you'll keep them coming back.
If you build it, they will come!
Saturday, July 7, 2012
TOPIC: Being a Published Author - What's involved once you publish?
The magic words we all want to hear from an editor - we'd like to buy your book - results in yahoo'ing, happy dancing, popping of corks on champagne, squee'ing...but what happens after OBC (the offer of a book contract)?
Well, the publishing process begins, and while what I share happens roughly in this order, some of the steps are flexible and can occur at different times through out the process.
Negotiating contractual deadlines - this is where you need to know what word count you're able to produce in order to complete a book. It will determine the deadlines you set for handing in a finished product (edited & polished) to your editor. And this, in turn, will impact the scheduling of your release date, the editing process, cover art etc.
Some things to consider when working out your deadlines - daily word count x months it takes to complete your book, your regular routine, being sick, juggling work or volunteer commitments, unanticipated interruptions. And then add another month just to be on the safe side.
Writing the book - self explanatory. However you do it, get it down and drafted. One of the most bantered about phrases is "You can't edit a blank page."(coined by an author, whose name escapes me, at a writing conference). This is so, so true.
Cover art - if you're lucky your editor will ask you for ideas about your cover. If invited, include things like character descriptions, synopsis, photo's of landscapes/hero/heroine/costumes/weapons etc.
Anything that will help convey the tone, theme or story of your book to the art department/cover artist.
Your editor and art department will come up with a brief for the commissioned cover artist.
The cover artist will hire the models, costumes, prop etc. and do the photo shoot before photo-shopping in the background. When they send the finished product back to the art deptartment, the title, cover quote, tagline, back cover blurb etc. will be added.
Some publishing houses may not include you in the consultation process. It all depends on house policy.
As a matter of courtesy, my editor forwarded the covers of my books to my agent and I and asked if I was happy with it.
Both times my agent and I discussed the covers and requested a couple of tweaks. They were given the nod and the final cover was approved for printing.
Back Cover Blurb/Title - between the cover copy team, your editor and you, you'll write a blurb for the book.
This is the time you're likely to have the most input as the back cover blurb must accurately portray your story. If something isn't right or needs tweaking then say so.
Be prepared to submit possible titles for your book as well. One may be chosen, more likely there will be some tweaking and to'ing and fro'ing of ideas and suggestions until your editor comes up with the final product. Hopefully it will be something you like or at least are happy with.
Tag line & Cover Quote - Your editor may request you provide a 'wishlist' of authors whom you'd like to read your book and provide a quote that may go on the cover, back cover, cover pages or other promotional material.
My agent and I, as well as my editor, approached my wishlist authors for the quotes on VENGEANCE BORN. Thankfully all of them said yes to our requests.
Revisions - these are the big picture fixes suggested by your editor and may include comments on things like plot lines, characters, pacing, and scene deletions. AND you may go through multiple rounds of these before your editor signs off on them.
Deadlines for these are negotiable depending on the amount of work involved. Be honest with yourself when setting them. Don't be tempted to try and get them done ASAP. Give yourself some wiggle room.
Line edits/galleys - these are the nitty gritty such as spelling (for me it was changing from English to US English), grammar, formatting, punctuation etc. Every publishing house will have it's own in-house style on how they want these sorts of things corrected.
This is not the time to make massive story line changes or scene additions or deletions. The deadline for these are usually set by your editor.
Advance Review Copies (ARC's) - these are printed before the line edits make their appearance in the final copy before it goes to print. It's the book printed out, usually with the words "Uncensored Proofs for Limited Distribution, Not for Sale" or something to that affect.
Most authors get several of these. They are sent out by your editor and/or publicist to book bloggers for advanced reader reviews. You might use them as contest giveaways or to build pre-release buzz.
Final copy - if it's written in your contract you'll get a certain amount of author copies sent to you to do with as you wish. You can give them to family or friends, or use them in contests and giveaways.
The day you get that box in the mail is an emotional one. Have a box of tissues handy.
Promotion - publishers are likely to send out information to their booksellers in a seasonal catalogue, or they may distribute excerpts/promotional material on your behalf. Promotion of your book will vary author to author, publishing house to publishing house.
