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Showing posts with label industry. Show all posts
Showing posts with label industry. Show all posts

Saturday, January 29, 2011

INDUSTRY: Sci-Fi & Sci-Fi Romance Blogs

I thought I might share some the web addresses of the blogs I tend to surf if I'm looking specifically for sci-fi romance reviews, news or information.

Some of these are better than others (it's definitely a personal thing).
Happy Surfing!

#Author's Note: By no means is this a comprehensive list - just a list I've collated in my travels on the internet.

Picture from http://fantasyartdesign.com"> Fantasy Art 3D Wallpapers, digital art modern online gallery.

Saturday, January 15, 2011

INDUSTRY: Paranormal Romance Blogs

Paranormal romance blogs are certainly a dime a dozen on the internet (very popular it seems) and some are really great value.

For the purposes of this post "paranormal" covers paranormal romance, urban fantasy & fantasy romance genres.
Find your favourite!

Picture from http://fantasyartdesign.com"> Fantasy Art 3D Wallpapers, digital art modern online gallery.

Thursday, December 2, 2010

INDUSTRY: Romance Rocks!

I received my RWA® Romance Writers Report magazine* in the mail the other day. There was a very eye-opening article called 2009 ROMSTATS about how romance fiction sales are holding steady in a weak US economy.

What continues to astound me is the market and selling power of romance fiction. To many non-romance readers some of these facts might astound and even surprise you. Let me quote some facts from the article for you.
  • Book sales increased slightly to $10.274 billion in 2009 as compared to $10.223 billion in 2008 (and this is despite the struggling economy)
  • Romance fiction sales in 2009 were $1.36 billion as compared to $1.37 billion in 2008
Those figures defy comprehension, don't they? And think about just how many (US) consumers enjoy reading romance fiction. Holy love stories, Batman!

Let's break it down further to genres of fiction in 2009. (Source: Simba Information)
  • Romance fiction: $1.360 billion
  • Religion/inspirational: $770 million
  • Mystery: $674 million
  • Science Fiction/Fantasy: $554 million
  • Classic Literary Fiction: $462 million
Romance fiction outstrips any other genre with the largest share of the consumer market at 13.2%. That's all good for romance writers, eh?

And now, let's check out the Romance Subgenres published in 2009 (of the romance releases tracked by RWA® in 2009).
  • Contemporary (series) 22.83%
  • Contemporary 18.55%
  • Paranormal 17.16%
  • Historical 15.66%
  • Romantic Suspense 9.45%
  • Inspirational 7.56%
  • Romantic Suspense (series) 4.28%
  • Young Adult 2.28%
  • Other (erotic & chick lit) 2.21%
The article went on to say that romance fiction dominated the best-seller lists such as the NY Times, USA Today and Publishers Weekly and that romance fiction ranked as second only to movie tie-in books on the best-sellers lists.

The top 10 romance imprints on the best-sellers lists in 2009 were:
  1. Mira
  2. Berkley
  3. Avon
  4. Little Brown
  5. Pocket
  6. Dell
  7. Grand Central
  8. HQN
  9. Ballantine
  10. Zebra
The top performing romance sub-genres included history, suspense, fantasy and horror titles, while some of the biggest challenges to the romance fiction industry were quoted as being - competition from other entertainment sources, book piracy, book selling into non-bookstores and online retailers and the perceived value of a book.

These figures all indicate continued good news for romance writers. It seems the appeal of a good love story, no matter the sub-genre, is a great form of entertainment and is valued by a huge readership market.

Romance rocks!


Reference material and statistics taken from:
* RWR magazine (November 2010, Vol.30 No.11) published by the Romance Writers of America® - The Voice of Romance Fiction

Friday, April 30, 2010

INDUSTRY: Author-Agent Contract

Once you get an offer of representation from an agent, some will ask you to sign an author-agent contract. Some don't. It all depends on the particular agency. When I signed with my (now ex) agent she issued one as a part of her operating procedure - keep in mind my agent was from a small agency and so this contract my differ minutely from a larger agency one.

Following common sense, I sought legal advice on the document (I arranged for a phone appointment with a legal consultant from the Australia Society of Authors) and she went through each clause and explained in layman's terms what each meant and what I was obligated to do and what the agent was obligated to do. She'd also researched the agent and her background to assure me I wasn't signing with a con-artist. I made notes during the phone conversation and she emailed me the comments she'd made when she examined the contract so I had a hard copy.

