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Wednesday, July 13, 2011

Go BILD'ers Go!

This is a huge shout-out for my incredible writing buddies on the BILD loop (Book in 50 Days).

We're a dedicated, supportive bunch of published and unpublished writers from Australia, UK and NZ who've been helping each other achieve our goals and cheering each other on as we reach certain milestones.

And this week and a bit has certainly been cause for celebration. Why?

Well, just check out this list of accomplishments...
We've been dancing and celebrating as the news kept coming in. I'm so proud to be a part of this group!

So, congratulations to these wonderful ladies - Bec S., Michelle deR., Kendra D., Soraya L., Kris P., Thilo G., Tracey A. and Sue W.!

Monday, July 11, 2011

GUEST AUTHOR: Nicole Murphy

I'm really excited to welcome fellow DarkSider, Nicole Murphy to my blog.

The official biography...
Nicole has been telling stories for as long as she can remember and her two main occupations thus far in her life – teaching and journalism – have taught her a great deal about writing.

As a teacher, having to explain the nuances of story to young children helped to hone the information in her mind.

As a journalist, Nicole has won awards for her writing (in particular a series of articles on mental illness) and has interviewed people such as Gary McDonald, Noeline Brown and Roy Billing. She quit journalism in 2008 to focus on her fiction writing.
Nicole has had more than a dozen short stories published, the most recent in the Scary Kisses, a paranormal romance anthology from Ticonderoga Publishing. She has worked in the speculative fiction industry as an editor and edited The Outcast for CSFG Publishing (including the Aurealis Award nominated horror short “Woman Train”) and Issue 25 of Andromeda Spaceways Inflight Magazine, both published in 2006.

Nicole is also active in fandom. She has been on the organising committee for the first five Conflux conventions, including chairing Conflux 4 in 2007 and programming Conflux 5 in 2008. She was involved with the organising committee for Aussiecon 4, the 2010 Worldcon in Melbourne (quitting when she got the deal for her urban fantasy trilogy The Dream of Asarlai) and is a long-time member of the Canberra Speculative Fiction Guild (CSFG).

Wow! Nicole, you've certainly experienced a couple of dynamic of occupations and a range of publication fields as well as genre based organisations. OK, now let's get some nitty gritty information!

Can you tell us a little bit more about yourself?
Croquet (but not with Nicole's husband)
I live in Queanbeyan, just outside of Canberra, with my extremely supportive computer programmer husband who just happens to be one of the best croquet players in NSW (he captained NSW to back-to-back wins in the interstate cup earlier this year – very proud of him).

I’ve been a primary school teacher (which included a three year stint in an Aboriginal community in the Kimberley), second-hand bookstore owner, journalist and supermarket checkout chick.

I write across a range of genres, but finding my niche in paranormal/fantasy romance has been the defining moment of my career so far. I intend to continue working in other fields – I want to continually challenge myself so I get better as a writer.

I’m quite involved in science fiction fandom in Australia (having a long-running association with the Conflux conventions in Canberra) and I’ve only just found a new family in the romance contingent. I have an equal love of both genres.

So, when did you start to write and how long did it take you to be published?
I wrote my first story at the age of 11 – a tale of a boy and his horse which one of the mothers typed up. I drew the cover, it was compiled and there it was – my first ever book. From that moment, I wanted to be a published author. I was writing all through my teens, but then in my 20s it became a bit hap-hazard. It wasn’t until I was 30 and finished teaching that with my husband’s encouragement I started trying to get published.

Over the next eight years I had about a dozen short stories published, and did some editing myself as well, but slipping into journalism soon took all my energy. In 2008, I left journalism and decided I needed to really focus on getting my novels published – I hated the idea of getting to the end of my life and realising I didn’t even try.

At that point, it all happened stupid fast. I polished up SECRET ONES (it was already drafted), starting submitting it to publishers November 2008 (without an agent) and sold it to HarperVoyager in Australia in July 2009. SECRET ONES was out in July 2010.

It certainly is a juggling of time and occupations being an author "one the side". I think the one thing those of us who eventually publish have in common is the tenacity and will to persevere.

I know you have another book in your Dream of Asarlai series coming out. Can you tell us about it?
ROGUE GADDA is the third book in the Dream of Asarlai trilogy (book one, SECRET ONES, was released in July last year and book two, POWER UNBOUND, in January this year).