I took the view that there would be no one as keen as me to promote my book, so I planned, budgetted and organised a lot of complimentary promotion, on top of what my editor and publicist provided. Take on only what you feel comfortable doing and stick to your budget.
So, basically, this is the publishing process you'll go through with each book. Something to keep in mind is that amidst all this you could juggling the following (particularly if you have negotiated a multiple book deal):
Just remember, every author's experience will be different and that some of the things I've explained here may vary depending on your editor, agent, and publishing house.
The most important thing though is to learn and enjoy the process. :-)
Well, the publishing process begins, and while what I share happens roughly in this order, some of the steps are flexible and can occur at different times through out the process.
Negotiating contractual deadlines - this is where you need to know what word count you're able to produce in order to complete a book. It will determine the deadlines you set for handing in a finished product (edited & polished) to your editor. And this, in turn, will impact the scheduling of your release date, the editing process, cover art etc.
Some things to consider when working out your deadlines - daily word count x months it takes to complete your book, your regular routine, being sick, juggling work or volunteer commitments, unanticipated interruptions. And then add another month just to be on the safe side.
Writing the book - self explanatory. However you do it, get it down and drafted. One of the most bantered about phrases is "You can't edit a blank page."(coined by an author, whose name escapes me, at a writing conference). This is so, so true.
![]() |
| Cover conference ideas |
Anything that will help convey the tone, theme or story of your book to the art department/cover artist.
Your editor and art department will come up with a brief for the commissioned cover artist.
![]() |
| Cover conference ideas |
Some publishing houses may not include you in the consultation process. It all depends on house policy.
![]() |
| Pre-Berkley work-up. Artwork: Gene Mollica |
Both times my agent and I discussed the covers and requested a couple of tweaks. They were given the nod and the final cover was approved for printing.
Back Cover Blurb/Title - between the cover copy team, your editor and you, you'll write a blurb for the book.
![]() |
| Cover Copy |
Be prepared to submit possible titles for your book as well. One may be chosen, more likely there will be some tweaking and to'ing and fro'ing of ideas and suggestions until your editor comes up with the final product. Hopefully it will be something you like or at least are happy with.
Tag line & Cover Quote - Your editor may request you provide a 'wishlist' of authors whom you'd like to read your book and provide a quote that may go on the cover, back cover, cover pages or other promotional material.
My agent and I, as well as my editor, approached my wishlist authors for the quotes on VENGEANCE BORN. Thankfully all of them said yes to our requests.
Revisions - these are the big picture fixes suggested by your editor and may include comments on things like plot lines, characters, pacing, and scene deletions. AND you may go through multiple rounds of these before your editor signs off on them.
Deadlines for these are negotiable depending on the amount of work involved. Be honest with yourself when setting them. Don't be tempted to try and get them done ASAP. Give yourself some wiggle room.
![]() |
| Line Edits/Galleys - now converted to book format |
This is not the time to make massive story line changes or scene additions or deletions. The deadline for these are usually set by your editor.
![]() |
| Advance Review Copies (ARC's) |
Most authors get several of these. They are sent out by your editor and/or publicist to book bloggers for advanced reader reviews. You might use them as contest giveaways or to build pre-release buzz.
![]() |
| The final product! |
The day you get that box in the mail is an emotional one. Have a box of tissues handy.
Promotion - publishers are likely to send out information to their booksellers in a seasonal catalogue, or they may distribute excerpts/promotional material on your behalf. Promotion of your book will vary author to author, publishing house to publishing house.
I took the view that there would be no one as keen as me to promote my book, so I planned, budgetted and organised a lot of complimentary promotion, on top of what my editor and publicist provided. Take on only what you feel comfortable doing and stick to your budget.
So, basically, this is the publishing process you'll go through with each book. Something to keep in mind is that amidst all this you could juggling the following (particularly if you have negotiated a multiple book deal):
- writing the next book
- editing a previous book as per the publishing process mentioned
- promoting another of your books
- life outside writing
Just remember, every author's experience will be different and that some of the things I've explained here may vary depending on your editor, agent, and publishing house.