NEVER SIGN ANYTHING UNTIL YOU UNDERSTAND WHAT YOU'RE SIGNING!!! I can't stress that enough. If you don't know, find someone who does.

According to the ASA legal consultant the author-agent contract I received was a pretty standard one. Here's what it looked like...

AUTHOR-AGENT CONTRACT

AGENCY LETTERHEAD

DATE

YOUR NAME & ADDRESS

Dear Kylie:

As requested, I shall be pleased to serve as your literary agent. This letter sets forth the terms and conditions of this representation, and is to be considered our Author-Agent Contract. Please review, and if you accept these terms sign and date two copies, and return for countersignature.

1.    For the term of this Agreement, NAME (the “Author”) located at ADDRESS retains AGENT of AGENCY NAME (the “Agent”), located at AGENT'S ADDRESS:

A)    To represent the Author for the sale of (1) all book length fiction written or to be written, and (2) any other writing that the Author and the Agent may agree upon.
B)    To negotiate sales for the represented works in (1) the United States (“Domestic Sales”), (2) non-domestic markets (“Foreign Sales”), and (3) derivative or secondary rights in the represented works including but not limited to film, TV, recording, or other dramatic media, anywhere in the world (“Subsidiary Sales”).
C)    To receive payments and royalties from the represented sales, as per an agency clause that will be included in any contract with the publisher of such works.

2.    The Author agrees that during the term of this Agreement, the Author will not retain another literary agent to represent the Author’s work unless the Agent, (AGENT) specifically consents to this arrangement.  As to Subsidiary and Foreign Rights, the Agent shall engage all subsidiary or co-agents which the Agent believes will best represent the Author in selling Subsidiary and Foreign Rights, unless the Author and the Agent agree in writing to a different arrangement.

3.    The Agent will use best efforts to promote the Author’s work, in order to sell the represented works. The Agent shall negotiate the terms of any contract that is offered, but the Author will have the right to reject any contract if the terms are not acceptable. A sale will not be binding unless approved by the Author in a signed contract.

4.    The Agent shall be entitled to a fifteen percent (15%) commission on Domestic Sales, a fifteen percent (15%) commission (which includes seven and one-half percent (7.5%) for co-agents) on Subsidiary Sales within the United States, and twenty percent (20%) (which includes 10% for co-agents) for Foreign Sales and Subsidiary Sales obtained outside the United States.

5.    The Agent will pay for all expenses that arise in selling the Author’s work except in the following situations:

A) If it is necessary to produce multiple copies of the Author’s unpublished work, including bound manuscripts that are greater than fifty (50) pages the Author will be charged for making the copies, at the time the costs are incurred.   
B) The costs of mailing your book or manuscript to foreign agents, editors, or subsidiary agents will be deducted from your earnings, if that work or any subsidiary rights, including film rights to the work are sold.
C) The costs of mailing your book or manuscript to domestic agents, editors, or subsidiary agents will be deducted from your earnings, if that work or any subsidiary rights, including film rights to the work are sold.
D) All mailings, both foreign and domestic, will be made using the lowest applicable rates allowed by postal regulations.
E) If a book or manuscript needs to be delivered via next day service, the Agent will request written permission from the Author prior to mailing the work.

6.    The Agent shall make all payments due to the Author within thirty (30) days of receipt of any fees covered by this Agreement. Such funds will not be intermingled with funds belonging to the Agent.

7.    The Agent shall send copies of statements of account received by the Agent to the Author when rendered.  If requested, the Agent shall also provide the Author with an annual accounting showing all income for the period, any fees paid, the dates of payment and the amounts on which the Agent’s commission was calculated, and any sums due less those amounts already paid.  The Agent will provide the author with a 1099 form. On the giving of reasonable notice, the Author may request an examination or independent audit of the Agent’s books and records by a certified public accountant, once per calendar year. This examination or audit will be at the Author’s expense.

8.    This Agreement may be terminated by either party by giving thirty (30) days written notice to the other party. If a project is under consideration by editors at the time of termination, the Agent will still earn the commission on that project, if an offer is made by one of those editors within one calendar year of termination.  A project is defined as under consideration if it has been formally pitched to an editor either through e-mail or a phone conversation, and the editor has the manuscript or is waiting for the manuscript.