The premise of the entire trilogy is that the gadda, a race that look like us humans but aren’t, have kept the fact they can do magic a secret because of all the repercussions of being the minority magicians in a majority human world.

However, Asarlai has decided that point of view is holding the gadda back from reaching their full potential and she’s going to announce them to the world. To help her, she’s stolen the Forbidden Texts, the most dangerous teachings of the gadda. It’s up to the six guardians of the gadda to stop her.

Each of the books tells the story from the POV (point of view) of a couple (one of them a guardian – or soon to be guardian) and each of the books gives us a HEA (happily ever after) for the couple too.

In ROGUE GADDA , the hero is Hampton Rourke – the Sabhamir, protector of the gadda and leader of the guardians. In his mind, it’s his fault Asarlai got the texts in the first place and the fact he hasn’t managed to track her down yet has him questioning his place in the world. Charlotte Haraldson hates the gadda and magic, blaming it for the death of her mother and her own disfigurement. So falling for Hampton, the most powerful gadda of them all, really isn’t a good idea. And meanwhile, Asarlai’s preparing to unleash the power of the texts on the world.

You can read ROGUE GADDA without reading the other two books – but of course, I’d prefer you did. :-)

I LOVE the premise of your third book - the characters and their story sounds powerful and emotionally engaging! I also like the idea of setting your stories in a familiar world (ours) but have a culture hidden within it! I now have a thousand questions about world-building for you, but, alas, that might have to wait for another day...(sigh).

What was the easiest and hardest parts about writing ROGUE GADDA ?
ROGUE GADDA had been drafted when I sold the trilogy and luckily, I was able to use a lot of that draft (unlike POWER UNBOUND – I ended up having to pretty much re-write it from scratch in just six months).

Hampton was a favourite character – he comes across as a charmer, very personable and confident, yet he’s riddled with insecurities. Charlotte was a fabulous foil for him, and so writing their romance was great fun.

Unfortunately, less than a month before it was due, I had the horrible realisation that a major plot point I’d used in this book had also been used in SECRET ONES and that the last third of the book required drastic re-writing. Luckily, my publisher was very understanding and gave me an extension on the deadline. It took a lot of thought and creativity to work out how to achieve what needed to happen without using that device, but eventually I got there.

The end of the book was hard to write too – something really tragic happens. I actually toyed with whether I should do what I did, but in the end left it – it’s the right result considering what Asarlai does, as hard as it it. I know, that’s very vague, but I don’t want to give away spoilers. :-)

Are there any particular settings or sorts of characters you’d like to use in a future book?
I’ve got a more traditional fantasy that I’m working on with a tropical setting. I lived in the tropics for three years and there’s a sensuality about it that I’d love to try and capture in my work.

And at some point, I will write a sci-fi romance – I have a character I developed when I was 13 who to this day demands the right story.

As for characters – I want to tackle as many different sorts of folks as I can. Open-minded or close-minded; gay or straight; conservative or liberal. In one of my current WIP's (work in progress), my heroine is someone who doesn’t necessarily believe in one relationship at a time and can’t see why you can’t be with whoever is drawing you. She’s really testing my western, Catholic-raised views. :-)

Ahh, those sorts of characters tend to be the most fun (and challenging) to write!

Dampier Pen., Western Australia
OK, onto the last question - what’s the most unusual place you have visited?
As I mentioned earlier, I spent three years teaching in an Aboriginal community. Djaridjin/Lombadina is on the Dampier Peninsula, north of Broome. Living as one of just a handful of white people in an Indigenous community, hundreds of kilometres from things like cafes and restaurants and movies and so on, was a unique experience.


Dampier Peninsula beach
The landscape around there was stunning – the red of the dirt and the green of the grass and leaves was so bright it almost glowed and the community was set right next to what is still the BEST beach I’ve ever seen – kilometres of white sand, crystal blue ocean and most of the time, just you and the waves. It was strange to be within Australia, and yet be so far removed from the culture and landscape I was used to. I LOVED it.

Nicole thanks for joining me today on my blog. Good luck with ROGUE GADDA!

Nicole's books:














If you'd like to know more about Nicole or her books, click on this website link.

Saturday, July 9, 2011

Conference Highlights 2: Workshops!

There's something for everybody!

If you're anything like me you spend a lot of time mulling over the swag of workshops on offer at whatever conference you're going to.
Plenary workshops
If it's RWAmerica, then YIKES! Holy workshops-in-abundance! If you can't find something to attend there then you're not trying hard enough. RWA conveniently categorises their workshops under labels like CAREER, CRAFT, INDUSTRY, PANEL etc. They also tape many of the sessions and sell the CD of all recordings so you can pick up on whatever you miss that way.

