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Saturday, November 26, 2011

TOPIC: The Year of Publishing a Book (pt.2)

Last post I outlined some of the process of what happens once you sign that elusive book contract. If you didn't get to read it, click here so you can go back and read that post and so this one is read in context.

This is the continuation of that post. Read on...

Sometime between REVISIONS and LINE EDITS you could find yourself submitting ideas for your cover for your editor to take to COVER CONFERENCE. This may involve you submitting character descriptions, pivotal scenes, photographs or images of settings/characters/clothing/weapons etc.

My editor asked for my input and I put together a portfolio of ideas for her to take to the cover conference with the art department. And, once the cover was done, I was able to feedback and request (smallish) changes.

The COVER COPY crew will write the back cover blurb and try to come up with a tagline for the front cover. This is part of the process where an author usually gets the most input into as you're the one who knows the story inside and out. You can suggest changes - producing a blurb that accurately reflects the story is vital.

GALLEYS involve checking the manuscript from cover to cover - including the acknowledgments or dedication pages - for errors. Spelling, punctuation, style, formatting, names, words specific to your world-building etc. This isn't the time to rewrite big chunks or change the story. Again, you're more likely to be given a deadline to complete this by.

BOUND GALLEY's/ARC's may or may not be send to you - it depends whether this is in your contract. These are printed versions of your book, just without the cover art. You can use them in contest give-aways or for promo purposes.

Sometime between LINE EDITS and receiving your GALLEY you may be assigned a publicist. She'll help plan your marketing strategy and line up promotional opportunities like interviews, book reviews with bloggers, book signings, media interviews etc.

The last part of the publishing process is seeing your BOOK IN PRINT! In traditional print publishing this may be a process that takes a whole year - and it's a cause for celebration!!! Yay! You'll receive your allotted amount of author copies, to do with whatever you like ie.promotion, give-aways, hand out to family etc.

Then you get to PROMOTE yourself - in any number of ways, over a range of media. Bookmarks, postcards, signings, blog interviews, guest blogs, radio or newspaper interviews, magazine articles...the list is endless (and time consuming, VERY time consuming).

Now while I've outlined this process in a fairly linear fashion, if you sign for a multi-book contract like I did, then you'll find yourself juggling elements of each stage, from book to book. For example, as you're doing galleys for one book you may be giving your input for a cover conference and writing another book all at the same time! And you'll repeat this juggling act with every book you submit.

But, I have to admit, while this year has been a whole new learning experience and there's been some ups and downs, for the most part I've found the process fascinating and enjoyable. And I wouldn't swap it for anything! :-)

4 comments:

  1. thank you for an other interesting post

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  2. Oh I am so glad for that last senetnce, Kylie!!! It was sounding like a heck of a lot of work.

    Thanks so much for keeping us informed and ever-hopeful :)

    Cath

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  3. Producing a book, whether you're published or unpublished is a heap of work but if you burn with the passion and can imagine nothing other than seeing it completed then the effort is all worth it.

    I think you'll find all writers have this in common. We can't not write or see a book achieve the best it can. :-)

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