9.    This Agreement shall not be assigned by either of the parties.  It shall be binding on and inure to the benefit of the successors, legal representatives, or heirs of the Author and Agent.

10.    Any controversy, claim or dispute between the parties hereto,  that cannot be resolved amicably will be taken to Arbitration subject to the rules of the American Arbitration Association, and the differences resolved under the laws of the State of New Jersey.

11.    All Notices shall be given to the Author and Agent at their respective addresses set forth above.

12.    All changes to the Agreement must be written.  This Agreement represents the entire understanding of the parties.

13.    If any part of this agreement shall be held unenforceable, the rest of the agreement will remain in full force and effect.

Sincerely,
AGENT'S NAME

ACCEPTED AND AGREED TO:
AGENCY
                                                                   
_____________________________            _____________________________
AGENT SIGNATURE                                                  AUTHOR SIGNATURE
Member                    

_____________________________            _____________________________
Date                                                                                Date

_____________________________
Social Security Number (OF AUTHOR)

One of the most important clauses to ensure you have in there is Point 8. It gives you both an out if things don't work out.

Just remember, if you don't understand something in any contract, consult someone who does and get them to explain it to you.

I hope this has been a useful topic to share with you.

Friday, March 5, 2010

INDUSTRY: Helpful Links

Thought these writing links might come in handy. Most are my genre orientated (f/f/p romance) but there are a smattering of general sites.

Agents/Editors (for researching information)
Agent Query - http://www.agentquery.com/default.aspx
AuthorAdvance - http://www.authoradvance.com/
Literary Agent Verification - http://www.agentresearch.com/agent_ver.html
Preditors and Editors - http://www.anotherealm.com/prededitors/pubagent.htm

Blogs (advice, opinions, industry news)
Alien Romances - http://aliendjinnromances.blogspot.com/
All Things Urban Fantasy - http://allthingsurbanfantasy.blogspot.com/
Bitten By Books:Paranormal Review Site with Bite - http://bittenbybooks.com/
Dirty Sexy Books - http://www.dirtysexybooks.com/Dirty_Sexy_Books/Home/Home.html
Literary Escapism:Fantasy and Paranormal Book Reviews - http://www.literaryescapism.com/
Romance Writers of Australia Blog - http://romanceaustralia.wordpress.com/
Ripping Ozzie Reads:Australian Speculative Fiction Authors site - http://ripping-ozzie-reads.blogspot.com/2010/01/some-useful-industry-links-for-spec-fic.html
SciFiGuy:UF/PR/SF/F book reviews - http://www.scifiguy.ca/
The Galaxy Express - http://www.thegalaxyexpress.net/
Vampire Wire:PR/UF books and tv/movie news -  http://vampirewire.blogspot.com/

Miscellaneous Sites
Time and Date.com - http://www.timeanddate.com/
Australian War Memorial:Military Organisation and Structure - http://www.awm.gov.au/atwar/structure/rank_comparative.asp
IRS:Tax Identification Numbers for the USA information - http://www.irs.gov/businesses/small/international/article/0,,id=96696,00.html


Organisations
Australian Romance Readers Association - http://www.australianromancereaders.com.au/
Romance Writers of America - http://www.rwanational.org/
RWA:Fantasy/Futuristic/Paranormal Chapter - http://www.romance-ffp.com/
Romance Writers of Australia - http://www.romanceaustralia.com/
Romance Writers of  New Zealand - http://www.romancewriters.co.nz/
ParaNormal Romance - http://www.paranormalromance.org/
Science Fiction and Fantasy Writers of America - http://www.sfwa.org/

Submission Guidelines
Avon - http://www.harpercollins.com/imprints/avon/SubmissionGuidelines.aspx
DAW - http://us.penguingroup.com/static/pages/daw/index.html
Dorchester - http://romanticreads.net/2009/05/07/now-accepting-electronic-submissions/
e-Harlequin - http://www.eharlequin.com/articlepage.html?articleId=538&chapter=0
Hachette Australia - http://www.hha.com.au/about_submissions.html
Orbit - http://www.orbitbooks.net/about-orbit/
PYR - http://www.pyrsf.com/index.html
Tor - http://us.macmillan.com/Content.aspx?publisher=torforge&id=255#ctl00_cphContent_ctl30_lblQuestion