The most important thing though is to learn and enjoy the process. :-)
Monday, July 2, 2012
Fiction-Writing with Randy Ingermanson
This comes from a press release from the Romance Writers of New Zealand. It might be of
interest to some.
It's specifically for the Friday workshop. You can find the full conference schedule over at the RWNZ website. You can attend just the Friday session or the whole weekend.
Fiction-writing Dummy No Longer
A Day with Randy Ingermanson (The Snowflake
Guy)
Calling all writers. It's time to learn how to get that inner novel
into print.
Romance Writers of New Zealand is bringing Randy Ingermanson, the
author of six novels and the bestselling book, Writing Fiction for Dummies, to New
Zealand to present a full-day workshop. This will take place on Friday, August
24, from 9am to 5pm at Auckland's Crowne Plaza Hotel. Writers of all genres are
welcome and encouraged to hear this world-class speaker guide them on the path
to creating successful commercial fiction. The workshop consists of five
sessions: Building Great Characters; Story Architecture; The Snowflake Method;
Writing the Perfect Scene (divided into two parts); finishing with analyzing the
popular book The Hunger
Games.
Affectionately known as ‘America’s Mad Professor of Fiction Writing’,
Randy’s passion is teaching people how to organize their writing lives, how to
create fiction, and how to market that fiction to the reading public. The award
winning writer says,“Great organization keeps you
productive. Great creative skill will sell you to the publisher. Great marketing
will sell you to the reader.”
Most people believe they have a novel in them waiting to be written
and after spending a day with Randy that dream could become
reality.
Randy Ingermanson is the author of six novels and the bestselling
book WRITING FICTION FOR DUMMIES. He is known around the world as “the Snowflake
Guy” in honor of his wildly popular Snowflake method of designing a novel. Randy
has a Ph.D. in theoretical physics from the University of California at Berkeley
and still works half-time as a scientist for a biotechnology company in San
Diego.
He publishes the free monthly Advanced Fiction Writing E-zine, with over
30,000 subscribers and sits on the advisory board of American Christian Fiction
Writers. Randy lives in southern Washington State with his wife and daughters
and three surly cats. Visit his web site at http://www. AdvancedFictionWriting.com
For more details and early bird discount bookings before July 13 go
to http://www.romancewriters.co.nz
There are concessions for members of
NZSA, KiwiWrite4Kids, SFFANZ and NZ Writers Guild.
Romance Writers of New Zealand Inc is a non-profit organisation dedicated
to promoting excellence in romance writing and the romance genre, helping
writers become published and establish careers by providing networking, support,
information and resources.
Saturday, December 10, 2011
CRAFT: Weaving character descriptions into narrative
As a beginning writer one of the things I had trouble with was describing my characters, so the reader could form an impression of them, but without resorting to using cliched or boring descriptions or clunky narrative.
Cliched descriptions might include:
Clunky narrative reads like a checklist of attributes or something you read in an encyclopedia, eg. starting at the head and descending to the toes.
The downfall of doing it like this will do a couple of things to your writing. A heap of narrative inserted into the body of story runs the risk of slowing down the pace. And if it reads like an encyclopedia list of attributes it might also pull the reader out of your story.
But how can you insert character descriptions and avoid this? The best way - check out your fav.author's books to see how they weave it into their books.
Here's a few examples descriptive narrative from some of my favourite author's work.
EXAMPLE 1 - the first comes from Denise Rossetti's THE LONE WARRIOR (Ch.1)
Denise has woven the description into the narrative and used a question to make it stand out.
EXAMPLE 2 - from THE LONE WARRIOR by Denise Rossetti (Ch.1)
EXAMPLE 3 - from RAPTURE by Jacqueline Frank (Ch.4)

Dae (the heroine) is confronting Magnus (the hero) over how he's to treat her.
The author has done this through the use of dialogue AND she's made it a part of plot in the story rather than as something entirely separate.
So, go dig out one of your favourite reads, analyze how the author inserted a description of their character, then try it out yourself.
Have fun!
Cliched descriptions might include:
- her lips were as red as rubies
- he was tall, dark and handsome
- she had long, red hair that fell to her waist
- the color of his eyes reminded her of the sky
Clunky narrative reads like a checklist of attributes or something you read in an encyclopedia, eg. starting at the head and descending to the toes.
