ALLEGIANCE SWORN - Bk#3 in the Light Blade series

Well, here it is...the cover and blurb for ALLEGIANCE SWORN, Book #3 in the Light Blade series.

I LOVE IT!

The hero and heroine are finally revealed! :-)

There are so many subtle details that tie in with Arek & Imhara's story as well as the series - Gene Mollica is a wizard!

ALLEGIANCE SWORN

(A Novel of the Light Blade)

There is no mercy in the demon realm. No escape. In this place of desperation and conflict, anyone who is not purebred is virtually powerless. Until a demon leader seeks to unify the races…
With the alliance of the humans and the half-blood Na’Chi forged, the demon Na’Reish prepare for war by seizing human blood-slaves. Captured during a rescue mission-gone-wrong, Light Blade warrior Arek Barial finds himself claimed by a Na’Reishi female who offers him an unexpected choice.
Raised in the elite ranks of a society she abhors, Imhara Kaal lives a dangerous double life as a Na’Reish Clan-leader and an advocate for a caste-free life that honors the Old Ways. Openly rebelling against the Na’Reish would mean her death, unless she can find an emissary willing to present her petition to the human Blade council.
But Arek isn’t about to blindly follow a demon—despite the intense attraction growing between them. And while hatred for the Na’Reish is all he has ever known, Arek must learn to trust Imhara, or risk the destruction of all three races…

ALLEGIANCE SWORN will be released on April 2nd, 2013 with Berkley Sensation.

TOPIC: The Year of Publishing a Book (pt.2)

Last post I outlined some of the process of what happens once you sign that elusive book contract. If you didn't get to read it, click here so you can go back and read that post and so this one is read in context.

This is the continuation of that post. Read on...

Sometime between REVISIONS and LINE EDITS you could find yourself submitting ideas for your cover for your editor to take to COVER CONFERENCE. This may involve you submitting character descriptions, pivotal scenes, photographs or images of settings/characters/clothing/weapons etc.

My editor asked for my input and I put together a portfolio of ideas for her to take to the cover conference with the art department. And, once the cover was done, I was able to feedback and request (smallish) changes.

The COVER COPY crew will write the back cover blurb and try to come up with a tagline for the front cover. This is part of the process where an author usually gets the most input into as you're the one who knows the story inside and out. You can suggest changes - producing a blurb that accurately reflects the story is vital.

GALLEYS involve checking the manuscript from cover to cover - including the acknowledgments or dedication pages - for errors. Spelling, punctuation, style, formatting, names, words specific to your world-building etc. This isn't the time to rewrite big chunks or change the story. Again, you're more likely to be given a deadline to complete this by.

BOUND GALLEY's/ARC's may or may not be send to you - it depends whether this is in your contract. These are printed versions of your book, just without the cover art. You can use them in contest give-aways or for promo purposes.

Sometime between LINE EDITS and receiving your GALLEY you may be assigned a publicist. She'll help plan your marketing strategy and line up promotional opportunities like interviews, book reviews with bloggers, book signings, media interviews etc.

The last part of the publishing process is seeing your BOOK IN PRINT! In traditional print publishing this may be a process that takes a whole year - and it's a cause for celebration!!! Yay! You'll receive your allotted amount of author copies, to do with whatever you like ie.promotion, give-aways, hand out to family etc.

Then you get to PROMOTE yourself - in any number of ways, over a range of media. Bookmarks, postcards, signings, blog interviews, guest blogs, radio or newspaper interviews, magazine articles...the list is endless (and time consuming, VERY time consuming).

Now while I've outlined this process in a fairly linear fashion, if you sign for a multi-book contract like I did, then you'll find yourself juggling elements of each stage, from book to book. For example, as you're doing galleys for one book you may be giving your input for a cover conference and writing another book all at the same time! And you'll repeat this juggling act with every book you submit.

But, I have to admit, while this year has been a whole new learning experience and there's been some ups and downs, for the most part I've found the process fascinating and enjoyable. And I wouldn't swap it for anything! :-)

TOPIC: The Year of Publishing a Book (pt.1)

I've labelled 2011 as The Year of Getting VENGEANCE BORN published. And it has been a year long process.

A year of steep learning curves, a year of excitement, a year of rushing to get things handed in by a due date, a year of waiting patiently...

So, what happens after you get that elusive email or phone call from an editor offering to buy your book?

Well, besides the manic week or so of FINDING AN AGENT (if you haven't already got one), the next part is NEGOTIATING THE CONTRACT. And that can (sometimes) take weeks.

I received the email to buy my book in October 2010, the final version of my contract came in December 2010. A number of things may impact the speed with which this happens, it varies from deal to deal.

Your agent will go through the contract clause by clause making sure bits like signing away your "next book" is clarified to "next book in the series" or "next book in that genre" are altered or removed or rewritten.

This is why I think an agent is worth their 15% commission - I'm not a legal-ese expert by any means and would've had no idea what was a good clause and what needed work.

A part of this is negotiating deadlines for your book or books. Be sure to take into account every day life - family, health issues, work, what you're capable of producing word-wise and by when - and then add another month onto that time for good measure. These dates are binding.

I read every clause in the contract once I received the altered version. I asked questions to clarify what specific bits meant and once I was happy with that, only then did I sign it.

Next step (besides beginning the next book) is REVISIONS - the larger picture stuff suggested by your editor to make your book better. Sometimes there might be pages or maybe an overall comment like "up the romantic conflict".

Talk to your editor about them, clarify points, brainstorm, compromise. You'll be asked when you can have them done by - again, make sure you set a realistic timeframe and add a few days on for wriggle room.

Once your editor signs off on these, she'll send the manuscript to the line editor. LINE EDITS involve things like punctuation, grammar, word/phrase changes, world-building checks etc. Usually the document has comments made down the side using TRACK CHANGES, one color for the line editor, one color for your editor, and one for you to respond as needed.

You may or may not get to set the timeframe for these to be returned by. More often than not you'll get a due date, perhaps a couple of weeks, maybe more.

This ends Part 1 of this post. Join me next week to find out what happens next - same Bat-time, same Bat-channel!