Web Design
Free Images for Websites - http://www.imagehousing.com/
Free Fantasy Design artwork for Websites - http://fantasyartdesign.com/free-wallpapers/best-fantasy-art.php?s=12&np=10&srt=1&best=1
Free Web Counters - http://www.freestatscounter.com/
The Three Bears Method - http://threebearsmethod.com/

Writing Related
Brenda Hiatt's Show Me the Money - http://www.brendahiatt.com/id2.html
Dictionary of Sexual Terms and Expressions - http://www.sex-lexis.com/
Gordian Plot:thesaurus technique for writers - http://gordianplot.com/index.php?title=Main_Page
Great Source iwrite - Grammar - http://www.greatsource.com/iwrite/students/s_grammar_hndbk.html
Kathy Carmichael:Story Pitching Generator - http://www.kathycarmichael.com/generator.html
The Perfect Pitch - http://samhainpublishing.com/blog/2007/04/02/the-perfect-pitch
Publishers Weekly - http://www.publishersweekly.com/
Stephanie Smith's Contest Chart for Writers - http://www.stephiesmith.com/contests.html
When An Agent Offers You Representation - http://www.agentquery.com/writer_or.aspx
Write to Done - http://writetodone.com/

(All links are current as of 22nd Feb.2010)

Tuesday, October 6, 2009

INDUSTRY: SF/F/P Publishing Houses


For those of you on the journey to publication I thought I’d pass on knowledge gathered over many years concerning single title publishing houses, specifically in the mainstream sci-fi/fantasy/paranormal and romance genres.
Starting out I knew of a few major houses, mostly from looking at the spine of the books on my shelf but, over time and with the help of other writers and now my agent, I’ve sifted through the information and think :-) I have a better handle on it.
A couple of great research websites include Speculative Fiction Book Publisher Markets website - they lists many print & e-publishing houses, Preditors & Editors - they have a huge listing of publishers, in alphabetical order and with recommendations and warnings, and Book Crossroads - a directory of e-publishers with submission guidelines.
I hope you find the lists useful in your quest for publication. Unless otherwise indicated the publishing houses are based in the US market and are mostly listed as Publishing House, Company and/or Imprint name. Googling the names should give you links to their websites.

Mainstream SF/F Houses
Penguin Putnam :DAW
Penguin Putnam: ACE & ROC
Random House: Doubleday, Bantam Press, Black Swan, Bantam & Corgi (UK)
(Random House)Ballantine: Del Rey & Spectra
Hachette Book Group: Grand Central Publishing: Orbit Books
Dorchester: Tor
Pocket Books: JUNO Books
Baen Books
Penguin: Viking, Sphere, Orion & Signet (UK)
HarperCollins: Voyager & Angry Robot (UK)
Prometheus: PYR
Arrow Books: Legend (UK)
Solaris (UK)
BL Publishing (UK)
Victor Gollancz Inc: VGSF & Magnet (UK)
Mushroom eBooks (e-publisher)

Romance SF/F/paranormal Houses
Harlequin: LUNA fantasy imprint
HarperCollins: EOS fantasy imprint
HarperCollins: AVON paranormal romance imprint
Penguin: Berkley Sensation & Jove imprints
Penguin: Signet novel imprint
Penguin: NAL romance imprint
Hachette Book Group: Grand Central Publishing: Forever paranormal romance imprint
Kensington: Zebra paranormal romance imprint
(Macmillian) Tom Doherty Assoc.: Tor romance imprint
(Macmillian) St.Martin’s Press: St.Martin’s Paperback romance (US)
Random House: Bantam Books romance imprint
Dorchester: Leisure paranormal romance imprint
Dorchester: Lovespell paranormal romance imprint
Simon & Schuster: Pocket Star Books imprint
Medallion Press: Jewel Imprint Sci-Fi romance
Hachette Book Group: Little, Brown Book Group: Piatkus (UK)
Wild Rose Press (e-publisher)
Ellora’s Cave: Romantica imprint (e-publisher)
Samhain Publishing (e-publisher)
Loose Id (e-publisher)
Wings e-Press (e-publisher)
Whispers Publishing (e-publisher)
New Concepts Publishing (e-publisher)

By no means is this a complete list - I’m sure I’ve missed many but it’s a place to start. You’ll have to do the leg-work to find out more about them and their latest submission guidelines :-) .
Happy submitting!