The downfall of doing it like this will do a couple of things to your writing. A heap of narrative inserted into the body of story runs the risk of slowing down the pace. And if it reads like an encyclopedia list of attributes it might also pull the reader out of your story.
But how can you insert character descriptions and avoid this? The best way - check out your fav.author's books to see how they weave it into their books.
Here's a few examples descriptive narrative from some of my favourite author's work.
EXAMPLE 1 - the first comes from Denise Rossetti's THE LONE WARRIOR (Ch.1)
Death padded in pursuit, slipping through the double shadows without a sound. Like the worst nightmare Mehcredi could imagine, except this was all too horribly real. How much longer she could elude him, the man with the hunter's face?
Panting, she glanced over her shoulder at the dark figure pacing behind. As he drifted from one patch of shadow to the next, something pale gleamed where the light of the Sibling Moons tangled in his black hair. Feathers worked into a long braid, and . . . bones?We're in Mehcredi's POV and she's fleeing from another person - see how we already have an impression of this person from this description yet it's part of the action, not a "laundry list" of features?
Were they finger bones?
Denise has woven the description into the narrative and used a question to make it stand out.
The shock thrilled down her nerves, making her head swim and her vision blur, but her long legs carried her away at a swift, stumbling run, lurching down a narrow alley, deeper into the reeking slum the people of Caracole called the Melting Pot.Again - action coupled with a description, this time of Mehcredi - the inference is that she's tall.
Turning to fight never entered her head. Gods, she'd barely scraped through the First Circle tests as it was, and her first real commission for the Guild of Assassins had been an unqualified disaster. No, she wouldn't have a chance.Mehcredi uses a curse-phrase "Gods", and from the way she thinks of herself we know she's not a very good assassin.
She couldn't hear his footfall, couldn't detect any movement, but his presence behind her was a tangible force. Every cell in her body sensed him with the animal instinct of the hunted—his predatory focus, the grim relish with which he anticipated her death.See how her impressions of him tell the reader something more about him?
From her left came the frantic click of claws on the cobbles, a soft whining noise. That damn dog! She might as well wave a flaming torch above her head and be done with it.
"Get lost," she hissed, glancing around for something to throw. "Scat!" But the little animal only skittered aside, continuing to flank her.
Mehcredi twisted and doubled back. One hand pressed to the stitch in her side, she reeled around a corner and inevitably, there he stood, waiting pitiless. He wasn't a great deal taller than she was, but much broader. Lithe and strong and graceful, where she was long-boned and clumsy and doomed.Narrative again, but this time Denise has drawn a comparison between her two characters so we get more of a description of both.
She opened her mouth to shriek, to plead, but long-fingered hands fastened around her throat.One simple description in an action sentence.
As he slowly increased the pressure, digging painfully into the soft flesh under her jaw, the man smiled, lips pulling back from white teeth.Same again.
The expression gave him an eerie, chilling beauty. He could have been an avenging angel or a handsome demon. Either way, those elegant brutal hands were the sure instruments of her death.More narrative and from this we know this guy is good looking.
EXAMPLE 2 - from THE LONE WARRIOR by Denise Rossetti (Ch.1)
"Your skin is fine enough, I suppose. And your coloring is certainly unusual. Silver eyes are rare in the Isles and unknown in Trinitaria." He made his face bland. "You'd bring good creds in a southern slave market."Denise uses dialogue this time to convey and build a physical description of Mehcredi.
EXAMPLE 3 - from RAPTURE by Jacqueline Frank (Ch.4)

Dae (the heroine) is confronting Magnus (the hero) over how he's to treat her.
"Because of that bitch that bit you?"Listen to the tone of Dae's dialogue - what's the impression you get here of her? Strong, a bit rough round the edges, a woman not afraid to stand up to someone?
That made him smile for some reason. He supposed it was the way she stripped the bullshit away from everything and laid it all out the way it was. He could get used to that. Although he wasn't sure about the rest of Sanctuary.
"Yes," he agreed.
"Well, just keep in mind, I'm a whole new kind of bitch, okay? And I won't bite unless one of two things happens."
"I'm listening."