GMC with Debra Dixson
RWAustralia/RWNZ divide theirs into morning and afternoon sessions, interspersing them with whole group plenary sessions. I often base my choices of workshops around where I'm at in my writing journey.

Initially, I took a lot of 'beginner' workshops - craft and skills needed to write a manuscript ie. anything to do with dialogue, pacing, plotting, creating characters etc. A few years later I looked for workshops on pitching, query letters, writing synopses, industry panels with agents/editors. Now I'm looking for more career orientated workshops or 'advanced' writer workshops.

RWAmerica - an editor & agent panel
Panels are also valuable workshops to attend. They could be genre based so you get lots of specific information, usually presented by authors or by industry professionals who've been in the game quite a few years.

Weapons & fighting - fun!
Try not to load up on all "work orientated" workshops. Intersperse your choices with something purely for enjoyment. Last year I went to an historical reenactment group who showed a variety of weapons, armor and fighting techniques. It was informative as well as a hoot to watch!

Sometimes there might be a clash of workshops on at the same time. See if a friend is going to one of the others you like and swap notes over coffee.

If there turns out to be nothing of value to you in one session, don't feel obligated to go to something just for the heck of it. Take time out and rest or chat to others who are skipping that session too. Sometimes this can be just as important or valuable as attending a workshop.
Networking is part of workshopping.

Oh, and most importantly, don't be afraid to ask questions. These workshops are all about learning, and there's no such thing as a silly question.

Thursday, July 7, 2011

Who's That Girl? interview with Rachel Johns

Today let's meet RWAussie member, Rachel! Johns.
(Yes, the exclamation mark is supposed to be there, explanation below! :-D)

Name? Rachael Johns, although I’m more commonly known as Rach! The exclamation mark has been with me for a while and quite a few people say that’s what they know me for.

Where are you? I live in Goomalling in rural Western Australia. It’s a town of 500 people but we’re only an hour and a half from Perth, so I have the benefits of living in the country while being near to city friends and shops.

How many years have you been a member of Romance Writers of Australia? Just over five years I think. I became a member when I decided to write a Mills and Boon and learned about Romance Writers of Australia while researching how to go about this.

What genre/s do you write? I’ve been focusing on short contemporary romances but am also dappling in contemporary ST. I like writing about people with quirky jobs and am venturing more into writing about small towns as well.

Doubt Demon - every writer has one!
Who are your favourite authors? Ooh... how long have you got?

In terms of category – I’m scared to name them all. Most of my fave category writers are Aussies but outside of that, there’s Heidi Rice, Liz Fielding and Anne McAllister.

In terms of ST, I can’t get enough of Lisa Jewell, Jenny Crusie and Dorothy Koomson.

What inspired you to write romance? Breaking up with my first love. Although I didn’t recognise what I was writing as romance for a fair few years after that. 

Who's your dream agent and/or dream publisher? My dream publisher in ST (single title) is Penguin or any of the big Aussie pubs.

And in terms of category, I’m quite happy where I am at Carina Press at the moment. I’d love to write some more for them.

What's the best thing about going to conference? Socialising with my best writing buddies and meeting even more.

Minxy Meercat from the Minxes of Romance
And lastly, finish these statements...
My greatest strength as a writer is...beginnings. Contest success so far shows this but I really need to work on conflict and continuing the pace and thrill the whole way through to the end. 
A sexy hero needs...to have a wicked sense of humour and be besotted with the heroine. Oh and sexy arms don’t go astray. I’m an Arm Girl from WAY back! 
My latest WIP (work in progress) is about...a sexy farmer who was jilted at the altar.
When I write I like to...wear my pjs and drink Diet Coke (I know, I know, I’m asking for lectures).
My best writing milestone to date is...getting the email from Angela James on April Fools Day telling me Carina Press wanted to buy my book.

You can find more about Rachel on her blog or find her on Facebook.

Wednesday, July 6, 2011

FAIRY BAD DAY give-away winner announced!

Thank you to everyone who commented and shared with us their nice or nasty paranormal creature!

Everyone who did this had their name put into my dragon coffee cup and one was drawn out.

Congratulations goes to...