"First, you don't ever try to cut my balls off just so you can be top dog over me. I won't do it to you if you don't do it to me..."
The author has done this through the use of dialogue AND she's made it a part of plot in the story rather than as something entirely separate.
So, go dig out one of your favourite reads, analyze how the author inserted a description of their character, then try it out yourself.
Have fun!
Saturday, October 8, 2011
TOPIC: So You Want To Be An Author?
How dedicated are you to your passion? Are you committed to making a career out of writing? Or is it something you do 'to pass the time'?
If you're serious, what changes have you made to your life to achieve the goals you've set yourself? What can you do to help yourself, and make others realise you mean business?
Here's a few tips I've learnt or heard others say they've realised along the way:
If you're serious, what changes have you made to your life to achieve the goals you've set yourself? What can you do to help yourself, and make others realise you mean business?
Here's a few tips I've learnt or heard others say they've realised along the way:
- You're the author, not the muse. Waiting for inspiration to strike won't develop the habits, processes or skills you need to become an author.
- Take time out to read, read, read - it'll keep you fresh, you'll see what other authors are writing, and it'll give you the chance to get lost and away from your own work.
- It's your 'voice'. Be careful not to take every critique, comment or contest feedback to heart nor change something in your work every time someone makes a suggestion. You won't please everyone with your story and you'll run the risk of losing your 'voice' or editing it out of your work.
- Be patient, my eager Apprentice. The publishing industry is all about submitting and waiting. And waiting. And waiting. Submit your queries and/or manuscripts (partials or fulls)/or books to your editor, and while you're waiting for a response keep busy and away from compulsively checking your emails.
- Move on to your next manuscript. Something that ties in well with the previous point. Let me repeat that. Move. On. To. Your. Next. Manuscript. I've seen so many writers go over and over their last manuscript (sometimes for years!) or get 'caught up' entering contests or submitting work, or (gasp) spend months NOT writing. Work on your next story - write down some ideas, jot out a rough outline, plot, do character interviews, make maps, lists of characters and descriptions, start writing a scene or chapter...get cracking on something to do with your next book. It'll make the waiting less tedious and being productive helps time go more quickly!
- Learn to say 'no'. If you want a career as an author, then writing needs to come first on your list of 'Things To Do'. Saying 'no' can be hard, but it gets easier the more you use the word. Stand firm when you do say no. Waver and you send the message that you don't take writing seriously. If you put your writing first then (eventually) everyone else will realise it's important to you.
- Never stop learning the craft. Even after you publish keep reading, keep developing, keep pushing yourself to improve. Take course, attend workshops, read professionally.
Saturday, August 6, 2011
TOPIC: Writing Terms (part 1)
Ever attended a writers’ conference and been bamboozled by a host of acronyms or writing terms you’ve heard of but never quite understood? Here’s a few you might hear bandied about…
GMC – goal, motivation, conflict, used in reference to the characters in the story. Often referred to as what the character wants, why the character wants it and what’s stopping them attaining it.
HEA – happily ever after
HFN – happy for now
HMB – Harlequin Mills & Boon
ms. or mss. – manuscript or manuscripts
UF – urban fantasy genre
PR – paranormal romance genre
SFR – science fiction romance genre
rom.sus. – romantic suspense genre
FR – fantasy romance genre
EF – epic fantasy genre
DUF – dark urban fantasy genre
ST – single title (approx.80 000 words or more)
QL – query letter
FK – first kiss
POD – print on demand
POV – point of view
WIP – work in progress
Have I missed any? Feel free to add them in as a comment! :-)
GMC – goal, motivation, conflict, used in reference to the characters in the story. Often referred to as what the character wants, why the character wants it and what’s stopping them attaining it.
HEA – happily ever after
HFN – happy for now
HMB – Harlequin Mills & Boon
ms. or mss. – manuscript or manuscripts
UF – urban fantasy genre
PR – paranormal romance genre
SFR – science fiction romance genre
rom.sus. – romantic suspense genre
FR – fantasy romance genre
EF – epic fantasy genre
DUF – dark urban fantasy genre
ST – single title (approx.80 000 words or more)
QL – query letter
FK – first kiss
POD – print on demand
POV – point of view
WIP – work in progress
Have I missed any? Feel free to add them in as a comment! :-)
Wednesday, July 13, 2011
Go BILD'ers Go!
This is a huge shout-out for my incredible writing buddies on the BILD loop (Book in 50 Days).
We're a dedicated, supportive bunch of published and unpublished writers from Australia, UK and NZ who've been helping each other achieve our goals and cheering each other on as we reach certain milestones.
And this week and a bit has certainly been cause for celebration. Why?
Well, just check out this list of accomplishments...
So, congratulations to these wonderful ladies - Bec S., Michelle deR., Kendra D., Soraya L., Kris P., Thilo G., Tracey A. and Sue W.!
We're a dedicated, supportive bunch of published and unpublished writers from Australia, UK and NZ who've been helping each other achieve our goals and cheering each other on as we reach certain milestones.
And this week and a bit has certainly been cause for celebration. Why?
Well, just check out this list of accomplishments...
- three BILD'ers are finalists in the Romance Writers of New Zealand Clendon Award
- another three made it into the Highly Commended/Commended lists for the Clendon Award
- three received publishing contracts this past year
- two are finalists in three different RWNZ First Impressions contests (some finalled twice!)
- two are finalists in the RWA Valerie Parv Award
- two are finalists in the RWA Emerald Award
- one BILD'er placed 3rd & 5th in the COFW RWA "Ignite the Flame" contest
- one finalled in HOD RWA"The Molly"
- one accepted an offer of representation from Jessica Faust from BookEnds LLC
So, congratulations to these wonderful ladies - Bec S., Michelle deR., Kendra D., Soraya L., Kris P., Thilo G., Tracey A. and Sue W.!
Saturday, June 11, 2011
TOPIC: To regret, or not to regret - that is the question...
A friend asked me the other day if I could change anything on this journey I've made to becoming a published writer what would it be. It set me to thinking long and hard about the topic.
*I wish I'd discovered RWAustralia sooner than I did. Until I entered the RWA Emma Darcy Award I never even knew they existed.
Joining this writing organisation has enriched my professional and personal life as a writer. I've learned so much about the craft of writing, the publishing industry and how everyone fits within the jigsaw, networking, pitching, developed friendships...the list could go on.
*I regret not having pitched to an editor or agent at a conference earlier than I did. Public speaking, interview situations, anything that resembled either of these petrified me (even though I'm a teacher and can quite happily make a fool of myself and love it in front of a classroom full of children).
I put it off for nearly six years, preferring the anonymity and safety of emails and letters. I'm still reluctant to tackle this sort of situation but I can now do it because I know what to expect. I also realise the value of networking and meeting industry professionals face to face. Putting a name to a face (on both sides of the interview table) is such an important step.
*My latest wish is that I'd developed myself as a plotter and planner in my writing style rather than as a scener and panster. It's something I'm now working on and, unfortunately I'm finding it quite a challenge. I'd been told time and again by other writers (published ones) that it's an important skill to develop but I went on my merry way, happy to write as I wanted, instead of learning and changing. Better late than never, eh?
This might seem like a negative list of regrets, and I guess to some extent they are just that, but timing has a funny way of working out and I've learned sometimes there's nothing you can do but accept this. For some reason they happen when they do.
Reminds me of the reed-in-the-water analogy - you learn to bend with the current rather than break.
If you're a fellow writer, is there anything you wish you could have learned sooner in your writing career? Care to share?
*I wish I'd discovered RWAustralia sooner than I did. Until I entered the RWA Emma Darcy Award I never even knew they existed.
Joining this writing organisation has enriched my professional and personal life as a writer. I've learned so much about the craft of writing, the publishing industry and how everyone fits within the jigsaw, networking, pitching, developed friendships...the list could go on.
*I regret not having pitched to an editor or agent at a conference earlier than I did. Public speaking, interview situations, anything that resembled either of these petrified me (even though I'm a teacher and can quite happily make a fool of myself and love it in front of a classroom full of children).
I put it off for nearly six years, preferring the anonymity and safety of emails and letters. I'm still reluctant to tackle this sort of situation but I can now do it because I know what to expect. I also realise the value of networking and meeting industry professionals face to face. Putting a name to a face (on both sides of the interview table) is such an important step.