Anonymous
(July 3, 3011 9:55 PM)
(Kaz Delaney)

Please contact Amanda - ashbyholt(at)yahoo(dot)com - and she'll arrange for the copy of FAIRY BAD DAY to be sent to you.

Happy reading! 

Saturday, July 2, 2011

Conference Highlights 1: What to expect...

If you've never been to a romance writers' conference before and you've signed up for one this year, then be prepared for a wonderful weekend.

These events should come with signs like:
ENTER AT YOUR OWN RISK, or
BEWARE: EXHAUSTION AHEAD, or
WARNING: LOTS OF TALKING HERE.

You never know who you might meet!
If you come for the full three days (RWAustralia or RWNZ), Friday is usually the special guest workshop day. A full day event of theory and practical exercises or outlining of writing 'tools' you can use to improve or help your writing.

You can bring your laptop to take notes but be prepared to sit in the back row so your tap-tap-tapping doesn't bother anyone. Note paper is provided if you prefer to use longhand. There's water provided as well. Morning, afternoon tea and lunch are all provided. It's a looooonnnnnnggggg day but incredibly worthwhile for writers of ANY genre, romance or otherwise.

Saturday and Sunday are broken up into whole conference sessions and workshops. The morning starts with registration where you sign in and collect your conference bag of goodies. Not only do you get a timetable of events but there can be anything from sponsors items, to free books, to chocolates, to bookmarks, to entry forms for prizes being raffled over the weekend in them.

Some things of note -

Accommodation/roomies - If you can afford it, stay at the venue. Nothing beats the convenience of being where the action is or the freedom of just ducking up to your room to drop off bits and pieces. Try and spread the cost by rooming with friends.

Kristin Nelson - agent
Agents - we've been lucky to have a host of great literary agents grace our conferences (RWA/RWNZ) and this year is no exception! These wonderful people ARE human and very approachable. Don't forget they're usually "newbies" to our conference and as anxious as any first timer and believe it or not, they probably appreciate a normal conversation during morning tea time rather than being bombarded by impromptu pitches.

AGM - stick around for the AGM. Learn about the organisation that supports its members and helps you grow as an author.

Ask questions - don't be afraid to do this. And there's no such thing as a silly question.

Tracey O'Hara
Authors - believe it or not, they actually look like you and me. I can remember my first RWAustralia conference where I was overawed by actually meeting "published authors". I had the typical oh-my-there's...-stars-in-my-eyes, what-do-I-say-to-them? feelings. Don't do what I did when I recognised someone (and hug the wall or remain speechless), engage in conversation, sit at the table with them, say hi in the elevator.

NB. If you'd like a book signed, by all means approach and ask if it's an appropriate time, most authors are VERY happy to do this.

Anna Campbell
Author Day - (RWAustralia) only recently introduced to cater for our published authors and their needs. It's held on the Thursday before the conference weekend. Not sure what exactly goes on at it - I'll find out this year though! :-)

Author Chats - most years there's been a session or two set aside where you our get to sit in on and meet and ask questions of authors published in a particular genre.

Don't miss out on these as it's your chance to ask the nitty gritty about the industry, publishing and details of being a published author. It's a great time to speak (almost) one on one with your favorite author!

Awards Dinner - the showcase of our published and unpublished authors and their achievements for the year. It's a sit down 3 course dinner, sometimes with a dinner speaker.

There's usually a table sign up sheet put up on the Saturday. If you don't know anyone just add your name to any table and by the end of the night you will know someone!

Dress is smart casual to formal.

Bling - on nametags you might find lots of shiny badges or ribbons. This is affectionately known as conference bling. Some represent finalist or winner status in a variety of contests (published and unpublished) ie. the R*BY, the RWA Emerald, RWA RITA or Golden Heart or RWNZ Clendon award, others might have conference volunteer written on it, or it might be an organisation badge (ie.Sci-Fi Romance Brigade), or an e-loop like ROMAUS.

Bookshop - put some extra dollars away because you're sure to find a book or ten at the bookshop. The chances are you'll buy one and be able to get the author to sign it for you! The bookstore usually tries to have as many of our author's books on hand as possible, and this includes our special guests, but be warned, they tend to sell fast, so get in early.
RWNZ Clendon Award

I know Barbara or Peter Clendon, who run Barbara's Books and come to the RWNZ conference, are very approachable and will do their best to supply the books you want.

Business Cards - optional. But they're handy to have if you want to swap details with another delegate and saves you writing out your contact details time and again. Many unpublished authors make their own on the computer. There's some debate about what to put on them but if you put your name/pseudonym and a website or contact email address that will usually suffice.

Cocktail Party - it's noisy but a heck of a lot of fun. It usually has a theme attached to it and most people make the effort to wear something to reflect it. There are drinks and nibbles, so either have dinner before you come or make arrangements to eat afterwards.

Comfort - wear layers as you never know what the room temperature might be like. And unless you're used to wearing high heels all day, wear comfortable footwear. Your feet will thank you for it at the end of the day.

Editors - ditto on the agent spiel above.

Earlybird sessions - these are usually held before breakfast on Saturday or Sunday morning and give you the chance to submit two pages of your work (anonymously) for a "cold" read by an agent or editor and get their feedback on your work.

It's like querying through the slush pile and you get to see what they like or don't like about the work. These sessions aren't for the faint-hearted as they can be blunt and extremely honest but they're always good value to see how an editor or agent operates.

RWA Golden Heart
First-timers - your name tags will reflect this and people will go out of their way to greet you and make you feel welcome. Put in what you want to get out of the conference. You will feel overwhelmed with information, choices and people. That's normal. By the end of the weekend you'll be exhausted. Again, that's normal. But you will have learned so much, and hopefully made some life-long friends by Sunday evening.

Mobile Phones - turn them off. Please. Enough said?

Morning & Afternoon Tea - you can do one of three things during these breaks. Find a quiet corner and spend some time recuperating from information/people overload, visit the bookstore and buy more books, or meet and talk with other delegates and industry professionals. Did I mention the noise factor?

Bling & Nametags
Nametags - all important as these will help you put names to faces from those you've met on e-loops or online. Some will have little pictures underneath their names. These all mean something. For example, a book might mean published author, a star might mean executive committee member, a baby chicken might mean first timer to the conference, a rosette might be a contest finalist.

Networking - this is a great chance to do this. Get to know who's who in the romance community, who writes in the same genre as you, talk to industry professionals and learn what happens on the other side of the fence. In workshops, panels and in conversations during breaks.

Pitching - if you have a complete manuscript and are ready to put your work out there then sign up for an editor or agent pitch. It's the slightly faster way to get your work in front of your target house or agency.

If you have a pitch appointment get there 10-15mins early. Sit towards the back of any workshop so you can slip out quietly when you need to.

What to wear to these sessions - a nice pair of skirt/pants, blouse, jacket. Think smart to business professional. I've seen people wear jeans but it doesn't hurt to project a more professional image.

Perfume/Cologne - keep it to a minimum, none at all if possible. Please. In a confined space it can be overpowering and there are those who suffer allergies.

Raffle prizes
Raffles/lucky door prizes - there's something for everyone, and usually several running each day of the conference.

Romance - this weekend predominately celebrates this genre, in all its forms, but even if you don't write romance you can't go past the incredible information you'll get out this weekend. The skills you glean can be applied to any genre of writing.

RWA/RWNZ executive/committee members - get to know what services and the roles people play in our great organisations.

We have a dedicated bunch of volunteers who provide a diverse range skills and services to our members. Everything from being president of the organisation to being a contest judge or conference volunteer. We can't do without these people and some day you might like to give back some of what you've received. Finding out how you can help out, in whatever capacity, is a good start.

Support - the romance community is one of THE most supportive writing communities you'll ever meet. We encourage, we nurture, we cheer on each other, we appreciate and recognise talent. We're like one, big, humongous family.

Talking - there will be so much of this done over the conference. Your ears will hurt. Your voice might go hoarse. Oh, and laughter, there'll be lots of that too! Did I mention that the conference could be noisy?

Workshop session
Workshop Sessions - Most sessions though will indicate the level of writer they're aimed at. There should be a variety of craft, industry, career, published author only and other related topics on offer.

Sessions may clash and you'll find yourself wishing you could clone yourself. Best thing to do is find a friend going to the other and swap notes on those workshops later.

I'm counting down the days until the RWAustralia conference in Melbourne and the RWNZ conference in Auckland - see you all there!

Friday, July 1, 2011

Janet Woods give-away winner announced!

Congratulations to...

Catherine

You've been drawn from my coffee cup as the winner. Please contact Janet - woods(at)iinet(dot)net(dot)au - to claim your prize. Remember you have a choice of PAPER DOLL or LADY LIGHTFINGERS.

Happy reading!