*My latest wish is that I'd developed myself as a plotter and planner in my writing style rather than as a scener and panster. It's something I'm now working on and, unfortunately I'm finding it quite a challenge. I'd been told time and again by other writers (published ones) that it's an important skill to develop but I went on my merry way, happy to write as I wanted, instead of learning and changing. Better late than never, eh?
This might seem like a negative list of regrets, and I guess to some extent they are just that, but timing has a funny way of working out and I've learned sometimes there's nothing you can do but accept this. For some reason they happen when they do.
Reminds me of the reed-in-the-water analogy - you learn to bend with the current rather than break.
If you're a fellow writer, is there anything you wish you could have learned sooner in your writing career? Care to share?
Thursday, June 9, 2011
Who's That Girl? interview with Nicola Sheridan
Some more home grown Aussie talent!
Please make Nicola feel welcome.
Name? Nicola E. Sheridan.
Where are you? Western Australia.
How many years have you been a member of RWAustralia? One year - and what a year its been!
What genre/s do you write? I write parnormal/fantasy romance.
Who are your favourite authors? I love J.K. Rowling and Karen Marie Moning. Totally different authors, but completely amazing world builders!
What inspired you to write romance? I have always enjoyed fantasy, but lamented it's lack of sexiness. Every book deserves a sexy hero and really, what's a book without a little romance? I just love the romantic aspect of writing and couldn't write a book without it.
What's the best thing about going to conference? I've only been to "Romancing the West" twice, but I love being around other people who do the same thing I do.
Sometimes, as a writer you feel like you're the only person who does what you do... until you go to a conference and talk to all the others! I also love hearing other peoples advice on writing. You always learn something new.
And lastly, finish these statements...
My greatest strength as a writer is... the fact I want to write, rather than have to write. That, and a ridiculously over-active imagination.
A sexy hero needs... a sexy back!
My latest WIP (work in progress) is about... Genies, DemonSpawn and Kuala Lumpur. I'm having a lot of fun!
When I write I like to... listen to Arabic music very loud. My poor neighbours! Haha!
My best writing milestone to date is... getting published. MAGICAL GAINS was published in March 2011 by Eternal Press and I just got a contract for my second book, MAGICAL CREATIONS, due for release in October 2011.
If you'd like to find out more about Nicola, click on the website link, or follow her blog or Facebook group. You can also find her author page at Eternal Press.
Please make Nicola feel welcome.
Name? Nicola E. Sheridan.
Where are you? Western Australia.
How many years have you been a member of RWAustralia? One year - and what a year its been!
What genre/s do you write? I write parnormal/fantasy romance.
Who are your favourite authors? I love J.K. Rowling and Karen Marie Moning. Totally different authors, but completely amazing world builders!
What inspired you to write romance? I have always enjoyed fantasy, but lamented it's lack of sexiness. Every book deserves a sexy hero and really, what's a book without a little romance? I just love the romantic aspect of writing and couldn't write a book without it.
What's the best thing about going to conference? I've only been to "Romancing the West" twice, but I love being around other people who do the same thing I do.
Sometimes, as a writer you feel like you're the only person who does what you do... until you go to a conference and talk to all the others! I also love hearing other peoples advice on writing. You always learn something new.
And lastly, finish these statements...
My greatest strength as a writer is... the fact I want to write, rather than have to write. That, and a ridiculously over-active imagination.
A sexy hero needs... a sexy back!
My latest WIP (work in progress) is about... Genies, DemonSpawn and Kuala Lumpur. I'm having a lot of fun!
When I write I like to... listen to Arabic music very loud. My poor neighbours! Haha!
My best writing milestone to date is... getting published. MAGICAL GAINS was published in March 2011 by Eternal Press and I just got a contract for my second book, MAGICAL CREATIONS, due for release in October 2011.
Thursday, June 2, 2011
Who's That Girl? interview with Helen Lacey
Some home grown talent today, folks! Read on!
Name? Helen Lacey.
Where are you? I live in Queensland, in a small seaside town at the southern most point of the Great Barrier Reef.
It's an amazing place and I feel so lucky to live just a couple of hundred metres from the Pacific Ocean. My husband and I get to ride our horses along the beach which is such a great experience.
How many years have you been a member of Romance Writers of Australia and Romance Writers of New Zealand? RWOz Since 1993, RWA since 2005.
What genre do you write? Harlequin Special Edition (Home & Family type books that allow me to include my passion for cowboys and horses).
Who are your favourite authors? Susan Mallory, Christine Rimmer, Jane Austen, Maeve Binchy.
What inspired you to write romance? I always loved to read, particularly BLACK BEAUTY, the Silver Brumby series and all of Laura Ingall's Wilder books.
I wrote my first book when I was seven, a story about a girl and her beloved horse. I read Austen at a young age too. But it was when I was around 12 that I read my first couple of Mills & Boon that I fell in love with romance and knew I wanted to write them.
Two books stood out for me - Rosalind Brett's WINDS OF ENCHANTMENT, and Robyn Donald's BRIDE OF WHANGATAPU. I thank both these talented authors for showing me the road to romance.
Who's your dream agent and/or dream publisher? I have my dream agent - Scott Eagan at Greyhaus Literary Agency, and my dream editor Susan Litman at Harlequin Special Edition. They are both incredibly supportive of my career and am so looking forward to seeing my first book hit the shelves in 2012.
What's the best thing about going to conference? Catching up with friends and colleagues. Knowing I will always have a 'light bulb moment'. Bunking with my friend Louise Cusack and raiding the mini bar :)
And lastly, finish these statements...
My greatest strength as a writer is... my determination (An ability to survive on six hours sleep a night so I can stay up till the wee small hours and write)
A sexy hero needs... a flaw that can be redeemed with the love of the right woman
My latest WIP (work in progress) is about... a sexy widowed saddle maker and a girl who won't take no for an answer.
When I write I like to... look out my office window and see the ocean and my horses grazing
My best writing milestone to date is... selling my first book to Harlequin Special Edition in November 2010.
Check out Helen's website if you'd like to know more about her.
Name? Helen Lacey.
Where are you? I live in Queensland, in a small seaside town at the southern most point of the Great Barrier Reef.
It's an amazing place and I feel so lucky to live just a couple of hundred metres from the Pacific Ocean. My husband and I get to ride our horses along the beach which is such a great experience.
How many years have you been a member of Romance Writers of Australia and Romance Writers of New Zealand? RWOz Since 1993, RWA since 2005.
What genre do you write? Harlequin Special Edition (Home & Family type books that allow me to include my passion for cowboys and horses).
Who are your favourite authors? Susan Mallory, Christine Rimmer, Jane Austen, Maeve Binchy.
![]() |
| Zeb - Helen's thoroughbred |
I wrote my first book when I was seven, a story about a girl and her beloved horse. I read Austen at a young age too. But it was when I was around 12 that I read my first couple of Mills & Boon that I fell in love with romance and knew I wanted to write them.
Two books stood out for me - Rosalind Brett's WINDS OF ENCHANTMENT, and Robyn Donald's BRIDE OF WHANGATAPU. I thank both these talented authors for showing me the road to romance.
Who's your dream agent and/or dream publisher? I have my dream agent - Scott Eagan at Greyhaus Literary Agency, and my dream editor Susan Litman at Harlequin Special Edition. They are both incredibly supportive of my career and am so looking forward to seeing my first book hit the shelves in 2012.
What's the best thing about going to conference? Catching up with friends and colleagues. Knowing I will always have a 'light bulb moment'. Bunking with my friend Louise Cusack and raiding the mini bar :)
![]() |
| Sunset from Helen's window |
My greatest strength as a writer is... my determination (An ability to survive on six hours sleep a night so I can stay up till the wee small hours and write)
A sexy hero needs... a flaw that can be redeemed with the love of the right woman
My latest WIP (work in progress) is about... a sexy widowed saddle maker and a girl who won't take no for an answer.
When I write I like to... look out my office window and see the ocean and my horses grazing
My best writing milestone to date is... selling my first book to Harlequin Special Edition in November 2010.
Check out Helen's website if you'd like to know more about her.
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